An Unexpected Concert and the Palau de la Musica Catalana

Robin had an eventful first few days on the Queen Victoria.
Three concerts in three days, one of which came as rather a surprise.
After settling in, his first performance went very well, with a particularly good response from the audience to the three pieces by Dilermando Reis, and 'Zapateado', by Sabicas.

On the second day Robin couldn't understand why people kept saying they were looking forward to his concert - later. (He was lying on a sun lounger reading Sherlock Holmes at the time...)
As far as he was aware this was a day of rest and rehearsal.
Eventually, he returned to his room only to receive a frantic 'phone call.
There had been some sort of schedule mix up and he was asked to play an extra performance that very day - in an hours time.
Actually, I'm quite pleased I wasn't in the vicinity when he took the call...

Luckily Robin has four complete programmes at his fingertips at the moment, so he rushed off to warm up and prepare for this unexpected concert.
Despite the short notice the performance went very well, as did the one the following day.

Since then Robin has had plenty of time to recover.
He arrived in Barcelona and made straight for the 'Palau de la Musica Catalana'.
The reason for his interest, was not only the stunning building, but also because this was the venue for the premiere of Rodrigo's 'Concierto de Aranjuez', back in 1940.

He thoroughly enjoyed his day soaking up the history and only detoured to a guitar shop he has visited once before. (Mainly because it was nearby and Robin can't resist any guitar shop, but also because he has been there once before and discovered they stock copies of his book, 'The Guitar Gymnasium'.)

Since then he has been to Monte-Carlo, well actually a port not far away as the weather was too bad to dock in Monte-Carlo itself, and then to Civitavecchia.
Today he should have been in Alghero, Sardinia, but once again the weather has thwarted plans and the QV is unable to dock.
This is rather a shame as Alghero looks very nice and is also one of the few places Robin hasn't been to before.
Never mind. Maybe next time.

Miles Davis, Stravinsky, Herrmann and The Beatles - A Musical Connection?

One of the nice parts of Robin being home for a few weeks is that we get to spend time together listening to music.
Generally the whole family is involved in this practice and occasionally some strange conversations ensue.

It's so important for everyone to listen to a variety of styles, but more so for musicians.
For centuries musicians from all genres have listened to and learnt from their predecessors. Inevitably they are influenced by the music they hear and especially those pieces which have a powerful effect on them.

The whole conversation started as we listened to the Psycho Suite by Bernard Herrmann.
The original handwritten score for this seminal piece of film music was recently offered for auction but, suprisingly, didn't reach it's minimum price.

Herrmann always will be associated with the many fabulous scores he wrote to complement some of Alfred Hitchcock's most successful films.
One of the most famous being 'Psycho'.
Most people recognise the famous dissonant violin glissandi which are inextricably linked to the famous shower scene, but in fact the entire score is an outstanding piece of music.

This brought the conversation round to George Martin and The Beatles.
Apparently, after seeing Psycho, George Martin was inspired to write the string quartet arrangement for Eleanor Rigby.
When you listen to the original Beatles track rcorded in 1966 you can certainly hear the 'Psycho' influence.

But our musical connections route continued.
Robin felt there was another connection to Igor Stravinsky's 'The Rite of Spring'.
As we listened we both could hear echoes of Herrmann's Psycho Suite.
Could it be that Bernard Herrmann had been inspired by The Rite of Spring?

Then an even more unusual twist.
Robin realised there was a possible connection between the second lyrical theme from the Psycho score and Miles Davis' second contrasting lyrical theme from 'Milestones'....could it be that Herrmann was, wittingly or unwittingly, also influenced by Milestones?

We could certainly hear similarities between this and the second theme of Psycho which provides a perfect release of the tension created by the initial rhythmic and nervous twitching of the strings.
'Milestones' predates Psycho and could well have been part of Herrman's musical landscape.
No music is composed in a vacuum and influences can be very diverse and, sometimes, completely unexpected.

'The Waterfront' - New on Reverbnation

Today I am going to talk about a new track I have added to the player in the side bar, which is also available on our Reverbnation page.

The piece is called 'The Waterfront', and came about after a long day in the recording studio with the Hill/Wiltschinsky Guitar Duo.

The engineer asked Robin to stay behind as they had been working on a piece and wanted some electric guitar adding.

Always ready for a challenge Robin put away his classical guitar and was duly supplied with an electric one.

The resulting piece of music is strangely hypnotic, and in a very different style to the one Robin had been working on all day!
In total it is 4 minutes 36 seconds long and as the piece progresses there are a few Hill specialties in there with some nice answering phrases.

So listen and enjoy 'The Waterfront', either in the side bar player, track 4, or over on Reverbnation.

The 'Concierto de Aranjuez', an ancient vinyl & advice on nail care

For a solo performer there is always something particularly exciting about being on stage with an orchestra.
The powerful sound of this mighty instrument, especially when sitting inside it, is incredible, and to be surrounded by so many people with the common interest of making music is a delight.

But not without its worries.
For the soloist a lot is at stake.
They shoulder the responsibility of the major part of the performance.
That's why so many months, and in fact years, go into the preparation. Robin was actually hard at work on this piece the day after this performance and had, as is often the case, learnt much from the previous day's experience.

Robin has performed Rodrigo's, 'Concierto de Aranjuez' a number of times before.
The most prominent being with the Liverpool Philharmonic in front of an audience of 3500 people.

But Saturday's concert with the Fylde Sinfonia, conducted by Peter Buckley, was equally important as was reflected by the full house and enthusiastic audience.

Already a comment, and question, have been left on Robin's site, in the guestbook. For anyone with an interest in guitarists and their nails you may like to read Robin's response!

But being a soloist is also a lonely pursuit.
Here's Robin trying out the acoustics in the venue earlier in the day:




Looking slightly preoccupied here:






The advantage Robin had was his guitar. After much deliberation he decided to use his 1980 Rodriguez. This is such a powerful instrument that only minimal amplification was needed, as you can see in this picture:





Between rehearsal and performance Robin was able to admire some of the other instruments:




Then of course you can always abandon your valuable guitar and leave it balanced precariously on a chair....




The concert itself went very well.
Audience, orchestra and soloist all enjoyed the experience and after the event Robin had the opportunity to speak to many people.
He was somewhat surprised to find himself talking to an ex-pupil, from 1981, who was brandishing a vinyl copy of, 'Virtuoso Music for Two Guitars' on Hyperion label, by Hill/Wiltschinsky!
We have recently re-released this album, plus a few bonus tracks, as 'Arrival'. You can read about it here, and listen to/buy on CD Baby, iTunes and many other digital outlets.

Super Mario, Shame Nose Flute, Guitar Strings Revisited

It has been quiet on the blog front since Robin's return from the Amazon but be assured there has been plenty going on.
The majority of time has been spent in practice, and lots of it, for concerts that are coming up and also working on new pieces.

However, there also seems to have been a stream of guitars arriving at the house, three in total, all to be tried, tested, and enjoyed.
Although all three are lovely instruments, none have passed the Hill test and will be returned in the next few days.
I shall not only be breathing a sigh of relief, but also very pleased to reclaim the downstairs of the house.
Three guitars in large flight cases, plus three huge boxes and the accompanying packaging, all take up rather a lot of space.

While all this has been going on I have rounded up another couple of unusual Google searches for you.
They are always popular and also serve to remind me about some of the strange things I have written about over the years.

1) How to play Mario on the guitar?

As we have two young sons I am fully aware that the person making this search was far more interested in Mario and Luigi than the Mario I was discussing..., but I hope they enjoyed it anyway. Here is where they landed:
'Hill/Wiltschinsky Guitar Duo Play Mario Gangi'

2) Polynesian nose flute national instrument

The post I wrote in 2007, 'Shame (Flute) about the African Nose Trumpet', has been a surprise hit for me. This post gets so many hits, mainly from America, and I have yet to figure out why???

3) Opera tea cosy

This search landed on the post, 'Opera House Odessa, Snails and a Tea-Cosy', one you may well remember from earlier Google searches due to the tea-cosy element.

4) Recorder notes to old house

One of the more unusual requests but none the less, they found their way to, 'Notes on a Recorder to Notes on a Scandal'.

5) Bird paintings by Robin Hill

This final search left me a little baffled as the unsuspecting researcher landed on five different blog posts, none of which I can really figure out. So if any of you can offer up a theory then feel free to leave a comment!

i) 'Classical Guitar Sound Waves...'

ii) 'Monet for Nothing...'

iii) 'An Eerie Quiet in Hillhouse'

iv) 'Domenico Scarlatti and the Honky Tonk Piano - Revisited'

v) 'The Many and Varied Uses of Savarez Guitar Strings...'

Escape from Devil's Island

Robin has been home for a few days now and had time to reflect on his latest trip.
From a musical point of view it was a huge success.
Two concerts, both very well attended, were enjoyed by audience and musician alike.

But this particular trip took Robin to some incredible places.
He has returned with hundreds of photographs and many memories that shall remain with him always.

As this is all about the life of a musician, I thought I'd share some of the photographs with you.
I think the first is so evocative of the whole region.
To look out of your window and see the muddy waters of the Amazon against the backdrop of the lush rain forest is an amazing sight in itself.
But then to have a brief snapshot of life on the Amazon takes it to another level.





The local people, of all ages, from the very young to the old, paddled up in their canoes to wave and say hello:




All this against the exotic sounds of the jungle that were all around.
It was a heady experience.

But the fascinating tour continued.
After a few days they arrived here:



Devil's Island is an extraordinary place and one that, generally, is only enjoyed vicariously through travel programmes, history classes or through books such as Henri Charriere's, 'Papillon'.

Whilst the wildlife is certainly exotic and plentiful:



The accommodation for the prisoners was far from attractive:




It must have been an horrendous experience for all those poor souls interned in such a place.
The humidity and heat is intense, and solitary confinement and torture were rife at the time.
To add to the inmates' joys the coast of Venezuela can clearly been seen from the small islands but any thoughts of escape had to be carefully planned as the surrounding waters were, and still are, shark infested, which is not exactly conducive to an exhilarating swim for freedom.

But even on the island great care is needed when walking around.
Can you discern a rather 'snappy' friend which Robin, luckily, spotted before it spotted him....



But the advantage of visiting Devil's Island as a tourist, (or in this case musician having a few hours off...) rather than a prisoner, is that you get to leave at the end of the day and return to the luxury of your room:



Robin only spent a short time on the Island as his concert was that evening.
But he was there long enough to realise how desperate and difficult it must have been for the inmates.
Somehow his guitar concert that night felt slightly easier...

First Performance and a pair of Pink Dolphins

Robin has been having quite an adventure, and seen some fabulous sights, over the last few days.
Unfortunately internet access is painfully slow, if working at all, so he has been unable to send any photographs.

However, after one conversation, which was constantly interrupted by shouts of, "Wow, a pair of pink dolphins," I have found you a picture:



These are incredible, beautiful creatures, which are now at risk due to the rapid changes in the area. You can read more about them here.
The need to preserve this fabulous part of the world is something that Robin has been involved in previously. Here's the post, 'Help Save the Brazilian Rainforest'.

Robin also really enjoyed watching as groups of very small children paddled up to the ship in their canoes, waving and smiling, and generally having a wonderful time.

But there has also been work to do.
During this trip Robin has had two concerts to perform, the first of which was on Friday.
It was an easy job for the sound man on this occasion as all that was required were two microphones and a chair with no arms!
So after a simple sound check the concert got underway and went very well indeed.
Since then Robin has had the opportunity to speak to many of the audience and received excellent feedback.
No comment yet from the pink dolphins...
I do hope they manged to pick up a few sound waves and enjoyed the experience.

Today is concert day once again.
Preparations will have started, and luckily they are now heading towards Devil's Island, and the sea has calmed down a little.
That's a relief as it isn't much fun practicing scales and arpeggios whilst trying to remain upright in ones chair.

Arrival in the Amazon, Caruso and Fitzcarraldo

Finally, after a very frustrating and tedious journey, Robin has arrived at his destination and joined Seabourn Pride.
All started off well, in that he arrived at Manchester airport on time, but things deteriorated from there.

A delay in take off resulting in a missed connection and a 10 hour wait in Paris....

Those following Twitter will have read about events as they unfolded, and the support and advice on, 'ways to amuse oneself during long delays at airports', were much appreciated.
Special thanks must go to one of my Twitter friends, missmussell, over on, 'The Omniscient Mussel', for providing games and advice during this time!

On reaching Sao Paulo, and once more 'waiting', Robin was rather amused to hear someone calling his name.
It was a magician, who had appeared from nowhere, and was accompanying Robin on the final leg of his journey.
He was pleased to have the distraction of some much needed company by this point.

But after 38 hours Robin arrived in Manaus, Brazil, and was able to recover from his journey in luxury.
Incidentally, Robin made it with only about 3 hours to spare...no wonder we were all getting a little tense here.

Manaus is an incredible place, situated in the middle of the Amazon forest. But it isn't as one would imagine. Having become very wealthy in the early 20th Century, Manaus is a bustling city.
The Opera House, built during the heyday of the rubber trade was once visited by all the most famous Opera Divas and Maestros.

Thankfully Robin has a few days to recover and acclimatise before his concerts, the first one not being until Friday and the second a few days later.
When Robin joined Seabourn Pride she was actually docked on the Rio Negro, but within a few hours set off to cover the 4 miles to the Amazon.

He's ready for it though.
Last time I spoke to him he was heading up to the top deck armed with an old 78 of Caruso, which he was going to play at high volume.
If you are unsure what I'm talking about, then you are probably unfamiliar with Brian Sweeney Fitzgerald, a rather eccentric character. His story was told in the film, Fitzcarraldo.

Concert in Mugdock

Mugdock Country Park was the beautiful setting for a highly successful concert last night.
As predicted, the venue was sold out well in advance, which always bodes well for an appreciative audience.
Robin wasn't disappointed.

It was one of those nights when all factors seemed to fall into place.
Not just musically with a lovely programme including pieces by, Tarrega, Sor, Brouwer, Dyens, Albeniz and Sabicas. Not to mention some of Robin's own compositions, one being 'Return to Islay', which he composed after being inspired by the beautiful island of Islay on a previous Scottish tour.

This piece he dedicated to the memory of an old friend, and previous manager, Dave Barnes, who had first introduced Robin to Mugdock, and seen him perform there many times.
Some of his family and friends were present and a few tears were shed during this tranquil and evocative piece.

But equally as important as the music are the spoken introductions.
It's vital that any artist engages with their audience to create a wonderful and entertaining evening.
As I have said previously here on the blog, luckily for Robin, he is quite at ease with this aspect of his performance.
That isn't to say he doesn't invest a lot of time and energy researching the pieces he is playing, and deciding the points of interest which may just add that little bit more to the audiences enjoyment.
Alongside short discussions about the techniques employed in certain pieces this makes for interesting listening for guitarists and non-guitarists alike.

There was one difficult moment for Robin, right at the beginning of the concert, in the first piece, Malaguena.
Part way through his false thumb nail flew off.
Regular readers will know this happens from time to time.
On this occasion he was able to complete the piece and the offending nail was pointed out to him by some of the more observant members of the audience.
He retrieved it and re glued it into position all whilst introducing the next piece.

Many of the audience spoke to him after the concert which is always a nice way to receive feedback.
Then it was back to the hotel before a quick dash to a local pub to partake in a little post concert relaxation.

Now he is home but not for long.
Packing is underway for an exciting trip next week.
Although Robin does find it difficult spending such a lot of time away from home, even he is looking forward to this one.
It will be a first for him and you will just have to keep checking in to find out where he is and what he is doing......

The Stories Behind the Music - Robin Hill on Reverbnation

Many, but not all, of the pieces featured in the new player, found in the sidebar, have been discussed here before on this blog.
But I thought it might be nice for new readers and followers to access the background information to these pieces, and have the opportunity to listen whilst they learn about some of the history of Robin and his music.

So to make life easy for you I have put all the links together in this post today.
So here goes.

Track 1: Eternal Dance.

Eternal Dance has been discussed many times here as it is a powerful piece of music. To learn more about the concerto version, as found on 'Virtuoso', visit. 'Arrival on iTunes and Eternal Dance - Robin Hill'.

For the quartet version, found on, 'Eklectica', then try this page, 'Robin Hill and Eklectica Play 'Eternal Dance'.

Track 2: Hispanic Dance.

One of the posts relating to 'Hispanic Dance' gives details of the composer, Claude Bolling, and more information about the four members of 'Eklectica', alongside details of the seven movements featured in the concerto, of which Hispanic Dance is the first. 'Robin Hill Plays Claude Bolling's 'Concerto for Classic Guitar and Jazz Piano Trio'.

Track 3: Bach Invention No 8.

Bach invention was first mentioned, very briefly, here, and in a bit more detail with this post, 'Robin Hill and Peter Wiltschinsky 'Arrival'.
I must say, that the Bach, along with track 8 on Arrival, Felix Mendelssohn's 'Song Without Words No1 Op62', are two of my duo favourites.

Track 4: Fiesta de Xabia.

I should point out that no bulls were hurt during the inspiration for this piece. To understand how Fiesta de Xabia was conceived then read, 'Fiesta de Xabia' by Robin Hill - Guitar'.
As yet, this piece is not available to buy, but one of the advantages of reading a blog such as this one is that you get little taster of things to come!

Track 5: Tarantella - Suite Italiana.

Suite Italiana was composed especially for the Hill/Wiltschinsky Guitar Duo, which you can read about here.
This honour came about after Mario Gangi heard the duo performing one of his pieces, 'Suite Spagnola', which you can read about on the post, 'Track 4 - 'Arrival' - Mario Gangi'.

Track 6: Wheatfield Under Troubled Skies.

This is an orchestral composition by Robin and you may be surprised to hear there isn't a guitar in it!
It's a beautiful piece of music and there are more details on the post, 'World Premiere - 'Wheatfield under Troubled Skies' - Robin Hill'.

Track 7: Palace of the King.

Now for something completely different, and one that really does highlight the unusual twists and turns that a career in music can take.
This is true Rock 'n' Roll with some of the world's best. Read this, 'Deep Purple Haze Days'.

Track 8: Wizard of Waukesha.

This is one of Robin's bands, Hooper, and yes, the man in the picture with very long hair, and playing a Les Paul guitar, is Robin....take a look here.

Track 9: Fast Forward.

This song has been around for many years, and is another example of Robin on electric guitar, playing one of his own compositions. To find out more about Robin's band, 'Hooper', (which, incidentally, includes two BBC Philharmonic Orchestra players!) read, 'Robin Hill and Travis Bean...Rewind to Fast Forward.'

Track 10: Caprice No 7 - Legnani.

Another example of a track not yet available to buy, but our gift to you. Learn more about Legnani here.

Finally,

Track 11: Celebration.

'Celebration' is a song performed by another band Robin has been involved in. They made an incredible sound and had a phenomenal brass section. Check them out at, 'Force Ten To Be Reckoned With'.

So there we are.
A little bit of history attached to all the tracks currently in the player.
I can, and will, be adding new pieces from time to time, so be sure to keep checking!
Just follow the link and then 'click' on the desired track in the player.

Robin Hill Joins Reverbnation

You may have noticed a few new elements to this blog.
To help spread the word of music we have now joined Reverbnation. This is Robin's Reverbnation page.

This enables us to reach a wider audience and also to share in other peoples' musical experiences.
There's a permanent link to this page in the sidebar, plus an area for you to add your email address, if you wish to keep informed of any new developments.

You will also see a music player in the sidebar which has a selection of solo, duo and electric guitar pieces, (all featuring Robin), for you to choose from.
This will remain in place, and there should be something there to suit whatever mood you happen to be in!

So have a listen, and remember, you can play any of these tracks whenever you visit.
Enjoy!

Two Guitar Concerts for You

Two dates for your diary:

Mugdock Country Park - Friday 27th February @ 7.45 pm

Mugdock Country Park is a beautiful setting, and one of Scotland's most popular visitor attractions, making it ideal for an evening of lovely music.
Details of the concert can be found here, 'Mugdock Country Park - Events,' and as they say on their page, "booking is essential," "classical guitar at its best," and, "not to be missed!"
Robin has performed here many times before, so if you are able to attend, I really do recommend order tickets very soon.
They are priced at £15/£13 which includes a light supper in the interval.

However, if you can't wait that long, and happen to be in the Blackpool area tomorrow, you can catch a lunchtime recital in Poulton-Le-Fylde.
It's the perfect way to spend your lunch break, with the hour long concert starting at 1pm.
The venue:

Poulton-Le-Fylde Methodist Church
Queensway
Poulton
FY6 7ST

I know it will be Friday the 13th, but we're not superstitious here....
Apparently, for those not familiar with the area, the Church is near the Teanlowe Centre.

House Concerts with Robin Hill

Isn't it strange how trends ebb and flow over hundreds of years?
Here I am about to discuss a phenomena that has taken America by storm and is beginning to make waves here in the UK.

A house concert is literally that.
A concert in your own home.
You don't even need a particularly large space as the whole point is to create an intimate environment in which to enjoy live music.
Think miniature Carnegie or Wigmore Hall in your own living room.

Generally these are private events and all that is needed is a reasonably sized group of friends to share the experience with you.

But in the area of classical music, this is certainly nothing new.
Musicians toured, performing at peoples homes as a matter of course, through the 16th/17th/18th and 19th Centuries.
Frequently they would compose a piece of music specifically for their host or patron, sometimes to celebrate a particular event.
For example, John Dowland's, 'The Earl of Essex Galliard' and 'Mrs Vaux's Gigge'.

Whilst lutenists may have paved the way, the guitar is ideally suited to concerts in intimate environments where it can be heard at its unamplified best.

Robin is used to performing concerts in a variety of settings.
From major venues with audiences in the thousands, (I think the largest being with Pavarotti were there were 25 000, and 3 500 for a performance of Rodrigo's Concierto de Aranjuez with the Liverpool Philharmonic, and I don't know how many when he played the James Bond theme at the Proms in the Park, London!).
Or T.V. shows beamed to 6 million viewers (admittedly he couldn't see them all but he knew they were there...), to average sized smaller venues of a couple of hundred people.

But Robin, like many musicians, actually enjoys performing in smaller settings.
To be able to see the audience, (stage lights usually mean you can't make out any details past the first few rows), and receive immediate feedback, is very rewarding.
Robin has actually frequently performed what are now called, 'House Concerts'. Often they have been associated with events, an example being a surprise birthday party for a lifelong guitar enthusiast and maker.
You can imagine how pleased he was to find Robin in his lounge, right in front of him, and to have the chance to speak to him between pieces!

So now you can take advantage of the centuries old tradition of holding your very own House Concert.
For anyone with an interest in music, the guitar in particular, the opportunity to observe a performance in such close proximity, and have the chance to talk to Robin about technique, hand positions, scales and arpeggios, the price of fish.. whatever you like really, would be highly enjoyable for both parties.

Neither does it matter where you live.
Robin performs all over the world as it is.
We would simply tie it in with his schedule, or even promote a tour simply for house concerts in your area/country.
All you have to do is contact me to discuss availability, length of concert required etc. I should also point out that it won't cost the host house anything! All will be explained when you contact me.
It really is that simple. Steve Lawson (solobasssteve), has recently toured the US, organising many of his house concerts through twitter whilst en route!

So contact me, in whatever format you prefer....
Give it a try and be the envy of your friends!

Rodrigo Round Cape Horn and from Chile to Chilly

After Robin's arrival in LA, he didn't catch a flight home to the UK, but instead made the long journey to Rio de Janeiro, Brazil.

Unfortunately he didn't have any time to explore this exciting place, (but will be back there later in the year), as he had to immediately board Cunard's QM2 as she set sail.

Nor was there much time to acclimatize as his first concert was the very next day.
So it was straight down to some serious practice to get the travel weary fingers in perfect working order.

Despite feeling decidedly jet lagged the concert went very well and made an immediate impression on the audience, many of whom attended the other two solo concerts he performed.

But Robin was also reunited, albeit temporarily, with his old friend Izzy Cooper. You can read more about Izzy here, 'Review: Robin Hill & Izzy Cooper' and 'Post Rodrigo Adagio'. Alternatively, if you type Izzy Cooper into the 'search this blog' function at the top you will find all the references I have made.

A musical collaboration did take place as Izzy asked Robin to join her to perform Rodrigo's 'Aranjuez Mon Amour'. He did, and it was a huge success.
Shortly after Izzy left and another friend, also a soprano, Annette Wardell, arrived.
I have previously mentioned Annette here, 'Soprano, Socialising and Nova Scotia.'

The headline acts tend to stick together, as there are only a couple on board at any one time, and Annette certainly helped out during Robin's last concert when she manned the computer to 'bring in' the orchestra as Robin performed the entire movement of Rodrigo's 'Adagio', from the Concierto de Aranjuez.
Annette did well, and coped with the tricky orchestral entrance after the second cadenza.
Having said that, Robin also did well and was rewarded with a standing ovation and request from passengers to perform more concerts!

Whilst all these musical events were taking place the QM2 navigated the trecherous seas around Cape Horn.
This was actually Robin's second experience of Cape Horn and it was relatively calm as opposed to his last experience when they were 40 foot high and breaking windows of the lower decks...see 'Stormy Weather' to refresh your memory.

Fianlly Robin arrived at Valparaio, Chile, and was driven to Santiago to begin the long and tortuous journey home.
Whoever books the flights certainly likes him to suffer for his art as he endured a 12 1/2 hour flight to Madrid, 4 hours to London, Heathrow, then just time for a quick coffee on the 40 minute flight to Manchester.

Thankfully he avoided all the snow which hit us the following day.

A Frog, A Jaguar, A Concert and Rodrigo

Time to update you on some of Robin's activities over the past few weeks.
At the beginning of January he set off for Miami where he joined Crystal Serenity.
It was over a week before his first concert so there was plenty of time to adjust, and to enjoy the sunshine in Grand Cayman, before any serious practise started.
But daily practise is required whether it's a concert day or not.
As I've said before, Robin sometimes feels a little inhibited rehearsing in his room for fear of disturbing his neighbours with endless scales and arpeggios.
So if possible he finds a quiet place somewhere and takes himself off.

On one such occasion he was joined in the lift by an American couple.
As is often the case in lifts, either everyone stares straight ahead into a void of silence, or, someone starts a conversation.
The couple chose the later and asked Robin if there was a guitar in the case or was it a machine gun?
His reply, "It's a guitar but played like a machine gun, however today I'm just supplying elevator music."
He spends a lot of time with comedians...

I did receive some very enthusiastic emails from Cartagena, Colombia, as Robin had purchased a beautiful frog:



He was delighted with it and put his new friend on display in his room.
It was with some dismay that a few days later he found a small piece of wood on the floor.
Not a frogs leg but definitely its foot.
Luckily, as I have said before, no guitarist travels without superglue for those emergency nail repairs, so within minutes he had repaired the footless frog.
The next day a very sheepish and anxious housekeeper appeared uttering the words, "I'm very sorry Mr. Robin but I broke your frog."
Not a sentence he ever thought he would hear.
She was greatly relieved to see that no long lasting damage had been done.

After bird spotting through the Panama canal, and a day on the Pacific before arriving in Costa Rica, still no concert had been performed.
But, it was scheduled for that evening.
So there was only time for a quick trip into Caldera, in which Robin returned with a tray:




I must say that I was relieved that the concert had finally arrived.
The tension mounts gradually when away for so many days just waiting for concert day.
It went very well and the American couple discovered, that when required, Robin can in fact play the guitar like a machine gun....

After a couple of days at sea, a quick visit to Puerto Chiapas, Mexico, and some dolphin and sea turtle spotting off the coast of Acapulco, Serenity arrived in Cabo San Lucas.
Robin likes it there. You may remember this post involving an iguana and a sombrero.
This time there was no sign of the iguana but there was a rather splendid wooden jaguar head:



Or maybe you prefer this view:



Shopping aside there was work to be done.
After the success of the first concert Robin was asked to perform a second one.
As you know he is currently rehearsing Rodrigo's 'Concierto de Aranjuez' for a performance later this year.
He had also been spending time with Naki Ataman, a pianist Robin has met a number of times.
You can read about a previous meeting with Naki in this post, 'Dangerous Time in Los Angeles...'

A musical collaboration emerged when Robin asked Naki to join him onstage to perform an arrangement of Rodrigo's Adagio for piano and guitar.
The introduction:

"Normally I perform this piece with an orchestra but tonight I have replace them with the incredible Naki Ataman. Up until today we have only ever played tennis together."
It went beautifully and both audience and musicians were very pleased.

Eventually Serenity arrived in LA and Robin was required to dispose of some clothes in order to pack a jaguar head, frog, tray etc.
I am now left wondering where exactly we are going to put them....

Vicky Cristina Barcelona - Woody Allen

The film, 'Vicky Cristina Barcelona', which was written and directed by Woody Allen, won a Golden Globe Award in 2008.
Now, Penelope Cruz has been nominated for an Oscar, as best supporting actress.

The film is about two young American women, Vicky (Rebecca Hall) and Cristina (Scarlett Johansson) who spend a summer in Spain, and meet the flamboyant artist, Juan Antonio, (Javier Bardem).
Penelope Cruz plays the beautiful, yet insane, ex-wife of Javier Bardem.

But the reason I am discussing 'Vicky Cristina Barcelona' here, is the music.

The title song, 'Barcelona', which was written and recorded by 'Giulia y los Tellarini', (at the time a little known Spanish band), were shocked when approached by Woody Allen's team.
Rumour has it that the girlfriend of one of the band members sent a copy of their CD to Allen's hotel.
On hearing it, Allen realised it was just the sound he wanted, and attempted to make contact.
After initial attempts to reach the band though MySpace, (they thought it was a joke), eventually a deal was done.

But it is the soundtrack to the rest of the film which particularly interests me.
Paco de Lucia performs, 'Entre Dos Aguas', Juan Serrano plays, 'Gorrion' and 'Entre Olas'.
Those two performers alone are enough to make me want to see the film, but with interpretations of 'El Noi de la Mare' (Trad. Arr. Llobet), 'Granada' (Isaac Albeniz) and 'Asturias' (Isaac Albeniz) it seems hard to resist.

You can of course hear Robin's version of some of these tracks on 'Virtuoso'.

A film set in Spain should incorporate this fabulous music.
I know of at least one guitarist that will be watching simply to hear the guitar being played in a major film!

PRS Revisited

One of the great things about blogs is that interest in an old post can be rekindled at any time.
There may be an immediate response, and comments sent in relation to a particular item discussed, or this can occur days, weeks, months or even years later.

Back in June 2008 I wrote a post, in response to a newspaper article, called, 'Time to Pay - The PRS Licence.'

Initially, like all my posts, it had a steady stream of readers from around the world.
Then just before Christmas a flurry of comments flew back and forth between myself and an anonymous reader.

After a break for the Christmas period they have returned with more thoughts and ideas on the subject.

Many of my regular viewers will be unaware that this has been happening.
So, today I decided to redirect you all to the original post.

Before you do though, coincidentally, today I read another article which is not unrelated, 'Pirates win music download battle.'

Here's the post.
So have a look at the various articles and feel free to enter the debate!

Latest Batch of Unusual Google Searches

I have decided to share a few more unusual google searches with you today.
This time, for your added entertainment, I have also shown the page on which the unknown searcher landed.
For some there is an obvious connection, others are little more obscure, but that's the nature of Google!
The 'search', in bold, is exactly as I found it.

Here goes:

1) "What was with President Bush's eyebrows last night?"

Now, I don't know what President Bush had been doing with his eyebrows that prompted this search, but here is the page they read:
'Concert Comments and George Bush's Eyebrows'

2) "Possessed by a musician"

Are they possessed by a musician or do they want to be? Who knows.
'John Dowland and a Man Possessed'

3) "Boho Dance and Consumption"

This found a post from back in 2007 which mentions the fabulous Joni Mitchell:
'Robin Hill's 'Unofficial' Desert Island Discs'

4) "Bob Dylan's trousers"

I have no idea why someone was interested in Bob Dylan's trousers but this is the page they read:
'Bob Dylan, BBC Radio 2 and the 'Wrong Trousers'

5) "The Robin Hill flower of Congo"

As the name Robin Hill actually featured in the search it isn't that surprising the visitor arrived at this blog. But here's where they landed:
'From Romanian Gipsy Music to a Latin American Wedding'

6) "Brazilian rosewood fined jailed arrested"

Although guitars can be made from Brazilian rosewood I don't think that's what they were looking up, nor do I think they expected this:
'Concert, Corruption and Recording Company Chaos'

7) "Light on a Turkish Hill"

Strange but true!
'The Clairvoyant Rabbit and the Turkish Shoeshine Scandal'

8) "Felt poodle tea cosy"

I'm assuming somebody somewhere has the desire to purchase a tea cosy in the shape of a poodle...
'Cosi Fan Tutte'

and finally for today,

9) "How many hours from Alicante to Malta by aeroplane?"

Whilst not actually answering the question I hope this visitor enjoyed the story anyway!
'Coffee in Alicante'

One thing that has become apparent whilst preparing this post is the fact that I seem to have come up with some rather strange titles over the years. No wonder Google keep sending people our way.

Bang & Olufsen Part 2

Better late than never - here, finally, is the post I promised back in November, 'Bang & Olufsen Part 2'. You can read Part 1 here.

The idea was for the audience to enjoy some wonderful music whilst demonstrating some of Bang & Olufsen's equipment.

It was a most successful evening. The venue was full and the audience appreciative.

The evening didn't get off to a fantastic start, as Robin managed to fall over a wall outside, and arrived covered in mud. The staff were concerned and very helpful, but despite numerous attempts to remove layers of mud from his suit, he did have to perform minus his jacket.

Not that this mattered.
The set up used was Robin's own microphone, (Sennheiser 441) and amplifier, (AER Classic), played through the most incredible speakers you could imagine, the Beolab 9.
Not just in the quality of sound, which was very clear and highly refined, but also in their appearance.
They would not have appeared out of place in an episode of Dr.Who as they strongly resembled a pair of Daleks flanking Robin as he played, but the sound was incredible.

In fact here's a picture:



You can clearly see one of the speakers on the right.

During the interval the audience had the opportunity to admire the equipment and chat to the store staff, and later, to Robin.

The combination of high quality equipment and beautiful music made for a highly memorable evening.

Freddie Hubbard 1938-2008

We start the New Year with the sad loss of one of the greatest jazz trumpeters of all time, Freddie Hubbard.
You can read a report here.
Born in Indianapolis in 1938 he first recorded with the Montgomery brothers before moving to New York and quickly establishing himself within the jazz scene.

By 1966 Hubbard worked mainly with his own quintets and quartets, although finding time to tour the US with Herbie Hancock's group V.S.O.P.

Hubbard recorded many albums and participated in experimental sessions such as with Ornette Coleman's, 'Free Jazz', and John Coltrane's, 'Ascension'.

The 'New Grove Dictionary of Jazz', describes him as, "foremost hard-bop trumpeter, his improvisations combining imaginative melody with a glossy tone, rapid and clean technique, a brilliant high register, a subtle vibrato," and employing "bluesy, squeezed half-valve notes."

It's good to know that audiences were able to enjoy his music live until very recently.
Only last year I had a 'phone call from Robin as he walked the streets of New York, to say he had seen a poster advertising a performance by Freddie Hubbard, later that day.
Unfortunately Robin couldn't attend as he was leaving at the time.

What more can you say?... except that the music of Freddie Hubbard will inspire and entertain for many years to come.