Robin Hill and 'Recuerdos de la Alhambra'

'Recuerdos de la Alhambra' is the 18th track on 'Virtuoso' and was composed by Francisco Tarrega (1852-1909).
Tarrega was born in Villarreal, Spain, but as a child had an accident, fell into an irrigation channel and permanently damaged his eyes.
His parents were concerned that he may loose his sight completely, so, they moved to Castellon, so that Francisco could take music lessons and would therefore be able to work as a musician if he did go blind.
Thankfully he didn't lose his sight but he did become a highly influential musician.

When Tarrega began his studies on the guitar, the instrument was at a low ebb throughout Europe, overshadowed by the louder and more resonant piano.
So Tarrega's father insisted he learn both instruments, in which he quickly became accomplished, in order to keep his options open.

It was in 1869 when Tarrega acquired an unusually loud and resonant guitar, made by Antonio Torres, the famous luthier, that Tarrega was able to prepare the way for the rebirth of the guitar in the 20th Century.

Tarrega transcribed many works for guitar by Spanish composers Albeniz and Granados, along with adapting movements from Beethoven's piano sonatas and many preludes of Chopin.
In all, Tarrega composed approximately 78 original works and 120 transcriptions for solo guitar, along with 21 transcriptions for two guitars. He also composed many varied and extremely taxing exercises which have tormented generations of guitarists ever since but which are extremely effective in the development of technique.

Recuerdos de la Alhambra was composed around the turn of the century. The theme was conceived on a visit to Grenada and the music is evocative of the famous Moorish palace there.
The piece is a tremelo study which requires great technical ability. To maintain a fluent and smooth tremelo, whilst executing clear accompanying notes, and also conveying the emotion of the piece, is not an easy task.

Robin is often asked if his hands ache after playing a piece like this. But years of right and left hand exercises have ensured he is quite able to maintain the tremelo for the required 3 minutes and 16 seconds on this recording. In fact, just like any athlete, the training is all important, so when it comes to the event itself, you really don't consider finger fatigue!

Robin Hill plays 'El Noy de la Mare' by Miguel Llobet

The classical guitarist and composer Miguel Llobet (1878-1938) started to learn the instrument at the age of 11, and later studied with one of the fathers of modern guitar technique, Francisco Tarrega.
From the 1900's Llobet was in constant demand for recitals and toured extensively in Europe and North and South America.

Whilst in Buenos Aires Llobet formed a guitar duo with Maria Luisa Anido and, for this ensemble, he arranged numerous classical and romantic works.
Llobet's solo transcriptions and arrangements, were a landmark in guitar writing, showing his great understanding of the guitar's capabilities.

He was well respected by other musicians and in fact Falla's tribute to Debussy, 'Homenaje', was composed for Llobet.

Llobet is considered by some to be the teacher of Segovia, however, this has proved quite controversial, and debate continues today.
But Segovia himself frequently mentions Llobet in his autobiography, referring to him as a friend, but also, describing sessions when Llobet taught Segovia, amongst others, pieces, phrase by phrase, as he hadn't yet comitted them to manuscript.
Segovia was still a young man at this stage and I feel sure he must have picked up many practical aspects of Llobet's technique as well as merely learning the notes.


By the end of his career, Llobet had produced more than 100 works for the guitar.
Today you can hear, 'El Noy de la Mare' (The Mother's child/Our lady's child), track 11, which is a traditional Catalan Christmas carol, arranged by Llobet.
This has long been a favourite of guitarists, and Segovia used to frequently perform it as an encore.
Robin has also been performing it for some time and it's beautiful melody never fails to move audiences.

Announcing CD Baby's New Baby - Robin Hill's 'Virtuoso'

It is an exciting day here, and for all those people who have asked when they can download Robin's 'Virtuoso' CD, or buy a hard copy, well, now you can.

We are working in partnership with CD Baby, and as of today the entire CD, or selected tracks, can be purchased through our page, 'Robin Hill - Virtuoso'.

CD Baby are one of the largest distributors of music to Apple iTunes, Napster, and many other retailers, so over the next few weeks you will see the CD appearing in many different places.

'Virtuoso' includes many pieces from the standard classical guitar repertoire, alongside new compositions and even an Irish Jig!

Personal favourites, well, that's very difficult to say.
I do love 'Asturias' by Albeniz, and 'Eternal Dance', which is the first movement from a work for guitar and orchestra, composed by Robin himself, both are certainly at the top of my list.
But then 'Danza Brasilera', by Jorge Morel has long been a favourite of mine, as has 'Xodo da Baiana' by Dilermando Reis.

Robin's own compositions are always very popular in concert, but if you want Handel, Gaspar Sanz, Eric Satie, Agustin Barrios, Francisco Tarrega or Mauro Giuliani, then they are all there.

The best thing to do is go over to the site, have a look, and a listen, and of course, feel free to buy!

Over the coming months many more Cd's will become available and I shall update you as we go along.
But for now, enjoy...

Neumann microphones and the Art of the Tremelo

All is going well in the recording department.
The microphone we finally settled on is a Neumann.
The reason for this, is that it is the only microphone we have tried, which is able to capture the full natural sound of the guitar without losing any quality.
A problem we had with all the other microphones we tried, was that, although the bass strings recorded well, the treble strings had a 'metallic' sound, which wasn't doing Robin's fabulous Miguel Rodriguez guitar justice.
Not so with the Neumann.
Having reported on the testing process the other day, and all 109 takes, the final test was to shut Robin in his music room, with guitar and also freshly recorded piece, then the rest of the family stood outside, listened, and tried to identify whether it was live or recorded.
The Neumann passed the test, and the children think we've gone mad....

Robin isn't one to make life easy for himself.
His first chosen piece is, 'Una Limosna por el Amor de Dios' by Agustin Barrios, which translated means, 'An Alm for the Love of God'.
This, and 'Recuerdos de la Alhambra' by Francisco Tarrega, are probably the two most famous 'tremelo' pieces which, as well as making huge demands on the right hand, are also very tricky in the left hand.

The tremelo is one of the most difficult effects and techniques to master on the guitar, as it relies on the rapidity of execution between the thumb, anular, middle and index fingers, p,a,m,i, of the right hand, for the 'classical tremelo', and for the 'flamenco tremelo', which has five notes, the fingering is, p,i,a,m,i.

It's made all the more difficult in the aforementioned examples as they constantly change from top string to inner strings for the tremelo notes while the right hand thumb provides the arpeggiated accompaniment.
The left hand , particularly in the Barrios, has many awkward stretches and hardly ever repeats itself. The tremelo is such an impressive technique that, when Robin introduces a piece in concert, involving the tremelo, he now gives a demonstration of how it works, very slowly initially, and then, at full speed.
Audiences love it.

Fortunately Robin is well prepared.
When he wrote 'The Guitar Gymnasium', (or see my links section for Amazon UK and USA), the right hand exercises were written with the intention of developing and strengthening the independence of the right hand fingers, for just this reason, alongside the Tarrega exercises, which are also in the book.

So Robin is now able to record, listen, learn, then re-record until he is satisfied.
As Glenn Gould said, "The tape recorder is the finest teacher."

Happy Birthday to Isaac Albeniz

Today would have been Isaac Albeniz's birthday, he was born on the 29th May 1860.
Albeniz, the Spanish composer and pianist, is one of the most important figures in Spain's musical history.
He was a child prodigy who at the age of four, so amazed the audience with his performance, that they suspected trickery. Famously as a young child, he stowed away on a ship to South America where he entertained audiences by playing with his back to the piano and other amazing antics.
Albeniz performed for most of his life, and, continued composing until his death on the 18th May 1909.
Albeniz composed, 'Suite Espanola', of which the fifth movement is possibly one of the most famous classical guitar pieces, 'Asturias'.
Although originally composed for piano it was later transcibed for guitar by Francisco Tarrega, along with many other pieces by Albeniz.
In fact Albeniz once declared that he preferred Tarrega's transcription of Asturias to his own original piano version.
Asturias can be heard on Robin's, 'Virtuoso' album.


If you go over to Jessica Duchen's blog you will see that it is also Korngold's birthday!

Update on previous blogs:
The other day I mentioned an article by Ben Quinn on an elderly pop group called, 'The Zimmers'. Their version of 'My Generation', by The Who, has been viewed by more than two million people on YouTube. Read, 'Pensioners pop on course for number one', for the full story.
Well done to The Zimmers, and also to Tim Samuels of the BBC, for putting the group together, and highlighting the needs of the elderly - or not!
There's also a further twist to the tale about the 'code cracking' antics of Thomas and Stuart Mitchell. I first mentioned them on the 1st of May, and it appears that Stuart Mitchell has been contacted by a Mexican astronomer who claims the same hexagonal shape can be seen on Saturn.
Apparently, in musical terms, this shape represents a B natural, suggesting more code cracking is needed.
I'm not making it up, read Ausian Cramb's article, 'The Da Vinci chapel echoes to the sound of Saturn', for the full story.