Vicky Cristina Barcelona - Woody Allen

The film, 'Vicky Cristina Barcelona', which was written and directed by Woody Allen, won a Golden Globe Award in 2008.
Now, Penelope Cruz has been nominated for an Oscar, as best supporting actress.

The film is about two young American women, Vicky (Rebecca Hall) and Cristina (Scarlett Johansson) who spend a summer in Spain, and meet the flamboyant artist, Juan Antonio, (Javier Bardem).
Penelope Cruz plays the beautiful, yet insane, ex-wife of Javier Bardem.

But the reason I am discussing 'Vicky Cristina Barcelona' here, is the music.

The title song, 'Barcelona', which was written and recorded by 'Giulia y los Tellarini', (at the time a little known Spanish band), were shocked when approached by Woody Allen's team.
Rumour has it that the girlfriend of one of the band members sent a copy of their CD to Allen's hotel.
On hearing it, Allen realised it was just the sound he wanted, and attempted to make contact.
After initial attempts to reach the band though MySpace, (they thought it was a joke), eventually a deal was done.

But it is the soundtrack to the rest of the film which particularly interests me.
Paco de Lucia performs, 'Entre Dos Aguas', Juan Serrano plays, 'Gorrion' and 'Entre Olas'.
Those two performers alone are enough to make me want to see the film, but with interpretations of 'El Noi de la Mare' (Trad. Arr. Llobet), 'Granada' (Isaac Albeniz) and 'Asturias' (Isaac Albeniz) it seems hard to resist.

You can of course hear Robin's version of some of these tracks on 'Virtuoso'.

A film set in Spain should incorporate this fabulous music.
I know of at least one guitarist that will be watching simply to hear the guitar being played in a major film!

Volume in Venice

Finally, word from Venice.
I have actually had a couple of 'phone calls over the day, mainly enthusing about the delights of the surroundings.
Mind you, who wouldn't be pleased to have a view of the Campanile from their bedroom?

Robin did go out and about for a while, and visited all his favourite places.
Venice is after all somewhere that you can return time and time again, and never tire of.

But, it is also his last day on board Crystal Serenity. Tomorrow he will be leaving for pastures new.
Tonight though, as requested, he attended the farewell concert, and gave a 10 minute performance.

As he took his seat, the lights were particularly strong, and he couldn't see a single thing from the stage.
Not that this matters, other than it is nice to know for sure that someone is out there!
The stage was prepared for other artists later in the show, and Robin got quite a shock when he played the first notes of Asturias.

Robin's guitar is a particularly powerful one, and he's also known for his ability to project the sound of this generally quite quiet instrument.
So he was rather taken aback when he realised that the sound system was set to 'high', and Asturias was being delivered in a manner that Led Zeppelin would have been proud.

It was fine though.
A large theatre, and, as it turned out when the applause rang out, also a large audience, soaked up the excess sound beautifully.
He played two more pieces, accompanied by whoops of delight from some of the audience, and that was it.
Job done.

Now, he can relax for the rest of the evening, and tomorrow he will have a bit more time in Venice before his flight to London.
But, he won't be coming home, not just yet anyway.
You'll have to check back to find out where Robin is off to next...

Tuning Trouble, The Wrong Trousers, and MP3 Downloads.

Robin spent some time in Manta, Ecuador, on Sunday, and managed to buy a folding Panama hat, which could prove useful as he's going through the Panama Canal again today.

But yesterday he performed his second concert.
He's been having a few tuning problems on this trip.
It's something to do with the humidity and the extreme heat, especially when under the intense stage lights.
It's easy to lose objectivity when under the pressure of a live performance, so for the concert yesterday he attached a tuner to the neck of the guitar, which reacts to the vibrations, and gives visual cues to support his own judgement.
Adjustments can then quickly be made as he plays.

He was required to do so on a number of occasions, as the guitar strings struggled with the temperature, but fortunately Robin's rather good at minor, and sometimes major retuning.
He can make small adjustments as he's playing, without missing a note, and for more major alterations, he will carry these out as he introduces the next piece, so the natural flow of the concert isn't interrupted.

There was another factor which may have helped with his pre concert relaxation, and one that I've never known Robin do before.
Usually he plays constantly prior to a performance. Either running through the programme or limbering up with right and left hand exercises.
Yesterday he decided to take some time out and unwind.
Guess what he did.

He watched 'Wallace and Gromit in The Wrong Trousers'.



I was quite amused by this. It wasn't that he'd specifically downloaded a copy on his iPod, but son number one had.
It did the trick though, Robin was relaxed, and the audience loved the programme.

Here are some of the pieces he played (not necessarily in the right order):

Asturias - Isaac Albeniz

Canarios - Gaspar Sanz

Mozart Variations

Un Dia de Noviembre & Danza del Altiplano - Leo Brouwer

Tango en Skai - Roland Dyens

Romanza - Trad.

Jota - Trad.

Again, Asturias, Canarios and Romanza can be found on 'Virtuoso', and incidentally, both 'Virtuoso' and 'Eklectica' can now be bought directly as MP3 downloads from CD Baby.

This will include MP3's, JPG of the album art, and a text file of titles, album notes and links to this site.
For the technical amongst you, the MP3's are encoded at top-audiophile-quality, (200kVBR) which is higher than many stores.
Also the files will play on any MP3 player, be it iPod, cellphone, Blackberry, iPhone, Nokia, Windows, Mac etc.

So now there's no excuse, you can listen to Robin's music anytime, anyplace and anywhere!

Concert on Cunard's Queen Victoria

I told you it was sunny when Robin went through the Panama Canal.
Here's a view from the Queen Victoria yesterday, which gives you an idea of the beautiful terrain.



Apparently the odd crocodile was spotted basking on the banks as they glided by.
Today, they are at sea, the Pacific to be exact.
It is also the day of Robin's concert.
So, I imagine he is in his room, running through the programme, to limber up before his performance. Not to mention the numerous right and left hand exercises.
Some of the pieces he will be playing are, Asturias, Tango en Skai, Jota and Canarios, so it should be a very nice programme.
I let you know more about it as soon as I have news.

Asturias - Isaac Albeniz (1860 - 1909)

'Asturias' is a very special piece of music to Robin, as it was one of the first pieces he heard played on the classical guitar, and, one of his main motivations to learn the instrument.
This occurred whilst listening to the radio, when about 14 years old, and John Peel played The Doors, 'Spanish Caravan'.
Peel then explained that the song starts with the theme from Asturias, and went on to play Segovia performing the piece, which was Robin's inspiration.

Isaac Albeniz was a Spanish pianist and composer who started as a child prodigy.
He gave his first performance at 4 and rumour has it that he was accepted into the Paris Conservatoire at the age of 7, but he broke a window with a ball he was playing with, so was denied admission.

It was Felipe Pedrell who inspired Albeniz to write Spanish music, such as, Suite Espanola, Op.47. of which Asturias (Leyenda) is the 5th movement. Despite originally being composed for piano, it is a very guitaristic piece, and was transcribed for guitar by Tarrega, along with many other pieces.
Albeniz is known to have preferred many of his pieces played on the guitar and Asturias is probably one if the most famous which now has an important position in the classical guitar repertoire.

This is one of my favourite versions of Asturias. The atmospheric build up to the triplets in the first section is incredible, and the dramatic punctuation by the powerful chords really heightens the tension before the calm of the more reflective middle section. The first section is then repeated with a beautiful coda section to complete the movement.

Happy Birthday to Isaac Albeniz

Today would have been Isaac Albeniz's birthday, he was born on the 29th May 1860.
Albeniz, the Spanish composer and pianist, is one of the most important figures in Spain's musical history.
He was a child prodigy who at the age of four, so amazed the audience with his performance, that they suspected trickery. Famously as a young child, he stowed away on a ship to South America where he entertained audiences by playing with his back to the piano and other amazing antics.
Albeniz performed for most of his life, and, continued composing until his death on the 18th May 1909.
Albeniz composed, 'Suite Espanola', of which the fifth movement is possibly one of the most famous classical guitar pieces, 'Asturias'.
Although originally composed for piano it was later transcibed for guitar by Francisco Tarrega, along with many other pieces by Albeniz.
In fact Albeniz once declared that he preferred Tarrega's transcription of Asturias to his own original piano version.
Asturias can be heard on Robin's, 'Virtuoso' album.


If you go over to Jessica Duchen's blog you will see that it is also Korngold's birthday!

Update on previous blogs:
The other day I mentioned an article by Ben Quinn on an elderly pop group called, 'The Zimmers'. Their version of 'My Generation', by The Who, has been viewed by more than two million people on YouTube. Read, 'Pensioners pop on course for number one', for the full story.
Well done to The Zimmers, and also to Tim Samuels of the BBC, for putting the group together, and highlighting the needs of the elderly - or not!
There's also a further twist to the tale about the 'code cracking' antics of Thomas and Stuart Mitchell. I first mentioned them on the 1st of May, and it appears that Stuart Mitchell has been contacted by a Mexican astronomer who claims the same hexagonal shape can be seen on Saturn.
Apparently, in musical terms, this shape represents a B natural, suggesting more code cracking is needed.
I'm not making it up, read Ausian Cramb's article, 'The Da Vinci chapel echoes to the sound of Saturn', for the full story.