Robin Hill & Izzy Cooper Recording & Concerts on the QM2

The onset of 2010 has been a busy one.
After a snowy start, and precarious journey to Dewsbury, for a highly successful lunchtime concert, Robin set off for a week in London recording with soprano Izzy Cooper.
I'm listening to the recording as I write and I know you will all love it.
Robin and Izzy have performed many times together, and due to high demand this classical guitar/vocal album will be released in 2010.
With everything from the sweetness of Rodrigo's 'En Aranjuez Con Tu Amor', the raunchy flamenco of de Falla and a Robin Hill original, 'Cancion', there really is an eclectic mix.
It was an intense week, recording all day with the evenings spent preparing for the next session.
This was made all the more difficult by the death of my Grandmother. She and Robin had a very special relationship, as can be seen by this post, 'A Professor Calls and Lunar Bianco'. But professional as ever, the recording went on, and when you hear the words to 'Cancion', you will hear how difficult this must have been.
So it was a very tired guitarist that arrived home in the early hours of Saturday 23rd of January. This didn't prevent us spending an hour or so listening to his weeks work accompanied by the dawn chorus.
But by the 26th Robin was off once again.
This time flying to Dubai to join the Queen Mary 2, for an extensive trip visiting Cochin, Phuket, Penang, Port Kelang, Singapore, Laem Chabang, Vung Tau and finally Hong Kong.
Four concerts were performed in the beautiful Royal Court Theatre and with four different programmes Robin was kept very busy.
However, it wasn't all work.
Over the 2 1/2 weeks he met up with some old friends.
First there was the fabulous and extremely talented magician, Brett Sherwood.
The two get on very well and discovered they had a mutual interest in table tennis.
During one of their games some passing passengers stopped to watch.
They couldn't resist asking Brett if he could make the ball disappear. Sure enough, quick as a flash, the said ball disappeared before their eyes, only to to reappear a few seconds later.
This was a virtuoso performance by Brett and made Robin's task of beating him at table tennis all the more difficult.
The next time I'm in a pub with Brett I shall be plying him with drinks until he tells me how he does it!
I'm also very grateful to Simeon Wood, another old friend who was also on the QM2, and in fact left the same day as Robin. After completing his own gruelling 13 hour flight from Hong Kong he took the time to 'phone me and make sure I was aware that Robin's flight had been delayed and that he had therefore missed his connection.
All the more ironic as a few weeks previously he had been laughing about the fact that travelling with Robin always seem to result in some form of disruption.
Believe me, I know.
But now he is home, for a while anyway, and the house is once again filled with the sound of the guitar.

Still Waters Run Deep

At last I can reveal the final stage of the Evian campaign!

If you remember, I recently ran a post, 'Arrival in New York and Baby Moonwalk' which included a rather amusing video.

I also ran another post, 'To Eat or Not to Eat - Before a Concert' in which I mention the amount of energy that Robin expends during a performance.

The need to rehydrate is paramount and Robin always has a bottle of water backstage.
After seeing the latest video I may well insist it's a bottle of Evian.
If it can have this effect on babies just imagine his next concert....

The Moonwalking babies have been in training.

They may not be playing Rodrigo's 'Concierto de Aranjuez', complete with 'baby' orchestra, or even attempting some flamenco with 'Malaguena', but I think you'll find the final video rather entertaining, if not a little surreal.

Take a look at the Evian Roller Babies:

Arrival in New York and a Baby Moonwalk

There has been a frustratingly small amount of communication from Robin over the last few days.
By now he will have performed his final concert on the QM2 and later today will be arriving in New York.
At least I shall then be able to speak to him and find out a few more details.

I do know that his first concert went very well and he was delighted with the response from both the audience and also fellow musicians.
Nicola Loud, winner of the BBC Young Musician of the Year at the age of 15, and the Tenor, Preston Coe, were also on the QM2, and most enthusiastic about the performance.

Likewise, Robin thoroughly enjoyed their concerts and also enjoyed having the opportunity to 'talk music'.

Now for the 'Baby Moonwalk'.
Well, this is connected with a post earlier in the week about the marketing strategies that are now an essential part of promoting your product.
And it is a rather funny example from Evian and their 'Live Young' campaign.
The outcome is somewhat given away in the title but it is still worth watching.
The interesting thing about this campaign is that the rest is unknown.
The only brief I have at this stage is, "They're small, they're incredible...and they're back on July 3rd."

So who knows what the next stage will be.
I'm hoping for a baby playing playing Rodrigo's, 'Concierto de Aranjuez', with a whole baby orchestra.
Or even a 'baby' soloist playing a fast and exuberant flamenco style piece such as Malaguena.
But we will have to wait and see.
I'll keep you posted.
Enjoy the Baby Moonwalk!

An Unexpected Concert and the Palau de la Musica Catalana

Robin had an eventful first few days on the Queen Victoria.
Three concerts in three days, one of which came as rather a surprise.
After settling in, his first performance went very well, with a particularly good response from the audience to the three pieces by Dilermando Reis, and 'Zapateado', by Sabicas.

On the second day Robin couldn't understand why people kept saying they were looking forward to his concert - later. (He was lying on a sun lounger reading Sherlock Holmes at the time...)
As far as he was aware this was a day of rest and rehearsal.
Eventually, he returned to his room only to receive a frantic 'phone call.
There had been some sort of schedule mix up and he was asked to play an extra performance that very day - in an hours time.
Actually, I'm quite pleased I wasn't in the vicinity when he took the call...

Luckily Robin has four complete programmes at his fingertips at the moment, so he rushed off to warm up and prepare for this unexpected concert.
Despite the short notice the performance went very well, as did the one the following day.

Since then Robin has had plenty of time to recover.
He arrived in Barcelona and made straight for the 'Palau de la Musica Catalana'.
The reason for his interest, was not only the stunning building, but also because this was the venue for the premiere of Rodrigo's 'Concierto de Aranjuez', back in 1940.

He thoroughly enjoyed his day soaking up the history and only detoured to a guitar shop he has visited once before. (Mainly because it was nearby and Robin can't resist any guitar shop, but also because he has been there once before and discovered they stock copies of his book, 'The Guitar Gymnasium'.)

Since then he has been to Monte-Carlo, well actually a port not far away as the weather was too bad to dock in Monte-Carlo itself, and then to Civitavecchia.
Today he should have been in Alghero, Sardinia, but once again the weather has thwarted plans and the QV is unable to dock.
This is rather a shame as Alghero looks very nice and is also one of the few places Robin hasn't been to before.
Never mind. Maybe next time.

House Concerts with Robin Hill

Isn't it strange how trends ebb and flow over hundreds of years?
Here I am about to discuss a phenomena that has taken America by storm and is beginning to make waves here in the UK.

A house concert is literally that.
A concert in your own home.
You don't even need a particularly large space as the whole point is to create an intimate environment in which to enjoy live music.
Think miniature Carnegie or Wigmore Hall in your own living room.

Generally these are private events and all that is needed is a reasonably sized group of friends to share the experience with you.

But in the area of classical music, this is certainly nothing new.
Musicians toured, performing at peoples homes as a matter of course, through the 16th/17th/18th and 19th Centuries.
Frequently they would compose a piece of music specifically for their host or patron, sometimes to celebrate a particular event.
For example, John Dowland's, 'The Earl of Essex Galliard' and 'Mrs Vaux's Gigge'.

Whilst lutenists may have paved the way, the guitar is ideally suited to concerts in intimate environments where it can be heard at its unamplified best.

Robin is used to performing concerts in a variety of settings.
From major venues with audiences in the thousands, (I think the largest being with Pavarotti were there were 25 000, and 3 500 for a performance of Rodrigo's Concierto de Aranjuez with the Liverpool Philharmonic, and I don't know how many when he played the James Bond theme at the Proms in the Park, London!).
Or T.V. shows beamed to 6 million viewers (admittedly he couldn't see them all but he knew they were there...), to average sized smaller venues of a couple of hundred people.

But Robin, like many musicians, actually enjoys performing in smaller settings.
To be able to see the audience, (stage lights usually mean you can't make out any details past the first few rows), and receive immediate feedback, is very rewarding.
Robin has actually frequently performed what are now called, 'House Concerts'. Often they have been associated with events, an example being a surprise birthday party for a lifelong guitar enthusiast and maker.
You can imagine how pleased he was to find Robin in his lounge, right in front of him, and to have the chance to speak to him between pieces!

So now you can take advantage of the centuries old tradition of holding your very own House Concert.
For anyone with an interest in music, the guitar in particular, the opportunity to observe a performance in such close proximity, and have the chance to talk to Robin about technique, hand positions, scales and arpeggios, the price of fish.. whatever you like really, would be highly enjoyable for both parties.

Neither does it matter where you live.
Robin performs all over the world as it is.
We would simply tie it in with his schedule, or even promote a tour simply for house concerts in your area/country.
All you have to do is contact me to discuss availability, length of concert required etc. I should also point out that it won't cost the host house anything! All will be explained when you contact me.
It really is that simple. Steve Lawson (solobasssteve), has recently toured the US, organising many of his house concerts through twitter whilst en route!

So contact me, in whatever format you prefer....
Give it a try and be the envy of your friends!

Robin Hill and Izzy Cooper to Perform Rodrigo's 'Adagio'.

The QE2 spent a long time getting through the Panama Canal yesterday, as there appeared to be a lot of traffic.
Consequently, they didn't stop for a few hours in Cristobal, Panama, but continued on their way.

I did have a message from Robin that he was due in Cartagena, Columbia, later today, and that he was rather confused as he knew he'd been there before, and only a few weeks ago, but couldn't remember anything about it.
I couldn't either, so I searched the blog, and realised why we couldn't recall Cartagena, when I read this post.
He never went into town.

He may not this time either, although we'll have to wait and see.
The soprano singer, Izzy Cooper, has asked Robin perform one piece tonight in her concert.
They have met a few times before, and always got on very well, so he has agreed to play.
Cartagena may have to wait yet again. It's more than likely that rehearsals will be taking place.
The piece they are performing is Rodrigo's 'Adagio', the song version, which was arranged by Rodrigo himself.
Basically the voice replaces the Cor anglais and the guitar plays the original part.

I must say, I'm sure it will be beautiful, and I wish I could be there to hear it.
I'll let you know how it went.

Classical Guitar at the Proms...I'm Afraid Not...

I have been scouring the schedule of the BBC Proms for any sign of the classical guitar. I'm afraid to say that over the entire season there isn't one classical guitar performance.
This makes me both sad and angry.
Sad because it is such a beautiful instrument that seems to have an uphill battle to be heard.
Angry, well, there are many reasons.

There are so many fantastic guitar concerti to choose from, surely there was something that could have been fitted in the schedule.
If fear of the unknown is the cause, then how about one of the most popular concerti ever written?...the truly beautiful, 'Concierto de Aranjuez' or the 'Fantasia Para Un Gentilhombre' by Rodrigo. Or, maybe, some Vivaldi or perhaps a little Castelnuovo-Tedesco, Malcolm Arnold, William Walton or Leo Brouwer?

For the really adventurous programmer perhaps an old favourite allied with a new composition. We have a number of concerti from which to choose, and what a coup that would be, the composer performing his own piece. Oh, and he's British....maybe that's the problem. But this isn't about sour grapes.
Whilst it would be fantastic for Robin to perform there, just to see any classical guitarist, would be great. When have Pepe or Angel Romero, the Assad Brothers or Xuefei Yang ever been heard at the Proms?

I recently read a report proclaiming the guitar had taken over from the recorder as the instrument of choice for school children. We should be capitalising on this. As there is currently concern about the future of classical music in general, and the need to introduce the younger generation to the whole area, surely we have missed a golden opportunity to present one of the most popular and versatile instruments in the world.
Any child in the early stages of learning an instrument needs to see and hear what can be achieved.
How many more families would have 'tuned' in for a guitar concert to encourage their offspring with their chosen instrument?

BBC Radio 3 used to feature the guitar on a weekly basis through its programmes, 'The Classical Guitar' and 'Guitar Encores', now we are lucky if we hear it from one month to the next.

Whatever the reason for this...it is a great tragedy that the guitar is again ignored and neglected by the BBC.

'Concierto de Aranjuez' on Crystal Symphony

A day at sea for Robin, again, but he was beamed live around the Crystal Symphony today!
He recorded an in-house T.V. interview yesterday, in which he talked for a while to the cruise director, and then performed part of Rodrigo's, 'Concierto de Aranjuez'. Obviously this was just a taster as he didn't have a full orchestra with him, unfortunately!
It was broadcast today to prepare the public for his final concert tomorrow.
At least we are now counting days, rather than weeks, before his return.

Meanwhile back at home, I have just found out that I've been linked to a site in America called, 'Guitarist Widow'. I had to check it out, after all, we have to stick together!
Whilst a different form of playing, there are some interesting, and funny, takes on life, with a husband who's obsessed by guitars.

Potholes, Starbucks and Robin Hill Recordings

Let me show you how my warped mind works. I read a headline in the paper, 'Councils filling 1 million potholes a year.' Well, we know from our musical experience that there are '4000 holes in Blackburn Lancashire', which made me think the others are evenly distributed across the country.
From that my mind wondered to Sir Paul McCartney and his new signing with the coffee shop chain Starbucks.
In fact, as Starbucks recently announced, they are launching a new label called 'Hear Music' as a joint venture with Los Angeles based Concord Music Group.
What a coup for them all.
To sign McCartney must have been their dream come true, especially with an album due out in early summer. (As yet untitled.)
If they are looking to expand even further, then look no further.
All we need is the orchestra and recording studio and we're ready!
There are so many fantastic concerti waiting to be recorded for both solo and duo guitar, composed by such eminent composers as Rodrigo, Vivaldi and Castelnuovo-Tedesco.

Robin has performed many of these, either as a soloist, or with the Hill/Wiltschinsky Guitar Duo.
If Starbucks are feeling particularly adventurous, then why not try some new compositions, some of which have been premiered, and some as yet unheard.
Oh, and while they are at it, I take my coffee strong with just a little milk...

Rodrigo, Frank Zappa, Charlie Mingus and The Beatles...

Sunday morning in the Hill household is traditionally a time to sit back and listen to some music.
Robin has flown from Mombasa to Nairobi and is waiting for his flight to Heathrow.
In between 'phone calls about the safety of his guitar I am sure he is listening to his ipod.
So I felt it was up to me to maintain standards at home. As a concession to an absent father I allowed son number one to take control of the remote.
His initial choice was Rodrigo's 'Concierto de Aranjuez', I was pleased with that. As a very small child he had been so used to hearing Robin practice this piece, for a concert with the Royal Liverpool Philharmonic Orchestra, that he used to sing along in his cot.
Then he selected 'Dog Breath Variations' and 'G-Spot Tornado', both by Frank Zappa, and finally a bit of Charlie Mingus.
Not bad for a 10 year old, his dad will be delighted when I tell him.
Son number two only made one choice and that was 'Hello, Goodbye' by The Beatles.
I feel justified in announcing that their musical education is coming along nicely.