Life of a Musician is 5 years old today!
So, I thought I would have a look back through some of the 717 posts and highlight a few that represent a cross section of the last 5 years.
To start with you might like to listen to some of the pieces in the player in the sidebar. If so, this post, 'Stories Behind the Music' tells you a little about each piece.
Also in the sidebar are some of our CDs which can be accessed by clicking the various links.
But apart from the music the whole point of this blog was to look behind the scenes at the life of a musician and to record some memories and thoughts from a career that has spanned more than 40 years...
'Accidents Happen: Part 1' seemed a good place to start.
And then there was, 'Part 2'.
I'm not saying Robin is accident prone but this post tells about the time he split his guitar - during a concert...and this one how he found himself, 'Recording for Teldec with a Sutured Finger'.
Travel obviously forms a huge part of the life of this musician. Generally this is an honour. He visits more countries each year than most people manage in a lifetime. But it isn't without its stresses.
We have had 'lost guitars', and more lost luggage than I care to remember, here's just one example, 'A Case of the Borrowed Tuxedo'.
But fun can be had, especially when live on radio in the US, 'Hill/Wiltschinsky - Pump It or Dump it'.
And you know you've been too New York frequently when this happens!
Occasionally I would add a more technical post such as, 'See the Sound Waves and Improve your Scales', or, 'Music Practice Tips - Classical Guitar'.
Of course many people want to know about being the 'wife' of a musician, which prompted this series of posts: 'The Wife of a Musician - Part 1 - The Music', and 'Part 2 - Travel', and for those really dedicated to the role of the wife of a musician you can find a few more links here.
But sometimes the blog posts just reflect what is happening at the time...how could I resist this one, 'Cabo San Lucas, Hard Rock Cafe and the Tale of an Iguana', or 'Manuel de Falla's, 'Miller's Dance', and the Solar System', or this one, 'Django Reinhardt, Stephane Grappelli and the Revolving Stage'.
No blog discussing the guitar would be complete without mentioning, 'Guitarists and Their B***** Nails'...
Finally, a few posts that have been particularly popular over the years, 'Sex, Drugs and Classical Music', 'Alicia de Larrocha, the Ritual Fire Dance and a Maths Exam' and 'Inspire Young Minds with Music'.
However, these are just a handful of the available posts, there are several hundred more, all of which can be found through the archives.
Many thanks to all those who have supported 'Life of a Musician' over the last 5 years and I hope you will continue to do so for many more to come.
Showing posts with label Miguel Rodriguez. Show all posts
Showing posts with label Miguel Rodriguez. Show all posts
Monday, July 25, 2011
Wednesday, March 16, 2011
Pearl of Strings
As all guitarists know the type of string used can make a huge difference to a performance.
It is therefore always a delight to come across a product which really makes a difference.
However, not so much of a delight when the newly released strings are currently unavailable and you have a tour pending.
This is the situation we found ourselves in recently.
Robin was in Australia having just completed a trip, and he asked me to order 6 new sets of, Cantiga New Cristal 510 CR strings, urgently.
With only 5 days at home there was little room for delay.
However, after trying all our usual outlets, the new Cantiga strings were proving difficult to obtain. The problem was that they are very new. Just being launched and, as yet, not readily available.
As these new strings really worked better than any others on his instruments he was reluctant to use anything else. In fact the analogy he used was, 'It would be like driving a Polo when you have been used to a Porsche....'
But help was at hand.
Savarez heard of our plight and immediately sent 6 sets for the forthcoming trip.
Robin was delighted, and whilst he was still away I asked him to write down his thoughts on guitar strings and why these were so important. This is what he sent:
Pearl of Strings
I am always experimenting with different guitar strings and all have
different characteristics and qualities (and defects in some cases). They also have the ability to substantially colour and change the voice of an instrument.
My two main classical guitars are made by the great Miguel Rodriguez of Cordoba, a 1980 cedar top and a 1976 'Churchdoor' cedar top. Both instruments are outstanding. I also have a 1963 flamenco by Manuel Reyes.
In my early playing days at college and with the Hill/Wiltschinsky Duo I
used Savarez Pink Card strings......these can be heard on our debut recording, 'Arrival' on iTunes. Over the years I have tried just about every available string by numerous different manufacturers.
Whenever a new string appears on the market I am eager to try it. Thus it
was with the new Cantiga strings by Savarez.
They are a revelation, possessing an unequalled resonance, sustain,
intonation and longevity and a pleasing lack of abrasiveness which is kind to the nails.
In short I consider these strings to be a quantum leap in the evolution of
the classical guitar string.
Nothing else currently available compares.
Robin Hill – 2011
I was equally delighted with the rather nice pen they also sent:
And if you are wondering what happens to all these strings once the concert has been performed, well, you may be interested in this old post, 'The Many and Varied Uses of Savarez Guitar Strings'.
It is therefore always a delight to come across a product which really makes a difference.
However, not so much of a delight when the newly released strings are currently unavailable and you have a tour pending.
This is the situation we found ourselves in recently.
Robin was in Australia having just completed a trip, and he asked me to order 6 new sets of, Cantiga New Cristal 510 CR strings, urgently.
With only 5 days at home there was little room for delay.
However, after trying all our usual outlets, the new Cantiga strings were proving difficult to obtain. The problem was that they are very new. Just being launched and, as yet, not readily available.
As these new strings really worked better than any others on his instruments he was reluctant to use anything else. In fact the analogy he used was, 'It would be like driving a Polo when you have been used to a Porsche....'
But help was at hand.
Savarez heard of our plight and immediately sent 6 sets for the forthcoming trip.
Robin was delighted, and whilst he was still away I asked him to write down his thoughts on guitar strings and why these were so important. This is what he sent:
Pearl of Strings
I am always experimenting with different guitar strings and all have
different characteristics and qualities (and defects in some cases). They also have the ability to substantially colour and change the voice of an instrument.
My two main classical guitars are made by the great Miguel Rodriguez of Cordoba, a 1980 cedar top and a 1976 'Churchdoor' cedar top. Both instruments are outstanding. I also have a 1963 flamenco by Manuel Reyes.
In my early playing days at college and with the Hill/Wiltschinsky Duo I
used Savarez Pink Card strings......these can be heard on our debut recording, 'Arrival' on iTunes. Over the years I have tried just about every available string by numerous different manufacturers.
Whenever a new string appears on the market I am eager to try it. Thus it
was with the new Cantiga strings by Savarez.
They are a revelation, possessing an unequalled resonance, sustain,
intonation and longevity and a pleasing lack of abrasiveness which is kind to the nails.
In short I consider these strings to be a quantum leap in the evolution of
the classical guitar string.
Nothing else currently available compares.
Robin Hill – 2011
I was equally delighted with the rather nice pen they also sent:
And if you are wondering what happens to all these strings once the concert has been performed, well, you may be interested in this old post, 'The Many and Varied Uses of Savarez Guitar Strings'.
Wednesday, July 15, 2009
A Man, A Guitar and A Song...
There are many hazards when travelling, particularly with musical instruments.
As regular readers will know, we have frequently had problems, especially with lost luggage.
Here are just a few random posts: 'A case of the Borrowed Tuxedo', 'The Robin Hill Saga' and 'No News is Good News?'
But by far the worst situation Robin has dealt with was this one, 'Missing - Miguel Rodriguez Churchdoor...'
Thankfully, we have never had the problem that Dave Carrol of the band, 'Sons of Maxwell' has had to deal with.
You can read the full story here: 'United Breaks Guitars'.
But below is Dave Carrol's musical response to the whole situation. It's worth watching, and also to remember, never come between a man and his guitar...
I wish Dave Carrol the very best of luck with any future guitars.
As regular readers will know, we have frequently had problems, especially with lost luggage.
Here are just a few random posts: 'A case of the Borrowed Tuxedo', 'The Robin Hill Saga' and 'No News is Good News?'
But by far the worst situation Robin has dealt with was this one, 'Missing - Miguel Rodriguez Churchdoor...'
Thankfully, we have never had the problem that Dave Carrol of the band, 'Sons of Maxwell' has had to deal with.
You can read the full story here: 'United Breaks Guitars'.
But below is Dave Carrol's musical response to the whole situation. It's worth watching, and also to remember, never come between a man and his guitar...
I wish Dave Carrol the very best of luck with any future guitars.
Monday, March 30, 2009
The 'Concierto de Aranjuez', an ancient vinyl & advice on nail care
For a solo performer there is always something particularly exciting about being on stage with an orchestra.
The powerful sound of this mighty instrument, especially when sitting inside it, is incredible, and to be surrounded by so many people with the common interest of making music is a delight.
But not without its worries.
For the soloist a lot is at stake.
They shoulder the responsibility of the major part of the performance.
That's why so many months, and in fact years, go into the preparation. Robin was actually hard at work on this piece the day after this performance and had, as is often the case, learnt much from the previous day's experience.
Robin has performed Rodrigo's, 'Concierto de Aranjuez' a number of times before.
The most prominent being with the Liverpool Philharmonic in front of an audience of 3500 people.
But Saturday's concert with the Fylde Sinfonia, conducted by Peter Buckley, was equally important as was reflected by the full house and enthusiastic audience.
Already a comment, and question, have been left on Robin's site, in the guestbook. For anyone with an interest in guitarists and their nails you may like to read Robin's response!
But being a soloist is also a lonely pursuit.
Here's Robin trying out the acoustics in the venue earlier in the day:
Looking slightly preoccupied here:
The advantage Robin had was his guitar. After much deliberation he decided to use his 1980 Rodriguez. This is such a powerful instrument that only minimal amplification was needed, as you can see in this picture:
Between rehearsal and performance Robin was able to admire some of the other instruments:
Then of course you can always abandon your valuable guitar and leave it balanced precariously on a chair....
The concert itself went very well.
Audience, orchestra and soloist all enjoyed the experience and after the event Robin had the opportunity to speak to many people.
He was somewhat surprised to find himself talking to an ex-pupil, from 1981, who was brandishing a vinyl copy of, 'Virtuoso Music for Two Guitars' on Hyperion label, by Hill/Wiltschinsky!
We have recently re-released this album, plus a few bonus tracks, as 'Arrival'. You can read about it here, and listen to/buy on CD Baby, iTunes and many other digital outlets.
The powerful sound of this mighty instrument, especially when sitting inside it, is incredible, and to be surrounded by so many people with the common interest of making music is a delight.
But not without its worries.
For the soloist a lot is at stake.
They shoulder the responsibility of the major part of the performance.
That's why so many months, and in fact years, go into the preparation. Robin was actually hard at work on this piece the day after this performance and had, as is often the case, learnt much from the previous day's experience.
Robin has performed Rodrigo's, 'Concierto de Aranjuez' a number of times before.
The most prominent being with the Liverpool Philharmonic in front of an audience of 3500 people.
But Saturday's concert with the Fylde Sinfonia, conducted by Peter Buckley, was equally important as was reflected by the full house and enthusiastic audience.
Already a comment, and question, have been left on Robin's site, in the guestbook. For anyone with an interest in guitarists and their nails you may like to read Robin's response!
But being a soloist is also a lonely pursuit.
Here's Robin trying out the acoustics in the venue earlier in the day:
Looking slightly preoccupied here:
The advantage Robin had was his guitar. After much deliberation he decided to use his 1980 Rodriguez. This is such a powerful instrument that only minimal amplification was needed, as you can see in this picture:
Between rehearsal and performance Robin was able to admire some of the other instruments:
Then of course you can always abandon your valuable guitar and leave it balanced precariously on a chair....
The concert itself went very well.
Audience, orchestra and soloist all enjoyed the experience and after the event Robin had the opportunity to speak to many people.
He was somewhat surprised to find himself talking to an ex-pupil, from 1981, who was brandishing a vinyl copy of, 'Virtuoso Music for Two Guitars' on Hyperion label, by Hill/Wiltschinsky!
We have recently re-released this album, plus a few bonus tracks, as 'Arrival'. You can read about it here, and listen to/buy on CD Baby, iTunes and many other digital outlets.
Tuesday, November 18, 2008
Jimi Hendrix, Noel Redding and Mitch Mitchell - Experience Reunited?
Those who follow this blog regularly will know that Jimi Hendrix has played a huge role in Robin's musical life.
But it wasn't just Hendrix, it was the whole 'Jimi Hendrix Experience', the meeting of three musicians who changed the face of music.
Jimi Hendrix, Noel Redding and Mitch Mitchell.
It's not just Robin though, most musicians I know have spent a lifetime listening to the music of Jimi Hendrix. Right across the range from classical, jazz, to rock.
There was something so exhilarating, exciting and original about their playing, interaction, and complete 'ease' with their instruments that seems to inspire all musicians. Nigel Kennedy, for example, has always been very vocal about his musical roots and love of Hendrix.
So it was with great sadness that we heard of the death of the last surviving band member, Mitch Mitchell.
Mitchell was a fabulous drummer and the interplay between him and Hendrix was legendary.
You can read an interesting and informative obituary in The Telegraph.
The sad news prompted a weekend of listening to various tracks and searching for a fitting YouTube video to show all the band members at their best.
But it didn't stop there.
Robin has spent some time practicing Rodrigo's, 'Concierto de Aranjuez', for a performance next year, and emerged from the music room as I was surfing the net.
Just to live up to his reputation of the 'Hendrix of the classical guitar', he proceeded to play the opening bars of the concierto with his guitar behind his head...
It wasn't until I pointed out that this may not be the best way to treat his valuable Rodriguez guitar, and that maybe he should try it with his Stratocaster instead, that he stopped. (I know, it's boring always being the sensible one...)
Anyway, the world is a poorer place with the loss of Mitch Mitchell.
Our hope is that finally, after many years, the trio have now been reunited, and are holding the best ever jam session somewhere....
But here on earth, we have to be content with archive footage.
There's so much to choose from it has been difficult.
We finally settled on a song called 'Killing Floor', originally by the band, 'Electric Flag', as it shows beautifully the energy and interaction on stage during a live performance.
As the video won't post to blog, you'll have to click the link to watch, but it's worth it... 'The Jimi Hendrix Experience - Killing Floor.'
But it wasn't just Hendrix, it was the whole 'Jimi Hendrix Experience', the meeting of three musicians who changed the face of music.
Jimi Hendrix, Noel Redding and Mitch Mitchell.
It's not just Robin though, most musicians I know have spent a lifetime listening to the music of Jimi Hendrix. Right across the range from classical, jazz, to rock.
There was something so exhilarating, exciting and original about their playing, interaction, and complete 'ease' with their instruments that seems to inspire all musicians. Nigel Kennedy, for example, has always been very vocal about his musical roots and love of Hendrix.
So it was with great sadness that we heard of the death of the last surviving band member, Mitch Mitchell.
Mitchell was a fabulous drummer and the interplay between him and Hendrix was legendary.
You can read an interesting and informative obituary in The Telegraph.
The sad news prompted a weekend of listening to various tracks and searching for a fitting YouTube video to show all the band members at their best.
But it didn't stop there.
Robin has spent some time practicing Rodrigo's, 'Concierto de Aranjuez', for a performance next year, and emerged from the music room as I was surfing the net.
Just to live up to his reputation of the 'Hendrix of the classical guitar', he proceeded to play the opening bars of the concierto with his guitar behind his head...
It wasn't until I pointed out that this may not be the best way to treat his valuable Rodriguez guitar, and that maybe he should try it with his Stratocaster instead, that he stopped. (I know, it's boring always being the sensible one...)
Anyway, the world is a poorer place with the loss of Mitch Mitchell.
Our hope is that finally, after many years, the trio have now been reunited, and are holding the best ever jam session somewhere....
But here on earth, we have to be content with archive footage.
There's so much to choose from it has been difficult.
We finally settled on a song called 'Killing Floor', originally by the band, 'Electric Flag', as it shows beautifully the energy and interaction on stage during a live performance.
As the video won't post to blog, you'll have to click the link to watch, but it's worth it... 'The Jimi Hendrix Experience - Killing Floor.'
Friday, September 05, 2008
Microphones and Hecklers
Judging by the title of this post you may be thinking that the concert yesterday didn't go too well.
Actually, it went very well indeed.
However, (I'm sure you can sense a but coming on), for the first two pieces the microphone wasn't working.
I don't know why, a sound check had been carried out earlier in the day.
So whilst Robin struggled on stage, behind the scenes chaos ensued, as the engineers tried to correct the problem.
Luckily Robin has a magnificent guitar.
On this trip he has taken his Miguel Rodriguez Churchdoor, which is a powerful instrument.
Also, Robin is known for his ability to create a huge sound.
So all was not lost.
The audience could hear, and, after the first two pieces the microphone was fixed.
Mind you, it isn't exactly conducive to relaxing 'into' ones concert...
Just as he recovered from this incident, a passing Spanish man, outside the theatre, shouted, "Concierto de Aranjuez," into the venue, before beating a hasty retreat.
As hecklers go, it could have been much worse!
But what should a musician do in this situation?
Ignore the interruption and pretend it never happened?
Stop playing and break into 'Concierto de Aranjuez' just to show he can?
Run outside and 'deal' with the perpetrator?
Well, as it happened Robin was about to introduce the next piece, through one of his now functioning microphones, so his reaction was to say, "No microphone and a heckler - this is not my day."
It was the right thing to do.
The audience were very amused, and he received a huge laugh.
I've always thought Robin has a secret desire to be a stand up comic.
But the serious point to all this is that being a musician is so much more than just producing the music.
Audiences want to be entertained.
Yes they have come to hear the music, but appearance, and stage presence, is so important.
You have to look in control, even if at times you don't particularly feel it.
Personally, I also feel that talking to the audience is vital.
It's such a great opportunity to engage them and pass on interesting information about the music they are about to hear.
This only enhances the whole experience.
But for many musicians this can be a huge ordeal. They are comfortable whilst playing their chosen instrument, but very uncomfortable with public speaking.
Fortunately, not Robin.
He has always talked to his audiences.
He feels that playing the notes is the difficult part, (and also the part he is so passionate about), so the speaking feels easy.
Having said that, all these years of experience have made a huge difference.
He has learnt what type of conversation people enjoy.
Like anything else, preparation is important.
You need to have thought about what you want to say before you go on stage. Not wait and hope inspiration strikes whilst under the blinding stage lights.
It won't, especially if you find the interaction with the audience difficult to start with.
However, you can't prepare for every eventuality, as Robin found out yesterday. That's where years of experience plays a very large role.
Assessing the situation, and making a split second decision on how to handle it, isn't always easy.
But judging from the comments Robin has been receiving since the concert, everyone was happy.
That's good news, as after all, it is why Robin's there.
To make music and to entertain.
Actually, it went very well indeed.
However, (I'm sure you can sense a but coming on), for the first two pieces the microphone wasn't working.
I don't know why, a sound check had been carried out earlier in the day.
So whilst Robin struggled on stage, behind the scenes chaos ensued, as the engineers tried to correct the problem.
Luckily Robin has a magnificent guitar.
On this trip he has taken his Miguel Rodriguez Churchdoor, which is a powerful instrument.
Also, Robin is known for his ability to create a huge sound.
So all was not lost.
The audience could hear, and, after the first two pieces the microphone was fixed.
Mind you, it isn't exactly conducive to relaxing 'into' ones concert...
Just as he recovered from this incident, a passing Spanish man, outside the theatre, shouted, "Concierto de Aranjuez," into the venue, before beating a hasty retreat.
As hecklers go, it could have been much worse!
But what should a musician do in this situation?
Ignore the interruption and pretend it never happened?
Stop playing and break into 'Concierto de Aranjuez' just to show he can?
Run outside and 'deal' with the perpetrator?
Well, as it happened Robin was about to introduce the next piece, through one of his now functioning microphones, so his reaction was to say, "No microphone and a heckler - this is not my day."
It was the right thing to do.
The audience were very amused, and he received a huge laugh.
I've always thought Robin has a secret desire to be a stand up comic.
But the serious point to all this is that being a musician is so much more than just producing the music.
Audiences want to be entertained.
Yes they have come to hear the music, but appearance, and stage presence, is so important.
You have to look in control, even if at times you don't particularly feel it.
Personally, I also feel that talking to the audience is vital.
It's such a great opportunity to engage them and pass on interesting information about the music they are about to hear.
This only enhances the whole experience.
But for many musicians this can be a huge ordeal. They are comfortable whilst playing their chosen instrument, but very uncomfortable with public speaking.
Fortunately, not Robin.
He has always talked to his audiences.
He feels that playing the notes is the difficult part, (and also the part he is so passionate about), so the speaking feels easy.
Having said that, all these years of experience have made a huge difference.
He has learnt what type of conversation people enjoy.
Like anything else, preparation is important.
You need to have thought about what you want to say before you go on stage. Not wait and hope inspiration strikes whilst under the blinding stage lights.
It won't, especially if you find the interaction with the audience difficult to start with.
However, you can't prepare for every eventuality, as Robin found out yesterday. That's where years of experience plays a very large role.
Assessing the situation, and making a split second decision on how to handle it, isn't always easy.
But judging from the comments Robin has been receiving since the concert, everyone was happy.
That's good news, as after all, it is why Robin's there.
To make music and to entertain.
Monday, August 25, 2008
No News is Good News?
The news is - that I have no news....
Literally.
Actually it has all been rather difficult for the last 24 hours.
Here are the facts so far:
I know that Robin, and son, left Crystal Serenity on Sunday morning as they called me from a hotel whilst waiting for their transport to Athens airport.
I also know that they arrived at the airport and boarded a flight to Madrid.
After the recent dreadful events there, I was rather anxious about this particular flight. I know this was completely irrational, but try telling that to your brain as it works overtime.
The anxiety then increased when there was no call on arrival at Madrid.
However, I reminded myself, frequently, that it was a rather tight connection, and that the flight Athens - Madrid had been delayed by 30 minutes, thus making the situation worse.
So, with the aid of a glass of wine on Sunday evening, I reassured myself that there just hadn't been time to call home.
Then, later, I got a call - from a public 'phone box (Remember those things!)
They had landed safely in Madrid, run as fast as they could to make their connection, and caught it - just. Then they flew to Alicante.
The battery had gone flat on the mobile, hence the use of a 'phone box.
That's all OK, I was just relieved that my two Hill men had arrived.
10 minutes later another call.
"Can you get hold of Izzy (Cooper) and tell her we are here but they have lost our luggage..."
The 'phone line went dead.
Urmm.
I called the only number I had, spoke to a very helpful lady who said she would pass the message on, and basically that was the last thing I heard.
This was late Sunday evening.
So all day I have been thinking about what might be happening. (Apart from a very pleasant few hours when I was out with family.)
No news is good news, right?
My current thinking is that the luggage didn't appear as the charger for the 'phone will have been in the suitcase.
But to lose both sets of cases!!!
Maybe they are still on the dockside in Athens. Or perhaps left in Madrid. Or even on the wrong plane completely and are right now in Honolulu....
The concert is on Thursday so there is time for the cases to appear.
But I have been concerned how Father and son have been coping with the complete lack of clothes, wash bags etc.
More importantly, strings, nails repair kit and most of Robin's music will also be missing....
Actually, I'm rather pleased I'm not there.
And as the 'phone can't be charged until the case arrives, I don't even have to deal with any of the 'long distance' fallout.
But this is a scenario that we are unfortunately rather familiar.
A few examples, 'The Robin Hill Saga', 'A Case of the Borrowed Tuxedo', or, 'Lost Luggage Again', and the most frightening, 'Missing - Miguel Rodriguez Churchdoor...'.
An added frustration has been an inability to access Twitter. This is ongoing and I don't know if it is just me, or whether the whole system is down.
The lack of tweets for 24 hours has made me realise just how much I use it - and how much I needed a few reassuring words from the global community over the last day.
But for now all I can do is wait.
Hopefully at some point the cases will be returned.
So the 'phone and charger will be reunited.
Then I can find out exactly what has been going on.
Literally.
Actually it has all been rather difficult for the last 24 hours.
Here are the facts so far:
I know that Robin, and son, left Crystal Serenity on Sunday morning as they called me from a hotel whilst waiting for their transport to Athens airport.
I also know that they arrived at the airport and boarded a flight to Madrid.
After the recent dreadful events there, I was rather anxious about this particular flight. I know this was completely irrational, but try telling that to your brain as it works overtime.
The anxiety then increased when there was no call on arrival at Madrid.
However, I reminded myself, frequently, that it was a rather tight connection, and that the flight Athens - Madrid had been delayed by 30 minutes, thus making the situation worse.
So, with the aid of a glass of wine on Sunday evening, I reassured myself that there just hadn't been time to call home.
Then, later, I got a call - from a public 'phone box (Remember those things!)
They had landed safely in Madrid, run as fast as they could to make their connection, and caught it - just. Then they flew to Alicante.
The battery had gone flat on the mobile, hence the use of a 'phone box.
That's all OK, I was just relieved that my two Hill men had arrived.
10 minutes later another call.
"Can you get hold of Izzy (Cooper) and tell her we are here but they have lost our luggage..."
The 'phone line went dead.
Urmm.
I called the only number I had, spoke to a very helpful lady who said she would pass the message on, and basically that was the last thing I heard.
This was late Sunday evening.
So all day I have been thinking about what might be happening. (Apart from a very pleasant few hours when I was out with family.)
No news is good news, right?
My current thinking is that the luggage didn't appear as the charger for the 'phone will have been in the suitcase.
But to lose both sets of cases!!!
Maybe they are still on the dockside in Athens. Or perhaps left in Madrid. Or even on the wrong plane completely and are right now in Honolulu....
The concert is on Thursday so there is time for the cases to appear.
But I have been concerned how Father and son have been coping with the complete lack of clothes, wash bags etc.
More importantly, strings, nails repair kit and most of Robin's music will also be missing....
Actually, I'm rather pleased I'm not there.
And as the 'phone can't be charged until the case arrives, I don't even have to deal with any of the 'long distance' fallout.
But this is a scenario that we are unfortunately rather familiar.
A few examples, 'The Robin Hill Saga', 'A Case of the Borrowed Tuxedo', or, 'Lost Luggage Again', and the most frightening, 'Missing - Miguel Rodriguez Churchdoor...'.
An added frustration has been an inability to access Twitter. This is ongoing and I don't know if it is just me, or whether the whole system is down.
The lack of tweets for 24 hours has made me realise just how much I use it - and how much I needed a few reassuring words from the global community over the last day.
But for now all I can do is wait.
Hopefully at some point the cases will be returned.
So the 'phone and charger will be reunited.
Then I can find out exactly what has been going on.
Wednesday, May 21, 2008
Sound Check in Sorrento and the Lost Violin
Crystal Serenity has arrived in Sorrento and apparently it looks beautiful from the Bay of Naples.
But today it will remain at a distance, as Robin is busy preparing, for his first guitar concert.
It takes great will power not to go ashore and explore, I think I would be sorely tempted, but then I don't have to sit in front of a theatre full of people tonight...
However, tomorrow there may be the opportunity to have a look around before setting sail again.
Robin has already completed his sound check, so now will be limbering up with right and left hand exercises, before running through the programme a few times.
He is very pleased with a mute he recently purchased, as now he can practise without fear of annoying his neighbours, or having to stuff a sock behind the strings!
You may recall the recent story of Philippe Quint, the Grammy award winning violinist who left his 285 year old violin in the back of a taxi.
We have some idea of the torment Philippe will have been going through.
Back in March 2007 one of Robin's concert guitars went missing. You can read about the saga here.
Whilst we had no idea where Robin's guitar was, Philippe saw his violin driving off into the distance, but was unsure if he would ever see it again.
Restoring faith in humanity, the taxi driver tracked down Philippe, and returned the precious instrument.
Now, Quint has given a special 30 minute concert, outside the airport, to show his gratitude.
You can see an extract here.
This story caught my eye as Philippe is a friend over on the new MySpace page!
But today it will remain at a distance, as Robin is busy preparing, for his first guitar concert.
It takes great will power not to go ashore and explore, I think I would be sorely tempted, but then I don't have to sit in front of a theatre full of people tonight...
However, tomorrow there may be the opportunity to have a look around before setting sail again.
Robin has already completed his sound check, so now will be limbering up with right and left hand exercises, before running through the programme a few times.
He is very pleased with a mute he recently purchased, as now he can practise without fear of annoying his neighbours, or having to stuff a sock behind the strings!
You may recall the recent story of Philippe Quint, the Grammy award winning violinist who left his 285 year old violin in the back of a taxi.
We have some idea of the torment Philippe will have been going through.
Back in March 2007 one of Robin's concert guitars went missing. You can read about the saga here.
Whilst we had no idea where Robin's guitar was, Philippe saw his violin driving off into the distance, but was unsure if he would ever see it again.
Restoring faith in humanity, the taxi driver tracked down Philippe, and returned the precious instrument.
Now, Quint has given a special 30 minute concert, outside the airport, to show his gratitude.
You can see an extract here.
This story caught my eye as Philippe is a friend over on the new MySpace page!
Thursday, April 03, 2008
Acapulco Again
Robin spent yesterday in Acapulco, Mexico.
As his first concert isn't until Friday, he allowed himself some time on land, and went to visit a few familiar places.
He was, after all, only there a few weeks ago, and likes it very much.
But Robin doesn't always seek out the tourist sights.
His obsession with the guitar is all consuming.
This is one place he found in one of the back streets of Acapulco.
These guitars may not be like his Miguel Rodriguez 'Churchdoor', but it's a great photo, and a scene you are unlikely to come across in any street in the UK!
If cars are more your thing, then the Mexicans seem particularly keen on PT Cruisers.
Here is the latest delivery:
Robin is now back out at sea and will be cruising the Pacific for the next two days, on the QE2.
So that should give him plenty of time to prepare for his concert.
Meanwhile I am recovering from the early start that the new school term brings.
I'm about to make another cup of coffee to ease my way into the day, and any guilt of drinking this stimulant, has been dispelled by this recent report.
As his first concert isn't until Friday, he allowed himself some time on land, and went to visit a few familiar places.
He was, after all, only there a few weeks ago, and likes it very much.
But Robin doesn't always seek out the tourist sights.
His obsession with the guitar is all consuming.
This is one place he found in one of the back streets of Acapulco.
These guitars may not be like his Miguel Rodriguez 'Churchdoor', but it's a great photo, and a scene you are unlikely to come across in any street in the UK!
If cars are more your thing, then the Mexicans seem particularly keen on PT Cruisers.
Here is the latest delivery:
Robin is now back out at sea and will be cruising the Pacific for the next two days, on the QE2.
So that should give him plenty of time to prepare for his concert.
Meanwhile I am recovering from the early start that the new school term brings.
I'm about to make another cup of coffee to ease my way into the day, and any guilt of drinking this stimulant, has been dispelled by this recent report.
Wednesday, April 02, 2008
Guitar Practice and the Paraguayan Harp
People often ask me how much guitar practise Robin does.
The answer is a lot, a point highlighted by the comments of a passenger on board the QE2, who happens to have the room next door.
The guest heard him practising and was amazed, he said:
"I went out on deck, came back, and still you were practising, I went for lunch, came back, and still you were practising, went to a lecture, came back, and still you were practising."
Luckily for Robin, this gentleman didn't mind, he was just incredulous that someone could keep up this level of commitment, for the last four days.
I hope he's still enjoying it after two weeks...
Being heard whilst practising is an issue when away, and Robin does often go off, and find an isolated spot somewhere.
He's even been known to put a sock underneath his strings to dampen the sound.
But, in order to give the performance that is expected of you, practise you must.
Good job Robin enjoys it.
However, he did take time out to go for lunch with Francisco, a Paraguayan harpist, who he has met a few times before.
The conversation, as often does with musicians, turned to strings.
We seem to have inadvertently found yet another use for the thousands of guitar strings that we have around the house.
He has now discovered that Paraguayan harpists use guitar strings for their treble register.
We have hundreds of them, so, it has been arranged that we will send some onto Francisco.
So the next time you hear, 'Guantanemera', played on a Paraguayan harp, some of those strings may well have previously been on Robin's Miguel Rodriguez guitar, and played just one concert, somewhere in the world!
The answer is a lot, a point highlighted by the comments of a passenger on board the QE2, who happens to have the room next door.
The guest heard him practising and was amazed, he said:
"I went out on deck, came back, and still you were practising, I went for lunch, came back, and still you were practising, went to a lecture, came back, and still you were practising."
Luckily for Robin, this gentleman didn't mind, he was just incredulous that someone could keep up this level of commitment, for the last four days.
I hope he's still enjoying it after two weeks...
Being heard whilst practising is an issue when away, and Robin does often go off, and find an isolated spot somewhere.
He's even been known to put a sock underneath his strings to dampen the sound.
But, in order to give the performance that is expected of you, practise you must.
Good job Robin enjoys it.
However, he did take time out to go for lunch with Francisco, a Paraguayan harpist, who he has met a few times before.
The conversation, as often does with musicians, turned to strings.
We seem to have inadvertently found yet another use for the thousands of guitar strings that we have around the house.
He has now discovered that Paraguayan harpists use guitar strings for their treble register.
We have hundreds of them, so, it has been arranged that we will send some onto Francisco.
So the next time you hear, 'Guantanemera', played on a Paraguayan harp, some of those strings may well have previously been on Robin's Miguel Rodriguez guitar, and played just one concert, somewhere in the world!
Friday, February 22, 2008
Interview in 'Lancashire Magazine' Plus Robin Hill's Travel Tip
For anyone able to get hold of a copy of 'Lancashire magazine', March edition, you will see a familiar face on the front cover, and a lengthy interview with one Robin Hill.
Angela Kelly talks to Robin about his musical career to date. I wasn't actually in when this interview took place, but it appears to have gone well, as the article covers a great deal of ground, and makes for very interesting reading.
It did cause some mirth in our house though, both children were very amused to hear their Dad described as 'quietly-spoken', not something they are familiar with. Also, son number two was delighted that their ages had been muddled up, and he was now 10.
Age is all important to small children.
Whilst son number one had been relegated to the meagre age of 5. But he wasn't too phased, he has had enough publicity in his own right, and had his age miss printed enough times, not to be bothered about it.
There are even some very nice photographs which show the distinctive markings on Robin's beautiful Miguel Rodriguez, guitar.
News from Crystal Symphony.
Well, the pressure is now off Robin as he performed his final concert, of this trip, last night.
More details when I get them.
I do know that Robin did go into Acapulco yesterday. He allowed himself a little time to relax as he really likes the harbour, and town beyond.
One problem everyone faces when travelling abroad, wherever they are, is being inundated with local men, woman and children, trying to take you places you don't want to go, or sell you things you don't want to buy.
They go to the trouble of learning standard phrases, in many languages, and it is often difficult to extricate yourself from the situation without appearing rude.
Well, Robin has devised a cunning new method.
As the locals corner him, and start offering everything, and anything he may desire, (and I mean anything...) Robin has taken to looking straight at them in a bemused way, shrugging his shoulders and gesticulating wildly, whilst muttering, "Mish mash mush," in as thick an accent as he can muster.
A path clears around him and he goes on his way.
I can imagine these poor people going home and 'Googling' 'Mish mash mush', in the hopes of finding the origin of this new language, so they can become fluent within a few days.
Good luck to them.
Angela Kelly talks to Robin about his musical career to date. I wasn't actually in when this interview took place, but it appears to have gone well, as the article covers a great deal of ground, and makes for very interesting reading.
It did cause some mirth in our house though, both children were very amused to hear their Dad described as 'quietly-spoken', not something they are familiar with. Also, son number two was delighted that their ages had been muddled up, and he was now 10.
Age is all important to small children.
Whilst son number one had been relegated to the meagre age of 5. But he wasn't too phased, he has had enough publicity in his own right, and had his age miss printed enough times, not to be bothered about it.
There are even some very nice photographs which show the distinctive markings on Robin's beautiful Miguel Rodriguez, guitar.
News from Crystal Symphony.
Well, the pressure is now off Robin as he performed his final concert, of this trip, last night.
More details when I get them.
I do know that Robin did go into Acapulco yesterday. He allowed himself a little time to relax as he really likes the harbour, and town beyond.
One problem everyone faces when travelling abroad, wherever they are, is being inundated with local men, woman and children, trying to take you places you don't want to go, or sell you things you don't want to buy.
They go to the trouble of learning standard phrases, in many languages, and it is often difficult to extricate yourself from the situation without appearing rude.
Well, Robin has devised a cunning new method.
As the locals corner him, and start offering everything, and anything he may desire, (and I mean anything...) Robin has taken to looking straight at them in a bemused way, shrugging his shoulders and gesticulating wildly, whilst muttering, "Mish mash mush," in as thick an accent as he can muster.
A path clears around him and he goes on his way.
I can imagine these poor people going home and 'Googling' 'Mish mash mush', in the hopes of finding the origin of this new language, so they can become fluent within a few days.
Good luck to them.
Tuesday, October 02, 2007
Bar Harbor, Maine and David Juritz on a Unicycle...
The QE2 is about to dock at Bar Harbor, Maine, USA, but I haven't heard anything from Robin as yet, so I assume he is still sleeping.
I'm pretty sure he will be going ashore, to have a look around, as it is another 'first' for him.
Whilst waiting for news from abroad, I decided to check in on David Juritz's epic journey, as he busks his way around the world.
Since I last looked, he has been touring extensively around Africa, Australia, briefly back in the UK, and is currently in the USA/Canada.
Robin and David will miss each other by 10 days, in Boston, but I did notice that they will both be in New York at the same time later on in October.
Who knows, maybe they will bump into each other, and form a busking duo!
For more details about David's trip, and the charity, Musequality, visit his site, 'Round the World and Bach'.
At some point David did find time to make this very funny film, which highlights just how mad musicians can be!
I do hope his violin was insured, but even so, it's a very brave thing to do.
I can't see Robin attempting this with his Miguel Rodriquez guitar, but, you never know...
I'm pretty sure he will be going ashore, to have a look around, as it is another 'first' for him.
Whilst waiting for news from abroad, I decided to check in on David Juritz's epic journey, as he busks his way around the world.
Since I last looked, he has been touring extensively around Africa, Australia, briefly back in the UK, and is currently in the USA/Canada.
Robin and David will miss each other by 10 days, in Boston, but I did notice that they will both be in New York at the same time later on in October.
Who knows, maybe they will bump into each other, and form a busking duo!
For more details about David's trip, and the charity, Musequality, visit his site, 'Round the World and Bach'.
At some point David did find time to make this very funny film, which highlights just how mad musicians can be!
I do hope his violin was insured, but even so, it's a very brave thing to do.
I can't see Robin attempting this with his Miguel Rodriquez guitar, but, you never know...
Friday, August 10, 2007
The Theme Was....
I won't keep you waiting any longer, the piece I posted yesterday, with a few extra notes added, was the last page of Bach's 'Prelude from the 4th Lute Suite'.
We had a lot of people who appeared to be studying it, but no one identified the piece, so, I can keep the prize!
That's the beauty of being in charge - you get to make the rules.
Guitar Widow did however make a good point.
You're never too young to start learning.
This is true and many exceptional players learn from a very early age. It isn't always the case though. Some come to their chosen instrument mid to late teens and still reach excellent standards.
We've always made instruments available for our children to pick up and play with. In fact a ukelele was purchased soon after the birth of son number one and he frequently sat in his cot playing with it.
The result is that both children look, and feel, very at ease holding a guitar. It's completely natural to them.
I should point out that it was made very clear to them that Daddy's guitars were STRICTLY out of bounds....
The downside for children of professional musicians, is that they see and hear every day, the amount of practice and commitment required to reach a high standard.
For young children this can seem very daunting and I feel they can have a fear that they are expected to practice the same amount, and produce the same results, in a short space of time.
Obviously this isn't the case, and we have tried to reassure them, that a little practice every day is a good starting point.
Musicians generally mature and improve with age.
I doubt you'll ever hear a musician say they are taking early retirement. It takes years of experience to truly master any instrument.
I remember seeing Segovia play when he was well into his 90's.
So I'd better prepare myself for many more years of travel!
Meanwhile the children continue to play with ukelele/guitar/piano/drums and eventually they may settle on one they wish to pursue.
But do you give them formal lessons?
I feel that learning how to read music is as important as learning French/Spanish/German - whatever. It's a skill that will never be wasted and may well bring great pleasure at some stage of life.
So, yes, I think they should learn the basics.
But I would never force a child to take up an instrument.
It has to come from within but maybe a little gentle persuasion is required to get them started...
We had a lot of people who appeared to be studying it, but no one identified the piece, so, I can keep the prize!
That's the beauty of being in charge - you get to make the rules.
Guitar Widow did however make a good point.
You're never too young to start learning.
This is true and many exceptional players learn from a very early age. It isn't always the case though. Some come to their chosen instrument mid to late teens and still reach excellent standards.
We've always made instruments available for our children to pick up and play with. In fact a ukelele was purchased soon after the birth of son number one and he frequently sat in his cot playing with it.
The result is that both children look, and feel, very at ease holding a guitar. It's completely natural to them.
I should point out that it was made very clear to them that Daddy's guitars were STRICTLY out of bounds....
The downside for children of professional musicians, is that they see and hear every day, the amount of practice and commitment required to reach a high standard.
For young children this can seem very daunting and I feel they can have a fear that they are expected to practice the same amount, and produce the same results, in a short space of time.
Obviously this isn't the case, and we have tried to reassure them, that a little practice every day is a good starting point.
Musicians generally mature and improve with age.
I doubt you'll ever hear a musician say they are taking early retirement. It takes years of experience to truly master any instrument.
I remember seeing Segovia play when he was well into his 90's.
So I'd better prepare myself for many more years of travel!
Meanwhile the children continue to play with ukelele/guitar/piano/drums and eventually they may settle on one they wish to pursue.
But do you give them formal lessons?
I feel that learning how to read music is as important as learning French/Spanish/German - whatever. It's a skill that will never be wasted and may well bring great pleasure at some stage of life.
So, yes, I think they should learn the basics.
But I would never force a child to take up an instrument.
It has to come from within but maybe a little gentle persuasion is required to get them started...
Tuesday, June 19, 2007
Neumann microphones and the Art of the Tremelo
All is going well in the recording department.
The microphone we finally settled on is a Neumann.
The reason for this, is that it is the only microphone we have tried, which is able to capture the full natural sound of the guitar without losing any quality.
A problem we had with all the other microphones we tried, was that, although the bass strings recorded well, the treble strings had a 'metallic' sound, which wasn't doing Robin's fabulous Miguel Rodriguez guitar justice.
Not so with the Neumann.
Having reported on the testing process the other day, and all 109 takes, the final test was to shut Robin in his music room, with guitar and also freshly recorded piece, then the rest of the family stood outside, listened, and tried to identify whether it was live or recorded.
The Neumann passed the test, and the children think we've gone mad....
Robin isn't one to make life easy for himself.
His first chosen piece is, 'Una Limosna por el Amor de Dios' by Agustin Barrios, which translated means, 'An Alm for the Love of God'.
This, and 'Recuerdos de la Alhambra' by Francisco Tarrega, are probably the two most famous 'tremelo' pieces which, as well as making huge demands on the right hand, are also very tricky in the left hand.
The tremelo is one of the most difficult effects and techniques to master on the guitar, as it relies on the rapidity of execution between the thumb, anular, middle and index fingers, p,a,m,i, of the right hand, for the 'classical tremelo', and for the 'flamenco tremelo', which has five notes, the fingering is, p,i,a,m,i.
It's made all the more difficult in the aforementioned examples as they constantly change from top string to inner strings for the tremelo notes while the right hand thumb provides the arpeggiated accompaniment.
The left hand , particularly in the Barrios, has many awkward stretches and hardly ever repeats itself. The tremelo is such an impressive technique that, when Robin introduces a piece in concert, involving the tremelo, he now gives a demonstration of how it works, very slowly initially, and then, at full speed.
Audiences love it.
Fortunately Robin is well prepared.
When he wrote 'The Guitar Gymnasium', (or see my links section for Amazon UK and USA), the right hand exercises were written with the intention of developing and strengthening the independence of the right hand fingers, for just this reason, alongside the Tarrega exercises, which are also in the book.
So Robin is now able to record, listen, learn, then re-record until he is satisfied.
As Glenn Gould said, "The tape recorder is the finest teacher."
The microphone we finally settled on is a Neumann.
The reason for this, is that it is the only microphone we have tried, which is able to capture the full natural sound of the guitar without losing any quality.
A problem we had with all the other microphones we tried, was that, although the bass strings recorded well, the treble strings had a 'metallic' sound, which wasn't doing Robin's fabulous Miguel Rodriguez guitar justice.
Not so with the Neumann.
Having reported on the testing process the other day, and all 109 takes, the final test was to shut Robin in his music room, with guitar and also freshly recorded piece, then the rest of the family stood outside, listened, and tried to identify whether it was live or recorded.
The Neumann passed the test, and the children think we've gone mad....
Robin isn't one to make life easy for himself.
His first chosen piece is, 'Una Limosna por el Amor de Dios' by Agustin Barrios, which translated means, 'An Alm for the Love of God'.
This, and 'Recuerdos de la Alhambra' by Francisco Tarrega, are probably the two most famous 'tremelo' pieces which, as well as making huge demands on the right hand, are also very tricky in the left hand.
The tremelo is one of the most difficult effects and techniques to master on the guitar, as it relies on the rapidity of execution between the thumb, anular, middle and index fingers, p,a,m,i, of the right hand, for the 'classical tremelo', and for the 'flamenco tremelo', which has five notes, the fingering is, p,i,a,m,i.
It's made all the more difficult in the aforementioned examples as they constantly change from top string to inner strings for the tremelo notes while the right hand thumb provides the arpeggiated accompaniment.
The left hand , particularly in the Barrios, has many awkward stretches and hardly ever repeats itself. The tremelo is such an impressive technique that, when Robin introduces a piece in concert, involving the tremelo, he now gives a demonstration of how it works, very slowly initially, and then, at full speed.
Audiences love it.
Fortunately Robin is well prepared.
When he wrote 'The Guitar Gymnasium', (or see my links section for Amazon UK and USA), the right hand exercises were written with the intention of developing and strengthening the independence of the right hand fingers, for just this reason, alongside the Tarrega exercises, which are also in the book.
So Robin is now able to record, listen, learn, then re-record until he is satisfied.
As Glenn Gould said, "The tape recorder is the finest teacher."
Saturday, June 09, 2007
From the Changing Face of Music Festivals to Strawberries and Champagne on the QM2
The times, they are a changing, that's for sure.
Yesterday, in 'The Daily Telegraph', I read an article by Nigel Reynolds, 'Glastonbury luxury for discerning free spirits'. An area that overlooks the festival, and nicknamed, 'The Ritz', provides 75 luxury tents where the occupants can be pampered in style, whilst still enjoying the music.
Hot showers, massages, foie gras and Glastonbury beef fillets, are just some of the items available.
Although expensive, most of the tents have already been allocated to people from all around the world.
The music festival culture appears to be changing.
Then, today, in another report by Nigel Reynolds, along with Helen Brown, 'Rough it at the festival? That's so last century', we hear that many of the festival goers are returning to the Isle of Wight, older, hopefully wiser, and taking their children with them.
I shouldn't be surprised.
Back in the 7o's Robin was just as likely to be found behind his Fender Stratocaster, jamming with Deep Purple or Jethro Tull, as he is to be seen with his Miguel Rodriguez guitar today.
Just to highlight the point, my last message from Robin told me that he had spent the afternoon on board the QM2, with a linguist from New York.
This very nice gentleman, had answered Robin's call, during his last concert. He offered his services to inform Robin of the correct pronunciation, for various Portuguese words, that Robin uses during his introductions.
They had a very pleasant time, drinking champagne and eating strawberries, whilst recording the words into Robin's apple....
Meanwhile, in the UK, for the moment, we wish David Juritz the very best of luck as he sets off busking, 'Round the World and Bach'. He leaves today from Turnham Green tube station.
Yesterday, in 'The Daily Telegraph', I read an article by Nigel Reynolds, 'Glastonbury luxury for discerning free spirits'. An area that overlooks the festival, and nicknamed, 'The Ritz', provides 75 luxury tents where the occupants can be pampered in style, whilst still enjoying the music.
Hot showers, massages, foie gras and Glastonbury beef fillets, are just some of the items available.
Although expensive, most of the tents have already been allocated to people from all around the world.
The music festival culture appears to be changing.
Then, today, in another report by Nigel Reynolds, along with Helen Brown, 'Rough it at the festival? That's so last century', we hear that many of the festival goers are returning to the Isle of Wight, older, hopefully wiser, and taking their children with them.
I shouldn't be surprised.
Back in the 7o's Robin was just as likely to be found behind his Fender Stratocaster, jamming with Deep Purple or Jethro Tull, as he is to be seen with his Miguel Rodriguez guitar today.
Just to highlight the point, my last message from Robin told me that he had spent the afternoon on board the QM2, with a linguist from New York.
This very nice gentleman, had answered Robin's call, during his last concert. He offered his services to inform Robin of the correct pronunciation, for various Portuguese words, that Robin uses during his introductions.
They had a very pleasant time, drinking champagne and eating strawberries, whilst recording the words into Robin's apple....
Meanwhile, in the UK, for the moment, we wish David Juritz the very best of luck as he sets off busking, 'Round the World and Bach'. He leaves today from Turnham Green tube station.
Saturday, May 26, 2007
From Microphones to Britain's Leading Concert Pianist - Stephen Hough
It's a very exciting time here, as Robin has been testing out microphones, and, so far, one in particular, seems to be capturing the beautiful sound his Miguel Rodriguez guitar makes. For the first stage of testing, this is very encouraging, as the guitar is a notoriously difficult instrument to record.
The down side is that Robin remains elusive as to the cost. From experience, this tells me, that I should go and lie down in a darkened room, with a cold compress on my forehead, for at least an hour, before I ask him again.
Meanwhile in the wider world, the virtuoso pianist Stephen Hough, has been barred from performing a concert in Vietnam, 'for his own safety'.
It's such a shame when politics/religion/sexuality or whatever, get in the way of people being able to enjoy music.
But also a reminder to us all, that we should be careful what we say, as we never know when it may come back to haunt us.
For the full report, by Ben Quinn, click here.
The down side is that Robin remains elusive as to the cost. From experience, this tells me, that I should go and lie down in a darkened room, with a cold compress on my forehead, for at least an hour, before I ask him again.
Meanwhile in the wider world, the virtuoso pianist Stephen Hough, has been barred from performing a concert in Vietnam, 'for his own safety'.
It's such a shame when politics/religion/sexuality or whatever, get in the way of people being able to enjoy music.
But also a reminder to us all, that we should be careful what we say, as we never know when it may come back to haunt us.
For the full report, by Ben Quinn, click here.
Tuesday, May 01, 2007
Singapore for Robin - Da Vinci Code Cracking for Me
Robin has now arrived in Singapore and is settling into his room on Crystal Symphony. His first, of two concerts, isn't for a few days, which is excellent news, as I'm sure he needs a few days to recover from the journey.
You would think he would lay down and relax for a while, but no, when I spoke to him he was repairing a nail.
Before he left America, Robin e mailed me a new piece he has composed called, 'A Passage to New York'.
Sight reading isn't really my thing, and despite Robin assuring me I would be fine with it, I feel some work is required.
Not as much as Thomas and Stuart Mitchell though.
They were intrigued by the markings on the arches of a chapel of a church featured in 'The Da Vinci Code'. Using their musical knowledge they have unlocked the notes of a piece of music that has been hidden for centuries. It's an interesting story by Richard Alleyne which you can read here.
I look forward to hearing it and many congratulations to them for their perseverance.
Meanwhile, I must get back to my own code cracking. I'm keen to hear this new piece of Robin's, especially as it's dedicated to me.
At least I have the luxury of playing through it on Robin's Miguel Rodriguez guitar. He has the 'Churchdoor' with him, but his other concert guitar is here with me.
If you happen to be in Singapore, on Crystal Symphony, don't tell him that I'm torturing his music on his precious guitar....
You would think he would lay down and relax for a while, but no, when I spoke to him he was repairing a nail.
Before he left America, Robin e mailed me a new piece he has composed called, 'A Passage to New York'.
Sight reading isn't really my thing, and despite Robin assuring me I would be fine with it, I feel some work is required.
Not as much as Thomas and Stuart Mitchell though.
They were intrigued by the markings on the arches of a chapel of a church featured in 'The Da Vinci Code'. Using their musical knowledge they have unlocked the notes of a piece of music that has been hidden for centuries. It's an interesting story by Richard Alleyne which you can read here.
I look forward to hearing it and many congratulations to them for their perseverance.
Meanwhile, I must get back to my own code cracking. I'm keen to hear this new piece of Robin's, especially as it's dedicated to me.
At least I have the luxury of playing through it on Robin's Miguel Rodriguez guitar. He has the 'Churchdoor' with him, but his other concert guitar is here with me.
If you happen to be in Singapore, on Crystal Symphony, don't tell him that I'm torturing his music on his precious guitar....
Sunday, April 22, 2007
Miguel Rodriguez 'Churchdoor' passes the Sound Check
Robin has settled in on board ship but there has been little time to relax.
Most of the day has been spent practicing in preparation for his first concert tonight.
He decided to take his Miguel Rodriguez 'Churchdoor' on this trip and was looking forward to trying it out in the theatre.
This afternoon he went along for a sound check and although the acoustics in the theatre were very dry, the Churchdoor was completely unfazed, and produced its usual bright, vibrant and powerful sound.
Robin therefore decided to play unamplified.
He always prefers to, but sometimes it just isn't possible, you just have to try the venue out when you get there and make a decision.
Whilst running through the sound check there were actually a few people sitting in the theatre who gave an enthusiastic round of applause at the end.
Robin told them, 'That's only the rehearsal', so I hope they go back later to hear the real thing.
Most of the day has been spent practicing in preparation for his first concert tonight.
He decided to take his Miguel Rodriguez 'Churchdoor' on this trip and was looking forward to trying it out in the theatre.
This afternoon he went along for a sound check and although the acoustics in the theatre were very dry, the Churchdoor was completely unfazed, and produced its usual bright, vibrant and powerful sound.
Robin therefore decided to play unamplified.
He always prefers to, but sometimes it just isn't possible, you just have to try the venue out when you get there and make a decision.
Whilst running through the sound check there were actually a few people sitting in the theatre who gave an enthusiastic round of applause at the end.
Robin told them, 'That's only the rehearsal', so I hope they go back later to hear the real thing.
Sunday, April 01, 2007
The Windy City - If You Can Get On The Flight....
The next time you find yourself thinking that the life of a musician is glamorous one, then just remind yourself of the recent trauma that Robin was subjected to, when BA lost his suitcase and Miguel Rodriguez guitar. If you remember, both were returned, albeit after a very tense day.
You would think that was enough excitement to last a lifetime of travel, but, today has seen the next installment.
This morning we were up at 4am so that Robin could catch the first flight to Heathrow. Apart from the early start, this part of the journey was fine.
After the 'lost guitar' episode he vowed not to let his precious instrument in the hold again, and so far, apart from a little hassle, that hasn't been a problem.
However, once at Heathrow, he checked in for his flight to Chicago, and then went for security checks.
Should be fine, there were 4 hours to kill.
Robin stood, impatiently, in the endless queue for the entire time, repeatedly telling the officials that his flight was nearly due to board. Only to be informed that it hadn't been called yet.
Eventually, he told the staff again that his flight was due, and they calmly informed him that he had missed it!!! They'd had him there for 4 hours, can you believe it.
Robin tried to resolve the problem at the airport, and I tried to calm the situation at this end.
The outcome is that they found him a seat on the next flight, which should still give him time to make his connection.
When I last spoke to him he was on board, with his guitar, and starting to relax. In fact he was just about to listen to some 'Chicago' on his iPod.
So whilst it can be glamorous and exciting to travel the world, it's not always easy...
You would think that was enough excitement to last a lifetime of travel, but, today has seen the next installment.
This morning we were up at 4am so that Robin could catch the first flight to Heathrow. Apart from the early start, this part of the journey was fine.
After the 'lost guitar' episode he vowed not to let his precious instrument in the hold again, and so far, apart from a little hassle, that hasn't been a problem.
However, once at Heathrow, he checked in for his flight to Chicago, and then went for security checks.
Should be fine, there were 4 hours to kill.
Robin stood, impatiently, in the endless queue for the entire time, repeatedly telling the officials that his flight was nearly due to board. Only to be informed that it hadn't been called yet.
Eventually, he told the staff again that his flight was due, and they calmly informed him that he had missed it!!! They'd had him there for 4 hours, can you believe it.
Robin tried to resolve the problem at the airport, and I tried to calm the situation at this end.
The outcome is that they found him a seat on the next flight, which should still give him time to make his connection.
When I last spoke to him he was on board, with his guitar, and starting to relax. In fact he was just about to listen to some 'Chicago' on his iPod.
So whilst it can be glamorous and exciting to travel the world, it's not always easy...
Tuesday, March 13, 2007
And Relax...
Despite the trauma of yesterday it was pretty much business as usual here. We did take time out to chat over a coffee a little more than usual, most of it conducted in a whisper as Robin was still rather hoarse from straining his vocal cords yesterday. Good job son number one was at school, I didn't want him learning any new words. (Son number two was playing with his lego oblivious of the chaos around him.)
Robin was also spoilt for choice, which guitar to play. The Churchdoor recently returned from unscheduled globe trotting, or the other Miguel Rodriguez freshly retrieved from Paul Fischer's workshop. (Incidentally, we are delighted with the refretting and renewed polish to the neck, it's sounding fantastic.)
I had my own dilemma. What do you feed a man who has just returned from 10 days of 6* luxury dining?
Answer: Home made fava soup.
Robin was also spoilt for choice, which guitar to play. The Churchdoor recently returned from unscheduled globe trotting, or the other Miguel Rodriguez freshly retrieved from Paul Fischer's workshop. (Incidentally, we are delighted with the refretting and renewed polish to the neck, it's sounding fantastic.)
I had my own dilemma. What do you feed a man who has just returned from 10 days of 6* luxury dining?
Answer: Home made fava soup.
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