Fly With a Little Help from Lebrecht...

Getting to Norway was always going to be difficult.
Not because of the distances involved, after all Robin travels all around the world, Norway is pretty much on our doorstep.
But time was the issue.

Last Friday, the 8th of June, Robin was playing for the High Sheriff of Lancashire at lunchtime in Lancaster Town Hall.

This went very well and he then dashed off to catch the first of three flights.
That isn't exactly true, he couldn't really 'dash' to the airport as a murder had been committed on the motorway.

Honestly, you couldn't make it up....

Consequently the motorway was closed and we had to make a detour to a train station which duly delivered Robin to the airport just in time for his first flight.

Not the best of starts.
However, the journey was to get a whole lot worse.

A quick change of planes in Copenhagen and then he spent a night, or what was left of it, in a hotel in Oslo.

Early next morning he duly arrived to catch his Norwegian Air flight to Alesund.
He was met by the usual barrage of questions regarding the guitar, he was informed that under no circumstances would the instrument be allowed in the cabin but, on payment of an extra £20, could be consigned to the hold, even though we had already paid for extra hand luggage.

Robin then 'phoned his contact in America who advised that they would purchase another seat for the guitar.
He then went to the Norwegain Air desk and was informed that they did have a seat available but when he explained this was for his instrument they refused point blank.

After a Twitter exchange, Norman Lebrecht, very succinctly summed up the situation, on his blog, 'Slipped Disc'.
As Kenneth Woods highlighted during this discussion, 'Norman Lebrecht has been a real champion for musicians with airlines.'


Travelling with an instrument has been difficult for some time but the situation is getting worse, and more stressful, with every journey.
Airlines all seem to have different, ever changing policies regarding musical instruments but even then, it really depends who happens to be at the check in desk.
Some people are fine others make problems where none exist.

The fact is that a classical guitar case fits neatly into the overhead locker, still allowing space for other passengers to stow their belonings, or, within one of the wardrobes available on the aircraft.
It really isn't a problem.

But on this occasion the check in assistant wouldn't budge.
No guitar was getting on his plane.

So Robin informed them he wouldn't be getting on the plane either, and his agents booked another flight for much later in the day leaving Robin to spend the entire day back at the hotel.
The pressure was unrelenting as he didn't know if he would actually make his connection after all these delays.

Back at the airport later that evening, Scandinavian Airlines welcomed Robin, and guitar, on board without any hesitation.

Thankfully their were no further delays and Robin arrived with only 30 minutes to spare.

Travel is meant to be the easy part, it's playing the notes that is difficult.
Airlines should remember who the customer is...


The next day he was able to put all the stress behind him and deliver a great concert.
Which incidentally was filmed by a Dutch TV film crew, but that's another story....

Happy 4th Birthday to 'Life of a musician - Robin Hill'!!!

,

Once again I can't believe a whole year has gone by and 'Life of a musician' is celebrating its 4th Birthday! In blogging terms this makes us rather more mature than the average 4 year old...

As always it has been a busy year with extensive travel and many concerts performed. We have seen the release of a CD, 'Hill/Wiltschinsky Duo - Soler Sonatas', and the recording of another, 'Cancion', with soprano Izzy Cooper, which will be released in September!

The most popular post over the last year has been, unsurprisingly, 'Music Practice Tips - Classical Guitar', although close contenders were, 'Inspire Young Minds with Music', and one which was rather a surprise, (although I think I picked up a few hits thanks to a BBC broadcaster of the same name...) 'Anna Hill's 'Unofficial' Desert Island Discs'.

There have been fewer posts than I would have liked, but even when time constraints have prevented me from writing, I have tried to keep everyone updated via my Twitter feed, 'AnnaHill'. This tends to be a combination of work and leisure related information, but that was the whole idea. There seem to be many readers out there who like the little extra insight that can be gained from Twitter.

Naturally, I would like to thank you all for returning and reading on a regular basis, and also those that just dip in from time to time.
It is very much appreciated.
I hope the next 12 months will bring many more exciting adventures in the life of this particular musician.

Anna Hill's 'Unofficial' Desert Island Discs

Back in 2007 I wrote the post, 'Robin Hill's 'Unofficial' Desert Island Discs'.

For those unfamiliar with the Radio 4 programme, you can read all about it here.

After this blog post I was asked by a Twitter friend, egoboss, what my choices would be...
As one of the founders of the personalized news site 'Ensembli', and also the online business development company, 'Egoboss', and after a nudge from Carl over Christmas, I thought I better get on with it.

So over the holiday period I gave it some thought.
I must say the task was far harder than I had initially anticipated.
A lifetime of listening to music, and being involved in the music industry, makes narrowing down to just 8 pieces a real challenge.

But here are my choices:

1) Take Five: Dave Brubeck Quartet

'Take Five' was written bu Paul Desmond and performed and recorded by the Dave Brubeck Quartet on numerous occasions. Written in 5/4 time it has endured as a jazz classic.

This piece of music is so familiar to me and brings comfort and sorrow in equal measures.
As I grew up this piece was repeatedly played by my stepfather, Tony. Looking back I now realise what a significant role he played in my musical education.
He had exceptionally eclectic tastes, and many hours were spent listening to all styles of music.
This partially resulted in my musical tastes being completely out of step with my generation, which was possibly one of the greatest favours he did me.
To hear music from all eras and styles was the best education I could have asked for.
Take Five was such a significant piece to all in our family, that on the terribly sad occasion of Tony's funeral, Robin performed his own arrangement of 'Take Five', live, accompanied by saxophonist, Munch Manship.
How they ever managed to perform so beautifully under such sad and emotional conditions I shall never know, but will always be very grateful. My only regret being that Tony wasn't able to hear it as he would have been delighted.

2) Schubert Piano Trio No.2 in E flat major, D929 (Op.100)

Franz Schubert (1797-1828) was a prolific, Austrian composer known for his melodic and harmonic writing.
As the rules of 'Desert Island Discs' only allow me one movement, it is without hesitation that I choose the 2nd movement, Andante con moto.
I actually remember the very first time I heard this movement.
I was driving the car with the radio on and despite reaching my destination I simply couldn't turn the radio off. I remained in the car until the piece had finished, and was consequently late for a lecture, but it was worth it!

3) The Beatles: All My Loving

Anyone who knows me will not be surprised to find a Beatles track in my list.
It's another example of being out of kilter with my peers as I was only a baby when The Beatles split.
The problem was choosing a song.
It could have been 'Something', 'She's Leaving Home', 'Here Comes the Sun', 'Eleanor Rigby' or any of them really.
But choose one I must, so I have decided on, 'All My Loving'.
The reason being that the energy and enthusiasm of The Beatles shines through, even though the song was written in 1963!

4) 'Eternal Dance' by Robin Hill

I am in the enviable position of being married to a musician. People generally seem very interested in musicians, which is one of the reasons this blog started in the first place!
But Robin is not only a performing musician but also a composer.
I added 'Eternal Dance' to the list, not out of a sense of loyalty, but, because I think it is the first movement of a fantastic concerto.
As Sir Thomas Beecham (1879-1961) said, "Composers should write tunes the chauffeurs and errand boys can whistle."
'Eternal Dance' certainly fulfills this requirement as our chauffeurs and errand boys have never ceased to whistle it since its creation....
You can read more about 'Eternal Dance' here.

Needless to say, if any orchestras are interested in adding the concerto to their programme then please feel free to get in touch, and likewise, if any guitarists out there are interested in performing or recording this new and exciting guitar concerto, don't hesitate to contact me!

5) 'God Only Knows' The Beach Boys

The Beach Boys released 'God Only Knows' in 1966. Its complicated melodic structure and vocal harmonies made it one of the most technically sophisticated songs of the time.
As Sir Paul McCartney is known to have listed it as one of his favourite songs, then I'm in good company.
It's also one of the songs I have listened to for most of my life and continue to listen to today.

6)Violin Concerto in D minor Op.47: Jean Sibelius

The Finnish composer Jean Sibelius made his mark early in my musical development.
The movement I choose , I, Allegro Moderato, would often be played when I was home alone as a teenager, loudly, whilst I marvelled at the sheer brilliance of the music.

7) 'Say a Little Prayer' Aretha Franklin

Aretha Franklin has to be the greatest soul singer of all time.
This is a difficult song to sing, and believe me I've tried...
If you haven't got a copy in your collection then I suggest you rectify that immediately.

And finally,

8) 'Hissing of Summer Lawns' Joni Mitchell

Both Robin and I love all Joni's work, particularly from 'Court and Spark' to 'Travelogue' and consider her one of the greatest song writers of our times.
The track 'Hissing of Summer Lawns' from the album of the same name is on the list because it is a highly significant song for Robin and I. Say no more.

I am also allowed to take a book.
I have selected, 'Crime and Punishment' by Fyodor Dostoevsky.
I have read this before, many years ago, and it is such an incredible story that I would like to read it again.

My luxury item:
This would have to be a never ending supply of writing paper and a fountain pen with a lifetime's supply of ink.
If I'm going to be stranded on a desert island at least I would finally have time to write all the stories that constantly circulate in my imagination!

So there you are, a small insight into my musical tastes....

Review of 2009

As is traditional at this time of year, I have decided to do a quick review, and highlight some of the most popular blog posts.

2009 has certainly been busy.

Despite global recession Robin has travelled to over 30 countries (I gave up counting in the end...) and performed to many thousands of people.
It is always a delight when Robin receives comments and feedback after a concert, and when someone goes to the trouble of seeking the artist out to express their enthusiasm, it is even more rewarding.

It hasn't all been good though.

We have been plagued by 'pirates' with well in excess of 10 000 illegal downloads, and those are the ones I know about.

Not unrelated, as major record companies try to find a way around these issues, was a particular low spot for me, as we had to pull out of recording Robin's concerto, 'Eternal Dances' with the fabulous London Symphony Orchestra due to funding problems related to the recession.
However, yesterday I was delighted to receive an email from a gentleman in Ireland, who had heard one movement played on RTE, and was so taken by it that he managed to contact me to express his enthusiasm.
I know that this piece will be an exceptional addition to the classical guitar concerto repertoire and will therefore pursue the project with renewed energy in 2010.

Looking back through some of the blog posts in 2009 there were a few that stood out.

Back in February we joined Reverbnation.
This post, 'The Stories Behind the Music - Robin Hill on Reverbnation' does exactly as it says. A little insight into each of the pieces available on the player.

Then in March there was a performance of Rodrigo's, 'Concierto de Aranjuez' and the corresponding post, 'The Concierto de Aranjuez, an ancient vinyl and advice on nail care.'

In June we were delighted to discover that one of Robin's pieces, 'Dolor de Muelas' had been nominated for an award, 'JPF Music Awards 2009 - Nominee...Robin Hill!!'
Whilst the piece didn't go onto win, it was a massive achievement to reach this stage.

Also in June a surprise favourite post that came about from a simple question posed on Twitter, as to whether musicians like to eat before, or after, a concert.
I'm indebted to all those that replied, and would like you to know that this post continues to be read daily around the world! 'To Eat or Not to Eat - Before a Concert'.

Then in July a milestone was reached as we celebrated our 3rd Birthday. Quite an achievement in the blogging world, and one that I am rather proud of. 'Life of a Musician' 3rd Birthday'.

By far the most popular post of the entire blog, never mind the last three years, was written in October.
'Music Practice Tips - Classical Guitar' continues to be read worldwide on a daily basis.
The post itself is an extract from Robin's book, 'The Guitar Gymnasium', so all those who have found it interesting should perhaps order themselves a copy, as the post is only a fraction of information that has been tried and tested over a lengthy performing career.

But for now I would like to thank all my readers for continuing to follow the life of this particular musician and to wish you all a very happy and healthy 2010.

'Life of a Musician' 3rd Birthday!

Today is the third birthday of 'Life of a Musician'.
I'm amazed how quickly the time has passed and how much as been going on.

Regular readers will know that I haven't posted as much recently, but there is a reason.
Unfortunately I can't yet share it with you!
Suffice to say that a project later this year has been taking up a lot of my time and hence the lack of posts.
But many thanks to you all for being patient, and returning regularly to keep updated.

Here's a reminder of our 1st birthday, 'Happy Birthday to Robin Hill's Classical Guitar Blog', and 2nd birthday, '2 Years of Blogging'.

In the past year a lot has happened and you can scroll down through the archives to catch up with events.

MySpace continues to flourish, Twitter has leaped from 93 followers and 838 updates a year ago, to 421 followers and 3795 updates!
Last year we were at 597 post, and now this will be the 687th post!
We have joined Reverbnation, to reach out to even more people, and new Cd's will be available before too long.

But for now, thank you to all those around the world who regularly drop by, and also to any casual visitors.
I hope to see you all over the next year, as we continue the journey.
Feel free to comment or send me a message if there are any areas you would like me to discuss.

For now though, time to eat cake.

To Eat or Not To Eat - Before A Concert

The other day I had an idle thought which I put to my Twitter followers.
Basically I was interested in the eating habits of the musicians amongst them.
The tweet said,

"To the musicians out there. Do you like to eat before a performance or do you prefer to wait until afterwards?"

I was very pleased when I received replies from soprano/pianist Barbara Rathbone, classical musician Jamie Pullman and oboe/English horn player, Patty Mitchell.

I have written before about musicians requirements in preparation of a concert.
Here's an example, 'Sex, Drugs and Classical Music', and another, 'Nigel Kennedy - Running on Pure Adrenaline'.

But this related more to the use of Beta Blockers, not the daily requirement of food.

However I have also discussed Robin's needs pre concert here, with, 'Bananas on the High Seas and Bottom E', and 'From, Fish - Brain Food for Musicians, to Oscar Peterson, to Elgar.'

Robin always eats before a performance, whether it is classical, or with a band. But there is a difference. When playing with a band he just feels better if he has eaten, but if performing a classical concert, he needs to.
I believe this is something to do with not only the increased pressure he feels when playing classical concerts, but also, the level of concentration that is required of him.
He's not alone in this.
The renowned guitarist, Julian Bream, has said that he always has a plentiful supply of sandwiches backstage to eat before his concert.

But you do have to watch these musicians.
There's an amusing anecdote around Handel and his dietary requirements.
He was frequently known, when entertaining guests, to suddenly announce he had a musical idea, and to leave the room.
The 'idea' was simply that he kept his high quality wine in his music room, whilst serving a cheaper version to his guests, and had simply 'nipped' out for a quick drink...
Whether or not the great man ate before a concert is not known but I would be extremely surprised if he didn't!

Getting back to the results of this highly unscientific research, well, the results were mixed.

Barbara, a singer, always eats after a performance as she finds eating before affects here voice. When I asked about the energy required to perform, she acknowledged it was adrenaline that got her through.

This is completely understandable. A singers needs are very different to other instruments.

The orchestral player Jamie Pullman had a different approach. If performing with the orchestra he ate before, but if with his quartet, then afterwards.
The increased exposure, and therefore pressure, of the quartet performance appears to alter his needs. Although he did add that he found it easier to concentrate on the music if he was 'uncomfortable' due to being hungry.

Patty Mitchell, another orchestral player, always eats before a performance, although only a small amount. I assume this is provide just the required amount of energy without causing discomfort.

It seems, as you would expect, that every musician has their own way of dealing with the question of whether to eat before or after a performance.
It also appears that nerves/stress, the need to focus on the job in hand, and the ability to concentrate all play a part.

From observing Robin perform over many years I know the amount of energy he expends when on stage. Yes, when you watch a programme about classical musicians and see them sweating away under the bright lights, it's all true, not just sprayed on for effect.

But there was one aspect to all this that struck me.
Only 'classical' musicians amongst my twitter followers responded to the question.
Initially I had addressed it to all musicians.
There could be many reasons for this.
They may not have been 'watching' at the time the tweet was posted, they could have been busy doing other things rather than replying to a random tweet from me, or they simply may not have felt the issue was important to them for their particular style of playing.
This in itself raises more questions so I would love to hear from musicians from all walks of life to hear their views.

John Paul Gaultier and the Life of a Musician?

Robin is on the QM2 and has already completed his first concert.
It all went very well and he is now preparing for the next one.

But I haven't been idle as I've had other things to think about, and therefore have something a little different for you today.

I have been asked many times by various companies to 'discuss' their product on this blog.
Sometimes it's an easy decision to make.
If the product is relevant, and I believe in it, then there's a chance I will write about it.
Sometimes I just like the approach they have taken and think it might be nice to add something a little different.

However, it can also be a balancing act.
You don't want to alienate your regular readers with blog posts that won't interest them.

A few days ago I was approached to show a 'teaser video' for John Paul Gaultier.

Basically, "MA DAME is celebrating her first birthday and has invited an artist to the party whose favourite art is one of surprise".

I watched the video and thought it was very good.
Then spent some time trying to think of a way that I could possibly connect this to the 'Life of a Musician'.

Other than the fact that I am a fan of Gaultier perfume I couldn't really come up with anything.

But, the campaign does highlight the need to approach marketing from a new perspective.
The pressure to come up with fresh ideas, ways of connecting with ones audience, and making use of technological advances are all essential marketing tools.

So in the end, I decided that if John Paul Gaultier was happy to invest in me, then I should return the favour and show you the video.

But there are other reasons.

Those who regularly read the blog and twitter, will know that I follow, listen and try to learn from those at the cutting edge of promoting their music.
One of my roles is to try and convince the world of 'classical music' that this is the way forward.
As we try to encourage younger people to learn to love all types of music, we have to meet them in the arena in which they are most familiar, so the use of the Internet is vital.
Already there are changes, for example, many orchestras now use Twitter as another way to promote themselves and engage their audience.

So that's why I decided to show you the video.
It's a great example of creating a buzz around your product, and, in this case, beautifully done.

So, for a few days, enjoy 'What's happening at Jean Paul Gaultier Maison de Courture' by clicking on the image in the sidebar.

A Brace of Concerti

The last few days on the Queen Victoria went very well. Two concerts performed, one more standing ovation and many lovely comments from both audience and staff.

But it wasn't all work.
One day was spent in Geiranger, one of the most breathtakingly beautiful places Robin has seen, with air that smelt like wine - apparently.
Then they moved onto Bergen, where, despite the pull of a visit to Edvard Grieg's House, Robin felt he had to resist and remain onboard as he had a performance that night.

But since his return there has been a lot going on.
Things are moving on with Robin's latest concerto, 'Eternal Dances', so final decisions are being made about every aspect of the score.

Those following me on Twitter have been witnessing this final editing process.
They will have also have seen that this isn't achieved in isolation.
I have frequently been called in to listen to, and look at, the entire orchestral score. Note by note.

I know, it's late in the day as discussions are already underway with various orchestras, but I suppose the composer has the right to make changes as and when he feels it appropriate or at least up to the point when the parts are sent out...

Whilst waiting for further news of 'Eternal Dances', you can read an old post, and review, about 'Concerto Primavera', another of Robin's compositions, here.

Robin Hill and Simeon Wood - In Concert

Rather late notice, and please don't sack the manager - after all, one of my Twitter friends, Jonathan Harris, said this about me today:

"#followfriday @annahill for knocking spots of other music industry managers in her use of the internet. and she does it for love !!"

But if you are in travelling distance of Shelley, Huddersfield, then you will be able to see Robin in concert with Simeon Wood.

As the promoters say:

Robin Hill and Simeon Wood in concert together
Saturday 9th May 2009, 7:30PM - 10:00PM
World-renowned guitarist Robin Hill joins forces with flautist Simeon Wood to become The Dream Team - hugely popular in this area this will be our first opportunity to hear them combined in one great evening of music- with their own laid back style!
Admission Details:
Tickets £10 (children & students £8) available from Shelley Spar Stores or ring 01484 604486


There will be a mixture of solo pieces by both performers and a number of duets. It will be a fabulous evening and a great way to spend your Saturday night.

Details can be seen here


For more information, contact:
Mrs Priestman
Tel: 01484 604486

Venue:
Shelley Village Hall,
Huddersfield Road,
Shelley,
HD8 8HE

Arrival in the Amazon, Caruso and Fitzcarraldo

Finally, after a very frustrating and tedious journey, Robin has arrived at his destination and joined Seabourn Pride.
All started off well, in that he arrived at Manchester airport on time, but things deteriorated from there.

A delay in take off resulting in a missed connection and a 10 hour wait in Paris....

Those following Twitter will have read about events as they unfolded, and the support and advice on, 'ways to amuse oneself during long delays at airports', were much appreciated.
Special thanks must go to one of my Twitter friends, missmussell, over on, 'The Omniscient Mussel', for providing games and advice during this time!

On reaching Sao Paulo, and once more 'waiting', Robin was rather amused to hear someone calling his name.
It was a magician, who had appeared from nowhere, and was accompanying Robin on the final leg of his journey.
He was pleased to have the distraction of some much needed company by this point.

But after 38 hours Robin arrived in Manaus, Brazil, and was able to recover from his journey in luxury.
Incidentally, Robin made it with only about 3 hours to spare...no wonder we were all getting a little tense here.

Manaus is an incredible place, situated in the middle of the Amazon forest. But it isn't as one would imagine. Having become very wealthy in the early 20th Century, Manaus is a bustling city.
The Opera House, built during the heyday of the rubber trade was once visited by all the most famous Opera Divas and Maestros.

Thankfully Robin has a few days to recover and acclimatise before his concerts, the first one not being until Friday and the second a few days later.
When Robin joined Seabourn Pride she was actually docked on the Rio Negro, but within a few hours set off to cover the 4 miles to the Amazon.

He's ready for it though.
Last time I spoke to him he was heading up to the top deck armed with an old 78 of Caruso, which he was going to play at high volume.
If you are unsure what I'm talking about, then you are probably unfamiliar with Brian Sweeney Fitzgerald, a rather eccentric character. His story was told in the film, Fitzcarraldo.

House Concerts with Robin Hill

Isn't it strange how trends ebb and flow over hundreds of years?
Here I am about to discuss a phenomena that has taken America by storm and is beginning to make waves here in the UK.

A house concert is literally that.
A concert in your own home.
You don't even need a particularly large space as the whole point is to create an intimate environment in which to enjoy live music.
Think miniature Carnegie or Wigmore Hall in your own living room.

Generally these are private events and all that is needed is a reasonably sized group of friends to share the experience with you.

But in the area of classical music, this is certainly nothing new.
Musicians toured, performing at peoples homes as a matter of course, through the 16th/17th/18th and 19th Centuries.
Frequently they would compose a piece of music specifically for their host or patron, sometimes to celebrate a particular event.
For example, John Dowland's, 'The Earl of Essex Galliard' and 'Mrs Vaux's Gigge'.

Whilst lutenists may have paved the way, the guitar is ideally suited to concerts in intimate environments where it can be heard at its unamplified best.

Robin is used to performing concerts in a variety of settings.
From major venues with audiences in the thousands, (I think the largest being with Pavarotti were there were 25 000, and 3 500 for a performance of Rodrigo's Concierto de Aranjuez with the Liverpool Philharmonic, and I don't know how many when he played the James Bond theme at the Proms in the Park, London!).
Or T.V. shows beamed to 6 million viewers (admittedly he couldn't see them all but he knew they were there...), to average sized smaller venues of a couple of hundred people.

But Robin, like many musicians, actually enjoys performing in smaller settings.
To be able to see the audience, (stage lights usually mean you can't make out any details past the first few rows), and receive immediate feedback, is very rewarding.
Robin has actually frequently performed what are now called, 'House Concerts'. Often they have been associated with events, an example being a surprise birthday party for a lifelong guitar enthusiast and maker.
You can imagine how pleased he was to find Robin in his lounge, right in front of him, and to have the chance to speak to him between pieces!

So now you can take advantage of the centuries old tradition of holding your very own House Concert.
For anyone with an interest in music, the guitar in particular, the opportunity to observe a performance in such close proximity, and have the chance to talk to Robin about technique, hand positions, scales and arpeggios, the price of fish.. whatever you like really, would be highly enjoyable for both parties.

Neither does it matter where you live.
Robin performs all over the world as it is.
We would simply tie it in with his schedule, or even promote a tour simply for house concerts in your area/country.
All you have to do is contact me to discuss availability, length of concert required etc. I should also point out that it won't cost the host house anything! All will be explained when you contact me.
It really is that simple. Steve Lawson (solobasssteve), has recently toured the US, organising many of his house concerts through twitter whilst en route!

So contact me, in whatever format you prefer....
Give it a try and be the envy of your friends!

'The Ageless Audience' and Classical Music

Robin is now in Istanbul and settling into the Queen Victoria, which will be home for the next week, and I'm waiting to hear which day will be concert day.

When he does perform his concert, the age of the audience is likely to be, but not exclusively, 40 +.
There are many reasons for this, and it is often an area debated in a very negative way.
So I was very pleased to read a recent report by Diane Haithman in the Los Angeles Times, 'The ageless audience.'

The report challenges the view that the audience for live performing arts is aging, and suggests that this is in fact nothing new.

It's so refreshing to read a more optimistic take on the whole area.
Rather than the doom and gloom of the decline in interest in classical music by the younger generation, it focuses on the more logical issues that prevent younger people attending concerts.
Finance plays a part along with having young children.
When in your 20's you may well choose to spend any available money in a different way, and by your 30's, are often caught up in life with small children.
By your 40's onwards, the situation starts to change, and coincidentally, that is when people tend to start attending classical concerts...

There's also the argument that listening to classical music requires a higher level of concentration, something that is achieved over time, and with more life experience.
It's all there in the report, and is well worth a read.

But we shouldn't sit back and assume that people will naturally move towards classical music as they get older.
They do need to have some early exposure to encourage the transition.
This is one of the reasons why I blog, Twitter and run a MySpace page.
MySpace in particular highlights the need to interact with the younger generation in a way that is familiar to them.
Many of our 'friends' on MySpace are young, electric guitar players, who can see and appreciate the skill required to be a classical player, even though they don't do it themselves.
I have even had messages from some saying they would go and see Robin perform live, as they hadn't before realised how exciting it can be.
All that achieved from just 5 tracks on a MySpace page.

It is also why I have often mentioned the need for more access to classical music on mainstream television.
Then there will be more opportunities for the younger generation to hear and see performances, even if by chance.
A good example of this was the recent 'Maestro' series on BBC 2, which I wrote about here.

A worrying development I recently heard about in the UK, although I've not confirmed this information, is that for GCSE Music you no longer need to be able to read music.
If this is the case then it is absurd, and maybe they should re title it GCSE Music appreciation.
How on earth can you be given a qualification suggesting a certain level of ability has been obtained, if you can't actually read a note of music?

As I mentioned the other day on Twitter, our youngest son, age 6, took his violin into school and played a few pieces.
One of his peers went home and told his mum that our son could read that funny language!
Even at the age of 5/6 children appreciate that 'notes' are indeed another form of communication.

Would you give someone GCSE French if they couldn't speak a word of it?
I hope not.
This is not completely off topic.
The point being that 'early exposure' is vital.
We need to reinforce the importance, and influence, that music can have on our lives at an early age, to give children the chance to discover it in more detail later on.

In the words of G.K.Chesterton:

"Education is simply the soul of society as it passes from one generation to another."

Tagging, Chain Letters and Shakabuku Films.

Robin has now left the Queen Victoria, for now, and is on his way home.
As he set off from Istanbul he called to say he was delighted at the prospect of 10 days at home.
Not surprising really as he hasn't been here for that long since July.

So whilst Robin reclines at 30 000 feet, and whiles away the hours with his new Sony Reader, I started thinking.

It was connected to the recent post I ran, 'I've Been Tagged', where I had to 'tag' six friends.
Apart from warofthewords who was unable to participate due to the lack of a blog, (which she hopes to rectify soon), there has been a fantastic response.
You can read Jessica Duchen's reply here, Ben Clapton's here, Chris Hambly's wonderful experiment here, and Ari Adler's here, in which he discusses the ease of communication these days and mentions the similarity of tagging to chain letters.

And this is the point I have been pondering.
What is it that makes us reply to these intrusions into our busy lives?
Chain letters have been around for many years, in fact one landed on our doormat only a few weeks ago.
It was sent to son number one with the promise of entry into the 'Guinness Book of Records' if he completed his part of the chain.
He did and this is why.
As you know he has been in a short film, 'Lollipop', which you can watch if you click the link in the side bar, and read about it here.
Since then we have remained in contact, and become friends with, many of those involved. (Thanks to Nick Rowntree for the quick response to my e mail yesterday!)

The company that made this film, Shakabuku Films, (and yes, that is son number one on their home page) have made many others.
One of which is called 'Chaingangs'.
This was an incredible achievement as the entire film, from writing the script, filming, editing and even down to adding the music, was done in 48 hours, as part of the National 48 hour film Challenge.
They did it, and they won.
But what has all this got to do with tagging and chain letters?
Well, watch the film, and you'll see why I couldn't quite bring myself to ignore the task I was set....

All Quiet Since the Second Concert

All is disturbingly quiet from the Queen Victoria.
I do know that the second concert went very well.
Actually, they were experimenting with a new venue.
It was smaller, but very atmospheric, and the roof went back to add to the ambiance.
Initially there had been some concern about the sound.
But the sound men did an excellent job and the concert was extremely well received.

In fact, as the venue was smaller, the concert was repeated later in the evening, and many of the audience from the first performance returned to hear it again, despite it being the same programme!

Robin even enjoyed the 'open top' performing as he was fanned with a gentle cool breeze, (a scene I'm finding hard to imagine here in the UK at the moment...) instead of sweating under intense stage lights.

Since then, news has been scant.
Robin was approached and asked if he would perform an extra concert as there was trouble ahead.
A storm was brewing out at sea which was going to delay arrival in Istanbul.
Whether the concert has gone ahead I don't yet know.
Whether anybody felt well enough to go and see it, I also don't know.
Whether Robin was well enough to perform it, you guessed it, I don't know.

The lack of messages isn't a good sign.
From experience, the only time email messages dry up are when seasickness strikes.
The only way to cope with it is to lie down and wait for it to stop.
Those following me on Twitter will have read that Robin has had to wear full evening dress to go to the computer room and send a message on a number of occasions this trip. (His computer is in the local Apple store being repaired...)
If he's prepared to go to such lengths to receive news from home, then the current lack of contact doesn't bode well.

But I may be completely wrong.
Anytime now I could get a call from Istanbul and everything be fine.
Lets hope so.

I've Been Tagged

Yesterday I had a message over on Twitter from Paize_Fiddler.
I'd been tagged on his blog, 'Free Spirit'.

For those not familiar with tagging, you could read, 'What is a Blog Meme?' by Chris Garrett, or, 'Blog-Tag: A Game for a virtual Cocktail Party,' on The Jeff Pulver Blog, or even, '8 Random Facts About Me (tagging meme)', on James Cridland's blog.

My brief was, "to write six things about me personally, that my readers might not know", and then, 'tag' six other twitter/blogger friends and make them 'it'.

My initial reaction was mixed.
I was delighted to have been chosen from all the people out there in the blogosphere, but also concerned, as the message arrived in the frantic 24 hours that always occur prior to Robin going away for a concert.

So we used the journey to the airport constructively, to come up with my six, 'things about me'.

1) I have known Robin since I was 7 years old!!!

2) I completed writing a book a short time ago, (which has nothing to do with music...), and in the next few weeks will be ready to send it off and try my luck with an agent.

3) As a teenager I was asked to be the lead vocalist in a rock band. When I questioned the fact that they had never heard me sing, they said, "It doesn't matter no one will be able to hear you anyway!"

4) I have a degree in Psychology which has proved extremely helpful in understanding the mind of a musician....

5) At the age of 16 I took two jobs, whilst continuing to study, to pay for my first classical guitar. One in a shoe shop (which I hated) the other as a breakfast waitress, (I was terrible. I'm not good at early mornings, and kept dropping very hot boiled eggs into the laps of business men...)

6) In an ideal world I would have 4 dogs, a couple of horses and a few cats.

So there we are, my six things.
The next stage was to tag six more people.
This is the part that I have found most difficult.
Who do you choose?
All the people I know in the blogging/twittering world are all very busy.
Will they be pleased to be picked, or, annoyed at the intrusion.
I decided to go with my gut instinct.
Most people recognise that participating in such events only helps to promote their particular cause.

So, here they are:

1)Jessica Duchen. 'Jessica Duchen's Classical music blog'. Because I am a great admirer of her blog/books/articles and she is currently thinking about ways forward with her writing.

2)Solobasssteve. Steve Lawson, found on twitter here, or his website here. Because Steve is a prolific twitterer, web enthusiast and a consultant/thinker in social media, and I'm sure will have an opinion on the whole thing.

3)Audio aka Chris Hambly, and Chris's site here. Because Chris is a web developer and specializes in marketing, search optimisation etc. So should understand...

4) MadViolinist, Ben Clapton. Also a blogger friend, 'Top Left Hand Page'. Because Ben is currently running a really nice series on his blog, called, 'On This Day...' and it may help people to find it.

5) warofthewords. Naomi Fox. Because Naomi is in a very similar position to me, in that she spends a great deal of time promoting her husband's work, and I'm full of admiration at what she manages to achieve! Wire Duck Records.

6) aribadler. Ari also has a blog, 5 Ws, and is a former newspaper reporter and a media-relations professional, so maybe he can use the experience of tagging in one of his lectures.

So there we are.
The six people that I have now made 'it'.
I now have to go off and email them all, grovel a little, and hope that they see the positive side to the whole thing!
Hopefully they will link back if/when they accept the challenge so that we can gain a little insight into their approach.

Ohh, and by the time I finally get this post published, Robin should have arrived in Rome!

Off Again...

I know that I have neglected the blog in the last few days, but hopefully you have been keeping up to date with Hillhouse proceedings through Twitter.
It has been busy here as Robin arrived home after a month away, but only for three days.
After such a lengthy separation (apart from my 2 hours in Alicante airport...) it is important to spend time together as a family, and simply enjoy a few precious days together.

Robin was amazed at how much son number two had grown in the four weeks since he'd seen him, and even more amazed at the progress he had made on the violin.
Do we have another budding musician in the family?
Only time will tell.
I'm just pleased that his enthusiasm for the instrument continues.

However, all too soon the alarm clock was ringing, and before we knew it we were on the road once again to the airport.

But it wasn't easy.
We had to leave the house by 6.30, as any later and the traffic would have been at a standstill.
We were lucky today.
We got there without any problems, said a quick goodbye, which caused much amusement to some passing air hostesses, and even made it back in time to sit down for half an hour before I had to take the children to school.

Although slightly delayed, Robin arrived at Heathrow along with his luggage, (which is always a relief), was met by a driver, and taken to Southampton.
He has now boarded Cunard's Queen Mary 2 which will be his home for the next 12 days.
Robin now has to prepare for a T.V. interview later today which will be broadcast tomorrow, plus his first concert, which is also tomorrow, the second one being next week.

One things for sure, the life of a musician is never dull!

No News is Good News?

The news is - that I have no news....
Literally.
Actually it has all been rather difficult for the last 24 hours.
Here are the facts so far:

I know that Robin, and son, left Crystal Serenity on Sunday morning as they called me from a hotel whilst waiting for their transport to Athens airport.

I also know that they arrived at the airport and boarded a flight to Madrid.
After the recent dreadful events there, I was rather anxious about this particular flight. I know this was completely irrational, but try telling that to your brain as it works overtime.

The anxiety then increased when there was no call on arrival at Madrid.
However, I reminded myself, frequently, that it was a rather tight connection, and that the flight Athens - Madrid had been delayed by 30 minutes, thus making the situation worse.

So, with the aid of a glass of wine on Sunday evening, I reassured myself that there just hadn't been time to call home.
Then, later, I got a call - from a public 'phone box (Remember those things!)

They had landed safely in Madrid, run as fast as they could to make their connection, and caught it - just. Then they flew to Alicante.

The battery had gone flat on the mobile, hence the use of a 'phone box.
That's all OK, I was just relieved that my two Hill men had arrived.

10 minutes later another call.
"Can you get hold of Izzy (Cooper) and tell her we are here but they have lost our luggage..."
The 'phone line went dead.
Urmm.
I called the only number I had, spoke to a very helpful lady who said she would pass the message on, and basically that was the last thing I heard.
This was late Sunday evening.

So all day I have been thinking about what might be happening. (Apart from a very pleasant few hours when I was out with family.)
No news is good news, right?

My current thinking is that the luggage didn't appear as the charger for the 'phone will have been in the suitcase.
But to lose both sets of cases!!!
Maybe they are still on the dockside in Athens. Or perhaps left in Madrid. Or even on the wrong plane completely and are right now in Honolulu....

The concert is on Thursday so there is time for the cases to appear.
But I have been concerned how Father and son have been coping with the complete lack of clothes, wash bags etc.
More importantly, strings, nails repair kit and most of Robin's music will also be missing....

Actually, I'm rather pleased I'm not there.
And as the 'phone can't be charged until the case arrives, I don't even have to deal with any of the 'long distance' fallout.

But this is a scenario that we are unfortunately rather familiar.
A few examples, 'The Robin Hill Saga', 'A Case of the Borrowed Tuxedo', or, 'Lost Luggage Again', and the most frightening, 'Missing - Miguel Rodriguez Churchdoor...'.

An added frustration has been an inability to access Twitter. This is ongoing and I don't know if it is just me, or whether the whole system is down.
The lack of tweets for 24 hours has made me realise just how much I use it - and how much I needed a few reassuring words from the global community over the last day.

But for now all I can do is wait.
Hopefully at some point the cases will be returned.
So the 'phone and charger will be reunited.
Then I can find out exactly what has been going on.

Hill and Son on Crystal Serenity

Excuse my absence for a few days but it has been a busy time.
Robin has spent the grand total of three days at home before embarking on a lengthy 4week trip away.

This will be something of an ordeal for all involved.
We have occasionally coped with three weeks but never four.

However, Robin has company for part of the month.
Our eldest son has joined him.
He has seen his Dad in concert many times before, but never on foreign trips, so there has been great excitement here.

Son number one won't be there for the whole time, but his presence will certainly help Robin cope with being away from home for so long.
What started out as a simple 2 week trip, escalated into a complicated sequence of events, which will become clear over the next few weeks, so watch this space...

But for now, they have arrived in Venice, are settling into their room on Crystal Serenity, a territory that Robin is very familiar with, and is looking forward to showing his young companion.

I meanwhile am recovering from a hectic few days.
So I am feeling a little jaded, and yes, I am expecting a great deal of support and sympathy from the blogging community.
Thank you in anticipation.
UPDATE:
I didn't have to wait long - I've already had a message via Twitter and I haven't even posted yet!

Hill at Home and the Nigel Kennedy Effect

Robin is home, albeit for only three days.
As he is playing twice in this short time, we are in for a busy weekend.
However, there has been time for him to catch up with all that has been occurring at home in his absence.
One thing in particular caught his attention.
The violin.

Twitter friends will know that son number two has started to learn the violin.
We are in the very early stages, (thank goodness for mutes), but, he is coming on in leaps and bounds.

One thing Robin has always encouraged in his students, and in fact mentions in, 'The Guitar Gymnasium', is to watch and learn from other musicians. Whatever the instrument.
To see a virtuoso performance is a great inspiration and worth a million CDs.

So, Robin was keen to see how our 5 year old had progressed after watching the recording of Nigel Kennedy at The Proms the other day. This is the post I ran about it at the time, 'Nigel Kennedy Proms 2008 - Monocle Poppin' Innit?'

I must say Robin was impressed.
Sound quality and bow control and were all greatly improved.
Enthusiasm and imagination were enhanced with new compositions called, 'Always Love Your Monkey', and 'Land of the Winds', rather atonal and a bit 'far out' for me, but none the less, a musical experience.
This progress was backed up by his teachers words at the end of his last lesson, "More Nigel Kennedy please!"

So yes, at any age, it is so important to go and see musicians play, if possible live, but as we found, just as important to watch on the television if you get the chance.

Time Machine

Well, it has been rather a surreal day.
Robin set off early to drive down to London.
Those following Twitter yesterday will have seen that we did in fact try to purchase a train ticket.
After a frustrating time 'on line' we discovered that we would have to pay one part of the journey twice, just to collect the tickets...
As the cost was already nearing that of a small sized family car, a quick visit to the railway station followed.

The surly man at the desk assured us that it was indeed possible to get from Manchester to London, but he couldn't guarantee getting home again....
What! We're talking two major cities here.

To cut a long story short, Robin got up early this morning and drove instead.
He has had a successful rehearsal with Izzy Cooper and is particularly pleased with the Villa Lobos and Manuel de Falla arrangements he has been working so hard on recently.

Meanwhile here at Hillhouse I made an innocent comment on Twitter about son number two wanting to make a time machine.
From this I have received advice on black holes and wormholes, made new friends, and it appears that my progress has been followed as far afield as Michigan, where an order has already been placed if successful in my quest.

Well, I can report that it has been an extremely successful day.
Our time machine is complete.
So far we have travelled to the Jurassic period, met pirates on the high seas, a cyberman (Dr Who style) and Alien Spacemen, which were obviously from the future.

The patent is pending, but as you are such a trustworthy lot out there in the blogosphere, I shall let you into our secret.

Requirements:

1 plastic bucket - large
lots of paper
lots of sellotape
crayons
plastic poles

and most importantly, the mindset of a 5 year old.

As for my order, my Twitter friend, Ari in Michigan, the cost, well I'm afraid it's priceless.
And if you think I've lost my mind now, just wait until you read my ramblings after another 5 1/2 weeks of school holidays...