The onset of 2010 has been a busy one.
After a snowy start, and precarious journey to Dewsbury, for a highly successful lunchtime concert, Robin set off for a week in London recording with soprano Izzy Cooper.
I'm listening to the recording as I write and I know you will all love it.
Robin and Izzy have performed many times together, and due to high demand this classical guitar/vocal album will be released in 2010.
With everything from the sweetness of Rodrigo's 'En Aranjuez Con Tu Amor', the raunchy flamenco of de Falla and a Robin Hill original, 'Cancion', there really is an eclectic mix.
It was an intense week, recording all day with the evenings spent preparing for the next session.
This was made all the more difficult by the death of my Grandmother. She and Robin had a very special relationship, as can be seen by this post, 'A Professor Calls and Lunar Bianco'. But professional as ever, the recording went on, and when you hear the words to 'Cancion', you will hear how difficult this must have been.
So it was a very tired guitarist that arrived home in the early hours of Saturday 23rd of January. This didn't prevent us spending an hour or so listening to his weeks work accompanied by the dawn chorus.
But by the 26th Robin was off once again.
This time flying to Dubai to join the Queen Mary 2, for an extensive trip visiting Cochin, Phuket, Penang, Port Kelang, Singapore, Laem Chabang, Vung Tau and finally Hong Kong.
Four concerts were performed in the beautiful Royal Court Theatre and with four different programmes Robin was kept very busy.
However, it wasn't all work.
Over the 2 1/2 weeks he met up with some old friends.
First there was the fabulous and extremely talented magician, Brett Sherwood.
The two get on very well and discovered they had a mutual interest in table tennis.
During one of their games some passing passengers stopped to watch.
They couldn't resist asking Brett if he could make the ball disappear. Sure enough, quick as a flash, the said ball disappeared before their eyes, only to to reappear a few seconds later.
This was a virtuoso performance by Brett and made Robin's task of beating him at table tennis all the more difficult.
The next time I'm in a pub with Brett I shall be plying him with drinks until he tells me how he does it!
I'm also very grateful to Simeon Wood, another old friend who was also on the QM2, and in fact left the same day as Robin. After completing his own gruelling 13 hour flight from Hong Kong he took the time to 'phone me and make sure I was aware that Robin's flight had been delayed and that he had therefore missed his connection.
All the more ironic as a few weeks previously he had been laughing about the fact that travelling with Robin always seem to result in some form of disruption.
Believe me, I know.
But now he is home, for a while anyway, and the house is once again filled with the sound of the guitar.
Reviews
'As always, it was sheer pleasure to observe Robin Hill's remarkable fluent technique: everything looks easy when he plays it.' Colin Cooper- Classical Guitar Magazine -----
'Wonderful for their (Hill & Wiltschinsky) precision, touch and clarity of sound... refined virtuosity, the achievement of a long interpretive process.' Il Giornale D'Italia (Rome) -----
'I loved your CD and thought your technique and performance were fabulous...' Rick Wakeman
Showing posts with label Luna Bianco. Show all posts
Showing posts with label Luna Bianco. Show all posts
Tuesday, February 16, 2010
Robin Hill & Izzy Cooper Recording & Concerts on the QM2
Labels:
Brett Sherwood,
Cancion,
Concert,
Dewsbury Town Hall,
Izzy Cooper,
Luna Bianco,
Magician,
QM2,
Recording,
Robin Hill,
Rodrigo,
Royal Court Theatre,
Simeon Wood,
soprano,
travelling
Monday, November 26, 2007
A Professor Calls and 'Luna Bianco'
A little light relief for a cold November day.
My grandmother came to spend the day with us here at the weekend.
Over lunch Robin announced that a rather eccentric Professor of music was calling round later in the afternoon.
'Friederich', the prof, specialises in old manuscripts, and had some pieces that he wanted Robin to take a look at.
My grandmother was very excited about this. She worked at a university for many years and has always enjoyed stimulating conversations.
Robin stressed that Friederich was quite a character, and, prone to arriving early for appointments.
He then made a big deal of preparing to take the dogs for a walk, whilst in reality he shut the poor canines in the kitchen, and hid upstairs.
Some time later the doorbell rang and son number one dutifully answered it, making polite conversation with the Professor in the hallway, before bringing him into the lounge and introducing 'Friederich' to 'Gran'.
After initial introductions, the professor pulled out the precious manuscripts from his battered briefcase and proceeded to extol the virtues of this fabulous music.
By this time I had also entered the room, and the prof excitedly pointed out bar 25, and started to sing along as he followed the music with his finger. All done very loudly and with rather eccentric hand gestures.
I left the room as the professor asked my grandmother, "Do you love ze muzic of Ludwig Van Beethoven?"
"Oh yes", she replied.
"Iz ze maestro returned from his valk yet?"
"No, not yet", was my response from the hall where I was taking refuge.
After further small talk and manic gesticulation from the professor, he announced that he needed to play this, 'sublime phrase' on the piano, and left the room.
Poor grandmother was looking decidedly bemused by the whole experience and asked son number one if the Professor was alright.
To which he replied, "Yes, of course".
But we couldn't keep the illusion up any longer, and Robin reappeared, pulling off a wig and glasses as he entered.
Fortunately Gran took it all in the spirit it was intended and hasn't stopped chuckling about it since.
This is the Professor, in all his glory:

The wig was from the children's fancy dress box, and the shirt, well, that's a real 1970's shirt, a memento from a tour Robin did with Atarah Ben Tovim.
I'm just hoping that Robin hasn't taken this outfit over to Leeds University where he's teaching today...
It's also hard to believe that the same professor composed track 14 on Virtuoso.
'Luna Bianco' has a slow bossa nova groove with a short improvised solo in the middle.
The piece was inspired by the music of Antonio Carlos Jobim, which Robin has long admired and loved.
My grandmother came to spend the day with us here at the weekend.
Over lunch Robin announced that a rather eccentric Professor of music was calling round later in the afternoon.
'Friederich', the prof, specialises in old manuscripts, and had some pieces that he wanted Robin to take a look at.
My grandmother was very excited about this. She worked at a university for many years and has always enjoyed stimulating conversations.
Robin stressed that Friederich was quite a character, and, prone to arriving early for appointments.
He then made a big deal of preparing to take the dogs for a walk, whilst in reality he shut the poor canines in the kitchen, and hid upstairs.
Some time later the doorbell rang and son number one dutifully answered it, making polite conversation with the Professor in the hallway, before bringing him into the lounge and introducing 'Friederich' to 'Gran'.
After initial introductions, the professor pulled out the precious manuscripts from his battered briefcase and proceeded to extol the virtues of this fabulous music.
By this time I had also entered the room, and the prof excitedly pointed out bar 25, and started to sing along as he followed the music with his finger. All done very loudly and with rather eccentric hand gestures.
I left the room as the professor asked my grandmother, "Do you love ze muzic of Ludwig Van Beethoven?"
"Oh yes", she replied.
"Iz ze maestro returned from his valk yet?"
"No, not yet", was my response from the hall where I was taking refuge.
After further small talk and manic gesticulation from the professor, he announced that he needed to play this, 'sublime phrase' on the piano, and left the room.
Poor grandmother was looking decidedly bemused by the whole experience and asked son number one if the Professor was alright.
To which he replied, "Yes, of course".
But we couldn't keep the illusion up any longer, and Robin reappeared, pulling off a wig and glasses as he entered.
Fortunately Gran took it all in the spirit it was intended and hasn't stopped chuckling about it since.
This is the Professor, in all his glory:

The wig was from the children's fancy dress box, and the shirt, well, that's a real 1970's shirt, a memento from a tour Robin did with Atarah Ben Tovim.
I'm just hoping that Robin hasn't taken this outfit over to Leeds University where he's teaching today...
It's also hard to believe that the same professor composed track 14 on Virtuoso.
'Luna Bianco' has a slow bossa nova groove with a short improvised solo in the middle.
The piece was inspired by the music of Antonio Carlos Jobim, which Robin has long admired and loved.
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