Another year has passed and it seems incredible that Life of a Musician is now 8 years old!
But whilst this blog might be 8, Robin has spent practically all his life immersed in music.
Starting out in bands from the age of 12 and continuing right through to the present day.
Many events have been highlighted throughout this blog so feel free to browse through the archives.
As always it has been a very busy year and Robin continues to travel extensively, and perform regularly, around the world.
In fact he isn't currently at home to celebrate this momentous occasion as he is in Denmark!
When not away performing there is still lots to be done. Learning new repertoire and composing new pieces are always high on the list and thoughts frequently turn to recording.
In the next few weeks that is exactly what will be happening.
An exciting new project is underway and will be discussed in more detail in due course.
But for now, the musicians have been booked, the music is prepared and all we need is Robin!
But actually, by the end of August the recording will hopefully be done and the mixing and mastering process will have started.
Then of course the behind the scenes aspects of any new release will start falling into place.
But the last year also saw us re-release, 'Danza - Robin Hill & Peter Wiltschinsky'.
This album was originally released by ASV in 1995 and was an important landmark for the Hill/Wiltschinsky Guitar Duo. Consequently there was no hesitation from us when it became available to release once again.
You can read more about 'Danza' here, including an original review and the sleeve notes.
During the last year we also had a call from Babak Rahnama, a singer, DJ and Producer.
He was so taken by a piece Robin had written some years earlier that he wanted to collaborate.
So collaborate they did and 'Tomorrowland' was the result!
They continue to work on many more tracks and Robin will soon be travelling to London to make a video.
As I said at the beginning, Robin is away at the moment and last night was concert night.
It was also a very unusual night for Robin as our youngest son travelled with him for the first time.
After a gruelling journey which was full of delays and required the sound check to be hastily rescheduled, the concert itself went ahead as planned.
As he prepared to play, 'Fantastic Mr Felix', from, 'Standing On Air' Robin was able to explain that the dedicatee was, for the first time ever, in the audience.
Naturally this went down very well and youngest son was required to stand and take a bow.
A very proud moment for both father and for son and one that made all the hassle of the previous day disperse in a second.
It is in fact moments like that when all the hours, months and years of solitary practice all seem worthwhile.
Showing posts with label concerts. Show all posts
Showing posts with label concerts. Show all posts
Sunday, July 27, 2014
Wednesday, March 16, 2011
Pearl of Strings
As all guitarists know the type of string used can make a huge difference to a performance.
It is therefore always a delight to come across a product which really makes a difference.
However, not so much of a delight when the newly released strings are currently unavailable and you have a tour pending.
This is the situation we found ourselves in recently.
Robin was in Australia having just completed a trip, and he asked me to order 6 new sets of, Cantiga New Cristal 510 CR strings, urgently.
With only 5 days at home there was little room for delay.
However, after trying all our usual outlets, the new Cantiga strings were proving difficult to obtain. The problem was that they are very new. Just being launched and, as yet, not readily available.
As these new strings really worked better than any others on his instruments he was reluctant to use anything else. In fact the analogy he used was, 'It would be like driving a Polo when you have been used to a Porsche....'
But help was at hand.
Savarez heard of our plight and immediately sent 6 sets for the forthcoming trip.
Robin was delighted, and whilst he was still away I asked him to write down his thoughts on guitar strings and why these were so important. This is what he sent:
Pearl of Strings
I am always experimenting with different guitar strings and all have
different characteristics and qualities (and defects in some cases). They also have the ability to substantially colour and change the voice of an instrument.
My two main classical guitars are made by the great Miguel Rodriguez of Cordoba, a 1980 cedar top and a 1976 'Churchdoor' cedar top. Both instruments are outstanding. I also have a 1963 flamenco by Manuel Reyes.
In my early playing days at college and with the Hill/Wiltschinsky Duo I
used Savarez Pink Card strings......these can be heard on our debut recording, 'Arrival' on iTunes. Over the years I have tried just about every available string by numerous different manufacturers.
Whenever a new string appears on the market I am eager to try it. Thus it
was with the new Cantiga strings by Savarez.
They are a revelation, possessing an unequalled resonance, sustain,
intonation and longevity and a pleasing lack of abrasiveness which is kind to the nails.
In short I consider these strings to be a quantum leap in the evolution of
the classical guitar string.
Nothing else currently available compares.
Robin Hill – 2011
I was equally delighted with the rather nice pen they also sent:
And if you are wondering what happens to all these strings once the concert has been performed, well, you may be interested in this old post, 'The Many and Varied Uses of Savarez Guitar Strings'.
It is therefore always a delight to come across a product which really makes a difference.
However, not so much of a delight when the newly released strings are currently unavailable and you have a tour pending.
This is the situation we found ourselves in recently.
Robin was in Australia having just completed a trip, and he asked me to order 6 new sets of, Cantiga New Cristal 510 CR strings, urgently.
With only 5 days at home there was little room for delay.
However, after trying all our usual outlets, the new Cantiga strings were proving difficult to obtain. The problem was that they are very new. Just being launched and, as yet, not readily available.
As these new strings really worked better than any others on his instruments he was reluctant to use anything else. In fact the analogy he used was, 'It would be like driving a Polo when you have been used to a Porsche....'
But help was at hand.
Savarez heard of our plight and immediately sent 6 sets for the forthcoming trip.
Robin was delighted, and whilst he was still away I asked him to write down his thoughts on guitar strings and why these were so important. This is what he sent:
Pearl of Strings
I am always experimenting with different guitar strings and all have
different characteristics and qualities (and defects in some cases). They also have the ability to substantially colour and change the voice of an instrument.
My two main classical guitars are made by the great Miguel Rodriguez of Cordoba, a 1980 cedar top and a 1976 'Churchdoor' cedar top. Both instruments are outstanding. I also have a 1963 flamenco by Manuel Reyes.
In my early playing days at college and with the Hill/Wiltschinsky Duo I
used Savarez Pink Card strings......these can be heard on our debut recording, 'Arrival' on iTunes. Over the years I have tried just about every available string by numerous different manufacturers.
Whenever a new string appears on the market I am eager to try it. Thus it
was with the new Cantiga strings by Savarez.
They are a revelation, possessing an unequalled resonance, sustain,
intonation and longevity and a pleasing lack of abrasiveness which is kind to the nails.
In short I consider these strings to be a quantum leap in the evolution of
the classical guitar string.
Nothing else currently available compares.
Robin Hill – 2011
I was equally delighted with the rather nice pen they also sent:
And if you are wondering what happens to all these strings once the concert has been performed, well, you may be interested in this old post, 'The Many and Varied Uses of Savarez Guitar Strings'.
Wednesday, December 29, 2010
Review of 2010 - Life of a Musician - Robin Hill
As we head towards the end of another year I thought it would be interesting to see just what this particular musician has been doing over the last twelve months.
I must say I was surprised as I looked back over events and worked out a few rather astonishing statistics.
In the last year alone Robin has visited 27 different countries! But that isn't the whole picture as many of them he has returned to a number of times. For example, India 3 times, Italy 11, USA twice, Brazil 4 times and Norway a staggering 15 times.
So anyone thinking about a career in music really needs to be prepared to travel extensively.
Here are the 27 countries: United Arab Emirates, India, Thailand, Malaysia, Vietnam, Hong Kong, Seychelles, Oman, Saudi Arabia, Jordan, Egypt, Brazil, Portugal, Spain, France, Majorca, Tunisia, Italy, Turkey, Greece, Norway, Scotland, Iceland, Holland, Croatia, USA and Gran Canaria.
All of this obviously requires longs spells away from home which can be difficult, particularly when missing important events.
This frequently happens and Robin has missed both our children's birthdays this year and also the funeral of my much loved Grandmother. This was particularly difficult for him. To be away from home at such trying times is hard indeed.
But there have been many other events.
Two albums have been released, the first in March with, 'Hill/Wiltschinsky Duo Soler Sonatas', and the second, recorded in January and released in September, 'Cancion' Izzy Cooper & Robin Hill and 'Les Filles De Cadiz'.
But there have also been problems.
One particularly worrying incident was, 'Too Much Inflammation...', which was the result of a nasty ant bite, ironically sustained at home and not during one of the four trips up the Amazon, and the photograph of the offending hand has been taken up by insect bite sites around the world!
Travelling always has its difficulties but this year we have dealt with suspect packages causing the evacuation of the airport and consequently missed planes. Luckily, through sheer determination and numerous 'phone calls between agents in London and America, rescheduled flights were arranged and Robin arrived just in time.
Not so with the elements.
He spent a very frustrating few days in Amsterdam, stranded after all airports were closed due to Volcanic ash. Eventually he made it home via trains and boats, but it ate into the few precious days he was meant to have at home.
From my point of view, I was delighted to have reached the milestone of, 'Life of a Musicians 4th Birthday,' which is quite an achievement in the blogging world, especially when you consider we are now posting the 714th blog post...
I even allowed myself the luxury of a blog post all to myself, after a number of requests from regular readers. Funnily enough, 'Anna Hill's 'Unofficial' Desert Island Discs' has become a very popular one and continues to be visited regularly.
So, looking back it has been an eventful and fulfilling year.
Once again I would like to thank all our regular readers for their continued support, and also those who just dip in from time to time.
Here at Hillhouse we hope you all had a very nice Christmas and wish each and every one of you a very happy, healthy and prosperous New Year.
I must say I was surprised as I looked back over events and worked out a few rather astonishing statistics.
In the last year alone Robin has visited 27 different countries! But that isn't the whole picture as many of them he has returned to a number of times. For example, India 3 times, Italy 11, USA twice, Brazil 4 times and Norway a staggering 15 times.
So anyone thinking about a career in music really needs to be prepared to travel extensively.
Here are the 27 countries: United Arab Emirates, India, Thailand, Malaysia, Vietnam, Hong Kong, Seychelles, Oman, Saudi Arabia, Jordan, Egypt, Brazil, Portugal, Spain, France, Majorca, Tunisia, Italy, Turkey, Greece, Norway, Scotland, Iceland, Holland, Croatia, USA and Gran Canaria.
All of this obviously requires longs spells away from home which can be difficult, particularly when missing important events.
This frequently happens and Robin has missed both our children's birthdays this year and also the funeral of my much loved Grandmother. This was particularly difficult for him. To be away from home at such trying times is hard indeed.
But there have been many other events.
Two albums have been released, the first in March with, 'Hill/Wiltschinsky Duo Soler Sonatas', and the second, recorded in January and released in September, 'Cancion' Izzy Cooper & Robin Hill and 'Les Filles De Cadiz'.
But there have also been problems.
One particularly worrying incident was, 'Too Much Inflammation...', which was the result of a nasty ant bite, ironically sustained at home and not during one of the four trips up the Amazon, and the photograph of the offending hand has been taken up by insect bite sites around the world!
Travelling always has its difficulties but this year we have dealt with suspect packages causing the evacuation of the airport and consequently missed planes. Luckily, through sheer determination and numerous 'phone calls between agents in London and America, rescheduled flights were arranged and Robin arrived just in time.
Not so with the elements.
He spent a very frustrating few days in Amsterdam, stranded after all airports were closed due to Volcanic ash. Eventually he made it home via trains and boats, but it ate into the few precious days he was meant to have at home.
From my point of view, I was delighted to have reached the milestone of, 'Life of a Musicians 4th Birthday,' which is quite an achievement in the blogging world, especially when you consider we are now posting the 714th blog post...
I even allowed myself the luxury of a blog post all to myself, after a number of requests from regular readers. Funnily enough, 'Anna Hill's 'Unofficial' Desert Island Discs' has become a very popular one and continues to be visited regularly.
So, looking back it has been an eventful and fulfilling year.
Once again I would like to thank all our regular readers for their continued support, and also those who just dip in from time to time.
Here at Hillhouse we hope you all had a very nice Christmas and wish each and every one of you a very happy, healthy and prosperous New Year.
Monday, December 06, 2010
From New York to Cartoon...
It has been a long time since my last update, but then you all had 712 previous posts to look back through!
Whilst quiet on the writing front it has been very busy on the musical one.
Robin has performed 8 concerts and travelled to many places including the Norwegian Fjords, Italy, Greece, Croatia and finally New York.
Here is the welcoming sight of the Statue of Liberty, albeit a little hazy:
And the familiar New York skyline:
Plus the spectacular Verrazano Bridge:
But despite seeing some incredible places Robin was very sad to be away from home on youngest son's 8th birthday, the downside for the travelling musician is they frequently miss these significant family moments.
Now home again, recording of some 'warming' flamenco style pieces is underway, which has been particularly beneficial given the 'big freeze' currently sweeping across the UK.
Here the poor ducks have been reduced to a minimal swimming area, and believe it or not this is actually a very heavy frost rather than snow!
Another problem with frequent trips away from home is that 'others' take advantage of your comfortable armchair and refuse to give it back....
And if you are wondering how a musician relaxes when at home, well, they draw pictures of fictitious musicians of course!
Whilst quiet on the writing front it has been very busy on the musical one.
Robin has performed 8 concerts and travelled to many places including the Norwegian Fjords, Italy, Greece, Croatia and finally New York.
Here is the welcoming sight of the Statue of Liberty, albeit a little hazy:
And the familiar New York skyline:
Plus the spectacular Verrazano Bridge:
But despite seeing some incredible places Robin was very sad to be away from home on youngest son's 8th birthday, the downside for the travelling musician is they frequently miss these significant family moments.
Now home again, recording of some 'warming' flamenco style pieces is underway, which has been particularly beneficial given the 'big freeze' currently sweeping across the UK.
Here the poor ducks have been reduced to a minimal swimming area, and believe it or not this is actually a very heavy frost rather than snow!
Another problem with frequent trips away from home is that 'others' take advantage of your comfortable armchair and refuse to give it back....
And if you are wondering how a musician relaxes when at home, well, they draw pictures of fictitious musicians of course!
Tuesday, July 27, 2010
Happy 4th Birthday to 'Life of a musician - Robin Hill'!!!
,
Once again I can't believe a whole year has gone by and 'Life of a musician' is celebrating its 4th Birthday! In blogging terms this makes us rather more mature than the average 4 year old...
As always it has been a busy year with extensive travel and many concerts performed. We have seen the release of a CD, 'Hill/Wiltschinsky Duo - Soler Sonatas', and the recording of another, 'Cancion', with soprano Izzy Cooper, which will be released in September!
The most popular post over the last year has been, unsurprisingly, 'Music Practice Tips - Classical Guitar', although close contenders were, 'Inspire Young Minds with Music', and one which was rather a surprise, (although I think I picked up a few hits thanks to a BBC broadcaster of the same name...) 'Anna Hill's 'Unofficial' Desert Island Discs'.
There have been fewer posts than I would have liked, but even when time constraints have prevented me from writing, I have tried to keep everyone updated via my Twitter feed, 'AnnaHill'. This tends to be a combination of work and leisure related information, but that was the whole idea. There seem to be many readers out there who like the little extra insight that can be gained from Twitter.
Naturally, I would like to thank you all for returning and reading on a regular basis, and also those that just dip in from time to time.
It is very much appreciated.
I hope the next 12 months will bring many more exciting adventures in the life of this particular musician.
Once again I can't believe a whole year has gone by and 'Life of a musician' is celebrating its 4th Birthday! In blogging terms this makes us rather more mature than the average 4 year old...
As always it has been a busy year with extensive travel and many concerts performed. We have seen the release of a CD, 'Hill/Wiltschinsky Duo - Soler Sonatas', and the recording of another, 'Cancion', with soprano Izzy Cooper, which will be released in September!
The most popular post over the last year has been, unsurprisingly, 'Music Practice Tips - Classical Guitar', although close contenders were, 'Inspire Young Minds with Music', and one which was rather a surprise, (although I think I picked up a few hits thanks to a BBC broadcaster of the same name...) 'Anna Hill's 'Unofficial' Desert Island Discs'.
There have been fewer posts than I would have liked, but even when time constraints have prevented me from writing, I have tried to keep everyone updated via my Twitter feed, 'AnnaHill'. This tends to be a combination of work and leisure related information, but that was the whole idea. There seem to be many readers out there who like the little extra insight that can be gained from Twitter.
Naturally, I would like to thank you all for returning and reading on a regular basis, and also those that just dip in from time to time.
It is very much appreciated.
I hope the next 12 months will bring many more exciting adventures in the life of this particular musician.
Monday, July 12, 2010
Too Much Inflammation.....
Since my last post Robin has actually been back to Norway and performed three more concerts!
However, today I am talking about something completely different.
Regular readers will know that this year has been very busy.
Robin has travelled to all corners of the world including three trips up the Amazon, one to Egypt and the middle East and one visit to Mumbai.
It was therefore with some irony that in a visit to our local park he was bitten by an unknown insect probably a spider or an ant.
An allergic reaction followed, in the most frightening place for any musician....his hand.
To highlight the problem let me first show you Robin's normal left hand.
As you can see, it is very strong and used to many hours of playing, every single day.
If you follow the regime outlined in this post, 'Music Practice Tips - Classical Guitar' this will be the outcome.
However, currently, Robin's right hand looks like this...
As I'm sure you can imagine, this has caused a great deal of anxiety.
A very sore and swollen hand certainly affects playing and on the brink of a lengthy trip this is far from ideal.
Although I have written about hand problems before, 'Recording For Teldec With Sutured Finger...'.
I have also referred to Robin's hands frequently in posts such as, 'Robin Hill, His Hands and an Unknown Mozart Score' and here, 'Guitarists Hands - and Nails'.
The inability to play is worrying on many levels.
Obviously his income depends on it, but the issue runs far deeper than that.
Musicians who perform at this level live for their playing. The fear that something may prevent them doing this is very frightening.
Luckily for us, our dear friend, and also doctor, quickly prescribed various medications and, hopefully, the problem will resolve in the next few days.
Meanwhile, I shall attempt to calm the nerves of this musician whilst he is restricted in his playing....
Wish me luck.
However, today I am talking about something completely different.
Regular readers will know that this year has been very busy.
Robin has travelled to all corners of the world including three trips up the Amazon, one to Egypt and the middle East and one visit to Mumbai.
It was therefore with some irony that in a visit to our local park he was bitten by an unknown insect probably a spider or an ant.
An allergic reaction followed, in the most frightening place for any musician....his hand.
To highlight the problem let me first show you Robin's normal left hand.
As you can see, it is very strong and used to many hours of playing, every single day.
If you follow the regime outlined in this post, 'Music Practice Tips - Classical Guitar' this will be the outcome.
However, currently, Robin's right hand looks like this...
As I'm sure you can imagine, this has caused a great deal of anxiety.
A very sore and swollen hand certainly affects playing and on the brink of a lengthy trip this is far from ideal.
Although I have written about hand problems before, 'Recording For Teldec With Sutured Finger...'.
I have also referred to Robin's hands frequently in posts such as, 'Robin Hill, His Hands and an Unknown Mozart Score' and here, 'Guitarists Hands - and Nails'.
The inability to play is worrying on many levels.
Obviously his income depends on it, but the issue runs far deeper than that.
Musicians who perform at this level live for their playing. The fear that something may prevent them doing this is very frightening.
Luckily for us, our dear friend, and also doctor, quickly prescribed various medications and, hopefully, the problem will resolve in the next few days.
Meanwhile, I shall attempt to calm the nerves of this musician whilst he is restricted in his playing....
Wish me luck.
Tuesday, June 22, 2010
Two Guitar Concerts in the Norwegian Fjords
I thought you might enjoy a brief update into the life of this musician over the last week, and it has been pretty eventful.
Robin is currently in the beautiful Norwegian Fjords and enjoying the views:
But of course he is actually there to give two concerts, both of which he has now performed.
The theatre, which holds more than 1000 people, was full on each occasion and the audience very appreciative.
Robin has spoken to many of them since, who so enjoyed the first performance that they went along to the second.
In fact one gentleman, who's father was a pianist, thanked Robin for the two concerts saying he had, 'such a wonderful touch on the guitar'. He was close to tears.
For a musician this is a fantastic reward for the many years of hard work that go into each performance. To move a person, not only during a concert but also after the event, is quite an achievement.
But Robin has had time to enjoy some of the spectacular and dramatic scenery, including the snow capped mountains which are making him wish he had taken a coat...
Here you can even see the QM2 amongst the mountains and houses:
.jpg)
But even in remote parts of the Norwegian Fjords it's possible to bump into someone you know.
As Robin enjoyed a walk he met an old friend, Francisco Yglesia, a Paraguayan harpist and former member of Los Paraguayos.
Last I heard they were discussing strings....
Robin is currently in the beautiful Norwegian Fjords and enjoying the views:
But of course he is actually there to give two concerts, both of which he has now performed.
The theatre, which holds more than 1000 people, was full on each occasion and the audience very appreciative.
Robin has spoken to many of them since, who so enjoyed the first performance that they went along to the second.
In fact one gentleman, who's father was a pianist, thanked Robin for the two concerts saying he had, 'such a wonderful touch on the guitar'. He was close to tears.
For a musician this is a fantastic reward for the many years of hard work that go into each performance. To move a person, not only during a concert but also after the event, is quite an achievement.
But Robin has had time to enjoy some of the spectacular and dramatic scenery, including the snow capped mountains which are making him wish he had taken a coat...
Here you can even see the QM2 amongst the mountains and houses:
.jpg)
But even in remote parts of the Norwegian Fjords it's possible to bump into someone you know.
As Robin enjoyed a walk he met an old friend, Francisco Yglesia, a Paraguayan harpist and former member of Los Paraguayos.
Last I heard they were discussing strings....
Tuesday, May 04, 2010
From Brazil to Barcelona with a Classical Guitar
Since my last post a lot has been happening.
The life of this musician is certainly varied and thankfully very busy.
In the last month alone Robin has performed 5 concerts and shared his music with in excess of 2500 people. Not to mention travelling to Brazil, Spain and Portugal.
This is an incredible achievement.
The time away spent away from home can be difficult, but this is eased by the reaction to all the concerts performed.
Both audience and organisers have been equally positive and enthusiastic.
Returning to Brazil was a real treat for Robin. Although the journey there is long and exhausting, the rewards on arrival are incredible.
Lovely people and amazing scenery.
To wake up to this sort of view is really something special:
There's one village in particular that Robin always loves visiting, and in fact this was the second time he'd been there in just a few months.
The village is, 'Boca de Valeria', and the local people are keen to talk to any visitors and show them around their homes.
The children all get very excited and Robin has decided that on his next visit he will offer to play for them in their small church:
You can read more about Robin's previous trips to Brazil and see some lovely pictures, here, 'Arrival in The Amazon, Caruso and Fitzcarraldo' and here, 'Back to The Amazon'.
Robin managed to get home before the disruption of the volcano in Iceland and spent a whole 10 days with the family!
It wasn't without its difficulties though.
A lunchtime concert in Doncaster Museum had to be cancelled as Robin broke down on the way there.
He was devastated by this.
In the whole of his career he has never had to cancel a concert. (Even when extremely ill on a two week tour in Ireland some years ago he managed to complete every single performance. Although on the last concert he was unable to go on stage for an encore as he physically couldn't face the bright lights. The next morning we found out he had measles.....medical advice was to stay in a darkened room....)
However, a new date has been found for the concert in Doncaster so put it in your diaries now: 9th March 2011.
After another week away, travelling to Spain and Portugal, and 3 further concerts Robin returned home for a quick visit.
In just two days he managed to catch up with all the family news and start memorising some new pieces.
This is an essential process when performing so frequently.
New pieces have to be learnt and rehearsed until ready for public performance.
Now Robin is off again.
He is back in Spain and preparing for his concert in 2 days time.
There are so many exciting things being planned at the moment that I sometimes wonder when I will find the dates to fit them in.
However I usually manage it. Somehow.
So keep checking in to find out what happens next...
The life of this musician is certainly varied and thankfully very busy.
In the last month alone Robin has performed 5 concerts and shared his music with in excess of 2500 people. Not to mention travelling to Brazil, Spain and Portugal.
This is an incredible achievement.
The time away spent away from home can be difficult, but this is eased by the reaction to all the concerts performed.
Both audience and organisers have been equally positive and enthusiastic.
Returning to Brazil was a real treat for Robin. Although the journey there is long and exhausting, the rewards on arrival are incredible.
Lovely people and amazing scenery.
To wake up to this sort of view is really something special:
There's one village in particular that Robin always loves visiting, and in fact this was the second time he'd been there in just a few months.
The village is, 'Boca de Valeria', and the local people are keen to talk to any visitors and show them around their homes.
The children all get very excited and Robin has decided that on his next visit he will offer to play for them in their small church:
You can read more about Robin's previous trips to Brazil and see some lovely pictures, here, 'Arrival in The Amazon, Caruso and Fitzcarraldo' and here, 'Back to The Amazon'.
Robin managed to get home before the disruption of the volcano in Iceland and spent a whole 10 days with the family!
It wasn't without its difficulties though.
A lunchtime concert in Doncaster Museum had to be cancelled as Robin broke down on the way there.
He was devastated by this.
In the whole of his career he has never had to cancel a concert. (Even when extremely ill on a two week tour in Ireland some years ago he managed to complete every single performance. Although on the last concert he was unable to go on stage for an encore as he physically couldn't face the bright lights. The next morning we found out he had measles.....medical advice was to stay in a darkened room....)
However, a new date has been found for the concert in Doncaster so put it in your diaries now: 9th March 2011.
After another week away, travelling to Spain and Portugal, and 3 further concerts Robin returned home for a quick visit.
In just two days he managed to catch up with all the family news and start memorising some new pieces.
This is an essential process when performing so frequently.
New pieces have to be learnt and rehearsed until ready for public performance.
Now Robin is off again.
He is back in Spain and preparing for his concert in 2 days time.
There are so many exciting things being planned at the moment that I sometimes wonder when I will find the dates to fit them in.
However I usually manage it. Somehow.
So keep checking in to find out what happens next...
Wednesday, December 09, 2009
'Musical Bar'
As Robin makes his way up the Amazon on Crystal Symphony, it became obvious that Christmas preparations were underway in Manaus, Brazil:
.jpg)
He has already visited some incredible places and I'm hoping for photographs soon.
However sending them is proving a problem just at the moment.
But regardless of the fantastic sights he is seeing Robin has two concerts to prepare for, so he is keeping busy.
Meanwhile I thought I would share this joke with you.
It was sent to me by our wonderful friend Paul Griffin.
So at this busy time of year, take a few minutes to sit back, relax and release the inner musician...
Musical Bar
C, E-flat and G go into a bar. The bartender says, "sorry,
but we don't serve minors." So E-flat leaves, and C and G
have an open fifth between them. After a few drinks, the
fifth is diminished and G is out flat. F comes in and tries
to augment the situation, but is not sharp enough.
D comes in and heads for the bathroom saying, "Excuse me.
I'll just be a second." Then A comes in, but the bartender
is not convinced that this relative of C is not a minor.
Then the bartender notices B-flat hiding at the end of the
bar and says, "Get out! You're the seventh minor I've found
in this bar tonight."
E-Flat comes back the next night in a three-piece suit with
nicely shined shoes. The bartender says, "you're looking
sharp tonight. Come on in, this could be a major
development." Sure enough, E-flat soon takes off his suit
and everything else, and is au natural.
Eventually C sobers up and realizes in horror that he's
under a rest. C is brought to trial, found guilty of
contributing to the diminution of a minor, and is sentenced
to 10 years of D.S. without Coda at an upscale correctional
facility.
AXJ66SAEE4BT
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He has already visited some incredible places and I'm hoping for photographs soon.
However sending them is proving a problem just at the moment.
But regardless of the fantastic sights he is seeing Robin has two concerts to prepare for, so he is keeping busy.
Meanwhile I thought I would share this joke with you.
It was sent to me by our wonderful friend Paul Griffin.
So at this busy time of year, take a few minutes to sit back, relax and release the inner musician...
Musical Bar
C, E-flat and G go into a bar. The bartender says, "sorry,
but we don't serve minors." So E-flat leaves, and C and G
have an open fifth between them. After a few drinks, the
fifth is diminished and G is out flat. F comes in and tries
to augment the situation, but is not sharp enough.
D comes in and heads for the bathroom saying, "Excuse me.
I'll just be a second." Then A comes in, but the bartender
is not convinced that this relative of C is not a minor.
Then the bartender notices B-flat hiding at the end of the
bar and says, "Get out! You're the seventh minor I've found
in this bar tonight."
E-Flat comes back the next night in a three-piece suit with
nicely shined shoes. The bartender says, "you're looking
sharp tonight. Come on in, this could be a major
development." Sure enough, E-flat soon takes off his suit
and everything else, and is au natural.
Eventually C sobers up and realizes in horror that he's
under a rest. C is brought to trial, found guilty of
contributing to the diminution of a minor, and is sentenced
to 10 years of D.S. without Coda at an upscale correctional
facility.
AXJ66SAEE4BT
Monday, October 19, 2009
Music Practice Tips - Classical Guitar
Today is a very special post by the man himself - Robin Hill!
It was originally written as a guest blog for the Australian violinist Ben Clapton, back in 2007.
Enjoy!
Music Practice Tips – Classical Guitar
By Robin Hill
When approached by Ben, to write a guest blog spot on ‘practice tips’ for the classical guitar, I wondered where to start.
Having written an entire book, ‘The Guitar Gymnasium, A Mental and Physical Workout, Designed to Develop Flawless Technique,’ published by Mel Bay, it seemed a difficult task to summarise into an article.
Most of my thinking on these matters has been precipitated by the ‘front line’ experiences of concertising, recording, broadcasting and teaching, and a life long passion for the classical guitar, and music in general.
Outstanding performance on any musical instrument can only be achieved through hard and painstaking work. The musician who excels above his colleagues is, generally, the one who has taken more pains.
Regular practice is essential, with technical work of high priority, and whilst students may not want to hear this, there is no escape from scales and arpeggios!
One of the most basic and important principles in guitar technique is economy of movement, not only of both hands, but, of any part of the body involved in the production of the note.
It’s worth investing in a full length, movable, mirror, as I watch myself playing frequently, not out of vanity, but to constantly check positioning and posture.
For practice, I’ll break it down into sections, and start with the arpeggio.
The Arpeggio.
The right hand should remain completely stable with the knuckles immobile and parallel to the strings. The fingers themselves move in a minimal way, pressing, rather than hitting the string.
Initially you can practice this silently by touching the string but without producing any sound.
This helps to establish playing ‘from the string’ and using the minimum amount of movement.
Silent practice should be accompanied by ‘hearing’ the notes mentally, and thus, reinforcing the inner ear.
In fact it is always good practice to ‘hear’ notes in one’s mind a split second before playing them.
Initially the arpeggio should be practiced slowly, gradually increasing the tempo, and the use of a metronome is recommended, but not all the time.
Fluency, technical command and accuracy are paramount.
Variety in practice is important, try to surprise your fingers with new challenges and studies, but always practice attentively. Be aware of the deadly routine of wading, without concentration, through studies and exercises.
The Scale.
There are many different methods of playing scales on the guitar. As a general rule, if alternating between i and m, it is undesirable to cross strings using mi when ascending and im when descending. Whilst not always possible to avoid, it should be seriously considered. So, the guitarist must learn a flexible approach to scale playing, using inventive fingering to avoid undesirable crossings.
It should be remembered, that printed fingering is never sacred, there are usually viable alternatives.
During scale playing the same principles of economy of movement and right and left hand stability apply.
I have also found that practice with the backs of the nails i.e. movement in the opposite direction to the normal stroke, is extremely beneficial. It’s a similar effect to practising rasgueados and leads to improving the right hand’s ‘feel good’ factor.
When practising major and minor scales try playing along with the metronome (on the offbeat) and also using various rhythms.
So regular technical exercises are essential. But one doesn’t need to have an instrument in one’s hands to practise, particularly in the field of memorization.
I personally derive a great deal of benefit from not only ‘playing’ a piece mentally, and hearing the sound and timbre of the notes, but also in imagining a successful concert scenario.
Even when practising with the instrument I feel it is an intellectual rather than a physical exercise.
The temptation to play a piece up to tempo should be resisted, as unless the technical and musical foundations have been laid we will not gain mastery over the music.
The repetition of, ‘hit and miss’ renditions, only serves to ingrain bad habits further.
Difficult passages must be played slowly, with phrasing and musical expression, to prevent the bad habits developing.
One never arrives at the point when one can say, ‘I can now play,’ it’s a lifetimes work for anyone, whoever they are, and one’s ideals are often subtly changing.
I am frequently asked how much practice should be done each day, but it is, of course, quality and not quantity that is paramount.
Generally I practice no more than one hour at a time, but it is a pointless exercise, unless concentration and attention are maintained.
Over an average day I would practise at least five hours, about half the time on technical work, and the other half on musical aspects (learning new repertoire, maintaining established repertoire etc.)
I strongly recommend reading and re-reading every possible tutor and manual on playing and technique. Not just for the guitar, but different instruments, particularly the violin and piano, as there are very often common principles to playing any instrument.
It is impossible to overestimate the importance of going to hear and see as many first class players as possible, of any instrument, as this is one of the most exciting and inspirational ways to learn.
But it is also important not to forget one’s original inspirations and to refer back to them often. They are, after all, the reason you play, and generally, you will still find them inspiring.
Listen and luxuriate in your favourite recordings and let them fuel your enthusiasm. Although there are now many fine players of the guitar worldwide, it is still, unfortunately, rare to get the chance to see and hear them. If you do get the chance, make sure you take it and hear them live, it’s worth a million CDs.
Also play with other musicians. The guitar combines particularly well with the violin, the voice, the flute, the mandolin, the recorder, the oboe and with all manner of small chamber ensembles. This will open you up to the full musical picture and not just ‘your’ part, increasing your appreciation and pleasure on the way.
Much of the information I have discussed today, has come from my book, which also has all the technical exercises, I work through each day.
I will also be going into more detail about practice and performance over on my blog in the next few weeks and months.
But for now, many thanks to Ben for the invitation, and, happy practising!
It was originally written as a guest blog for the Australian violinist Ben Clapton, back in 2007.
Enjoy!
Music Practice Tips – Classical Guitar
By Robin Hill
When approached by Ben, to write a guest blog spot on ‘practice tips’ for the classical guitar, I wondered where to start.
Having written an entire book, ‘The Guitar Gymnasium, A Mental and Physical Workout, Designed to Develop Flawless Technique,’ published by Mel Bay, it seemed a difficult task to summarise into an article.
Most of my thinking on these matters has been precipitated by the ‘front line’ experiences of concertising, recording, broadcasting and teaching, and a life long passion for the classical guitar, and music in general.
Outstanding performance on any musical instrument can only be achieved through hard and painstaking work. The musician who excels above his colleagues is, generally, the one who has taken more pains.
Regular practice is essential, with technical work of high priority, and whilst students may not want to hear this, there is no escape from scales and arpeggios!
One of the most basic and important principles in guitar technique is economy of movement, not only of both hands, but, of any part of the body involved in the production of the note.
It’s worth investing in a full length, movable, mirror, as I watch myself playing frequently, not out of vanity, but to constantly check positioning and posture.
For practice, I’ll break it down into sections, and start with the arpeggio.
The Arpeggio.
The right hand should remain completely stable with the knuckles immobile and parallel to the strings. The fingers themselves move in a minimal way, pressing, rather than hitting the string.
Initially you can practice this silently by touching the string but without producing any sound.
This helps to establish playing ‘from the string’ and using the minimum amount of movement.
Silent practice should be accompanied by ‘hearing’ the notes mentally, and thus, reinforcing the inner ear.
In fact it is always good practice to ‘hear’ notes in one’s mind a split second before playing them.
Initially the arpeggio should be practiced slowly, gradually increasing the tempo, and the use of a metronome is recommended, but not all the time.
Fluency, technical command and accuracy are paramount.
Variety in practice is important, try to surprise your fingers with new challenges and studies, but always practice attentively. Be aware of the deadly routine of wading, without concentration, through studies and exercises.
The Scale.
There are many different methods of playing scales on the guitar. As a general rule, if alternating between i and m, it is undesirable to cross strings using mi when ascending and im when descending. Whilst not always possible to avoid, it should be seriously considered. So, the guitarist must learn a flexible approach to scale playing, using inventive fingering to avoid undesirable crossings.
It should be remembered, that printed fingering is never sacred, there are usually viable alternatives.
During scale playing the same principles of economy of movement and right and left hand stability apply.
I have also found that practice with the backs of the nails i.e. movement in the opposite direction to the normal stroke, is extremely beneficial. It’s a similar effect to practising rasgueados and leads to improving the right hand’s ‘feel good’ factor.
When practising major and minor scales try playing along with the metronome (on the offbeat) and also using various rhythms.
So regular technical exercises are essential. But one doesn’t need to have an instrument in one’s hands to practise, particularly in the field of memorization.
I personally derive a great deal of benefit from not only ‘playing’ a piece mentally, and hearing the sound and timbre of the notes, but also in imagining a successful concert scenario.
Even when practising with the instrument I feel it is an intellectual rather than a physical exercise.
The temptation to play a piece up to tempo should be resisted, as unless the technical and musical foundations have been laid we will not gain mastery over the music.
The repetition of, ‘hit and miss’ renditions, only serves to ingrain bad habits further.
Difficult passages must be played slowly, with phrasing and musical expression, to prevent the bad habits developing.
One never arrives at the point when one can say, ‘I can now play,’ it’s a lifetimes work for anyone, whoever they are, and one’s ideals are often subtly changing.
I am frequently asked how much practice should be done each day, but it is, of course, quality and not quantity that is paramount.
Generally I practice no more than one hour at a time, but it is a pointless exercise, unless concentration and attention are maintained.
Over an average day I would practise at least five hours, about half the time on technical work, and the other half on musical aspects (learning new repertoire, maintaining established repertoire etc.)
I strongly recommend reading and re-reading every possible tutor and manual on playing and technique. Not just for the guitar, but different instruments, particularly the violin and piano, as there are very often common principles to playing any instrument.
It is impossible to overestimate the importance of going to hear and see as many first class players as possible, of any instrument, as this is one of the most exciting and inspirational ways to learn.
But it is also important not to forget one’s original inspirations and to refer back to them often. They are, after all, the reason you play, and generally, you will still find them inspiring.
Listen and luxuriate in your favourite recordings and let them fuel your enthusiasm. Although there are now many fine players of the guitar worldwide, it is still, unfortunately, rare to get the chance to see and hear them. If you do get the chance, make sure you take it and hear them live, it’s worth a million CDs.
Also play with other musicians. The guitar combines particularly well with the violin, the voice, the flute, the mandolin, the recorder, the oboe and with all manner of small chamber ensembles. This will open you up to the full musical picture and not just ‘your’ part, increasing your appreciation and pleasure on the way.
Much of the information I have discussed today, has come from my book, which also has all the technical exercises, I work through each day.
I will also be going into more detail about practice and performance over on my blog in the next few weeks and months.
But for now, many thanks to Ben for the invitation, and, happy practising!
Friday, July 17, 2009
BBC Proms 2009
It's that time of year again!
Tonight is the opening night of the world's greatest classical music festival, The Proms 2009.
From 17 July - 12 September an amazing 100 concerts will take place.
The marathon begins today and you can view tonight's programme here.
Coverage of the first night of the 115th season can also be seen on BBC2 starting at 8pm.
To make sure you don't miss anything, BBC Radio 3 have designed a lovely widget which I have displayed below.
This will be regularly updated with videos and links, so feel free to call back over the next 2 months to keep an eye on events.
Enjoy!
Tonight is the opening night of the world's greatest classical music festival, The Proms 2009.
From 17 July - 12 September an amazing 100 concerts will take place.
The marathon begins today and you can view tonight's programme here.
Coverage of the first night of the 115th season can also be seen on BBC2 starting at 8pm.
To make sure you don't miss anything, BBC Radio 3 have designed a lovely widget which I have displayed below.
This will be regularly updated with videos and links, so feel free to call back over the next 2 months to keep an eye on events.
Enjoy!
Monday, June 08, 2009
A Brace of Concerti
The last few days on the Queen Victoria went very well. Two concerts performed, one more standing ovation and many lovely comments from both audience and staff.
But it wasn't all work.
One day was spent in Geiranger, one of the most breathtakingly beautiful places Robin has seen, with air that smelt like wine - apparently.
Then they moved onto Bergen, where, despite the pull of a visit to Edvard Grieg's House, Robin felt he had to resist and remain onboard as he had a performance that night.
But since his return there has been a lot going on.
Things are moving on with Robin's latest concerto, 'Eternal Dances', so final decisions are being made about every aspect of the score.
Those following me on Twitter have been witnessing this final editing process.
They will have also have seen that this isn't achieved in isolation.
I have frequently been called in to listen to, and look at, the entire orchestral score. Note by note.
I know, it's late in the day as discussions are already underway with various orchestras, but I suppose the composer has the right to make changes as and when he feels it appropriate or at least up to the point when the parts are sent out...
Whilst waiting for further news of 'Eternal Dances', you can read an old post, and review, about 'Concerto Primavera', another of Robin's compositions, here.
But it wasn't all work.
One day was spent in Geiranger, one of the most breathtakingly beautiful places Robin has seen, with air that smelt like wine - apparently.
Then they moved onto Bergen, where, despite the pull of a visit to Edvard Grieg's House, Robin felt he had to resist and remain onboard as he had a performance that night.
But since his return there has been a lot going on.
Things are moving on with Robin's latest concerto, 'Eternal Dances', so final decisions are being made about every aspect of the score.
Those following me on Twitter have been witnessing this final editing process.
They will have also have seen that this isn't achieved in isolation.
I have frequently been called in to listen to, and look at, the entire orchestral score. Note by note.
I know, it's late in the day as discussions are already underway with various orchestras, but I suppose the composer has the right to make changes as and when he feels it appropriate or at least up to the point when the parts are sent out...
Whilst waiting for further news of 'Eternal Dances', you can read an old post, and review, about 'Concerto Primavera', another of Robin's compositions, here.
Thursday, February 12, 2009
Two Guitar Concerts for You
Two dates for your diary:
Mugdock Country Park - Friday 27th February @ 7.45 pm
Mugdock Country Park is a beautiful setting, and one of Scotland's most popular visitor attractions, making it ideal for an evening of lovely music.
Details of the concert can be found here, 'Mugdock Country Park - Events,' and as they say on their page, "booking is essential," "classical guitar at its best," and, "not to be missed!"
Robin has performed here many times before, so if you are able to attend, I really do recommend order tickets very soon.
They are priced at £15/£13 which includes a light supper in the interval.
However, if you can't wait that long, and happen to be in the Blackpool area tomorrow, you can catch a lunchtime recital in Poulton-Le-Fylde.
It's the perfect way to spend your lunch break, with the hour long concert starting at 1pm.
The venue:
Poulton-Le-Fylde Methodist Church
Queensway
Poulton
FY6 7ST
I know it will be Friday the 13th, but we're not superstitious here....
Apparently, for those not familiar with the area, the Church is near the Teanlowe Centre.
Mugdock Country Park - Friday 27th February @ 7.45 pm
Mugdock Country Park is a beautiful setting, and one of Scotland's most popular visitor attractions, making it ideal for an evening of lovely music.
Details of the concert can be found here, 'Mugdock Country Park - Events,' and as they say on their page, "booking is essential," "classical guitar at its best," and, "not to be missed!"
Robin has performed here many times before, so if you are able to attend, I really do recommend order tickets very soon.
They are priced at £15/£13 which includes a light supper in the interval.
However, if you can't wait that long, and happen to be in the Blackpool area tomorrow, you can catch a lunchtime recital in Poulton-Le-Fylde.
It's the perfect way to spend your lunch break, with the hour long concert starting at 1pm.
The venue:
Poulton-Le-Fylde Methodist Church
Queensway
Poulton
FY6 7ST
I know it will be Friday the 13th, but we're not superstitious here....
Apparently, for those not familiar with the area, the Church is near the Teanlowe Centre.
Monday, July 14, 2008
A Song, A Soprano, and A Book
Where's Izzy Cooper when you need her?
Robin is currently working on a few arrangements for the concerts in August.
They are sounding great, but there is a problem.
He keeps seeking me out, and asking me, to sing the soprano part.
The problem is, I'm not a singer.
By any stretch of the imagination, I am not a singer.
I'd love to be a singer, and have tried recording various songs of Robin's, over the years.
And he has always, very patiently, manned the recording equipment, before playing back the 'take', and trying to disguise the nervous tick that starts to develop.
But I am trained to observe, and I also have ears.
I can hear that I am no singer.
I can also see the flicker of pain as it crosses the sensitive musician's face.
That's OK though, we got past all that years ago.
So today, as he asks me to sing some parts for him, he is under no illusions, and neither am I.
Basically we are checking that the notes are all in the right places...
The children have escaped to another room and the dogs have their paws over their ears.
Actually, I'm doing myself an injustice.
I'm not that bad, as non-professional singers go, I'm OK.
But Robin has spent parts of his career working with some incredible singers, Pavarotti, Russell Watson, Madeline Bell, etc.
So my 'singing round the house' style just can't compete.
Luckily, I'm not trying to make a living out of it.
I have however just completed a book.
A whole book, from start to finish, written.
I still have some editing to do, and the small matter of getting an agent and publisher, but I won't let that spoil the mood.
It's not everyone that can say they have written a book...
Robin is currently working on a few arrangements for the concerts in August.
They are sounding great, but there is a problem.
He keeps seeking me out, and asking me, to sing the soprano part.
The problem is, I'm not a singer.
By any stretch of the imagination, I am not a singer.
I'd love to be a singer, and have tried recording various songs of Robin's, over the years.
And he has always, very patiently, manned the recording equipment, before playing back the 'take', and trying to disguise the nervous tick that starts to develop.
But I am trained to observe, and I also have ears.
I can hear that I am no singer.
I can also see the flicker of pain as it crosses the sensitive musician's face.
That's OK though, we got past all that years ago.
So today, as he asks me to sing some parts for him, he is under no illusions, and neither am I.
Basically we are checking that the notes are all in the right places...
The children have escaped to another room and the dogs have their paws over their ears.
Actually, I'm doing myself an injustice.
I'm not that bad, as non-professional singers go, I'm OK.
But Robin has spent parts of his career working with some incredible singers, Pavarotti, Russell Watson, Madeline Bell, etc.
So my 'singing round the house' style just can't compete.
Luckily, I'm not trying to make a living out of it.
I have however just completed a book.
A whole book, from start to finish, written.
I still have some editing to do, and the small matter of getting an agent and publisher, but I won't let that spoil the mood.
It's not everyone that can say they have written a book...
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