Reviews

'As always, it was sheer pleasure to observe Robin Hill's remarkable fluent technique: everything looks easy when he plays it.' Colin Cooper- Classical Guitar Magazine ----- 'Wonderful for their (Hill & Wiltschinsky) precision, touch and clarity of sound... refined virtuosity, the achievement of a long interpretive process.' Il Giornale D'Italia (Rome) ----- 'I loved your CD and thought your technique and performance were fabulous...' Rick Wakeman
Showing posts with label Istanbul. Show all posts
Showing posts with label Istanbul. Show all posts

Friday, November 14, 2008

Sir Peter Maxwell Davies and Sir Paul McCartney

Since my last post Robin has been busy.
He performed his second concert on the Queen Victoria and was very pleased with the result.
As I have said before, he doesn't often say that he is happy with a performance, so this must have been quite a concert.
He has had many lovely comments from members of the audience which always helps when dealing with time away from home.
But he is now at approximately 30 000 feet, flying from Istanbul to Manchester, and is expected home later today.

So whilst I prepare for his return, and tend to a sick son number one, you can read about a new piece of music composed by the Royal composer, Sir Peter Maxwell Davies.
The piece, 'Liber Pulsationis Fabulatoris', has been dedicated to another Sir, Sir Paul McCartney.
Maxwell Davies appears to have a sense of humour as the first three letters spell, 'Lib Pul Fab'.
To find out more, read this article by Mike Wade, in The Times.

Tuesday, October 21, 2008

The Clairvoyant Rabbit and the Turkish Shoeshine Scandal.

Please excuse my absence for the last few days, and apologies to those of you that sent emails asking where I was. It's very nice to be appreciated!
To bring you up to date, Robin is still on the Queen Victoria, and had a very successful first concert.
It was well attended after the passengers had been exposed to a TV interview being played on repeat for the entire day.
They will be ale to watch a second interview tomorrow, as later today Robin will be back in the studio for further questioning.

Today he is in Civitavecchia, Italy, but it was whilst in Istanbul that he uncovered the Turkish shoeshine scandal.
The story actually begins back in August.
At that time, Robin was in Istanbul, and had our eldest son with him.
They set off to take a look around.
One of the first people they came across thrust a baby rabbit into the hands of son number one, and allowed him to admire it:



Like most young children he was very taken with the small furry creature and dutifully cuddled it.
The owner then produced a larger rabbit, (not out of a hat) which proceeded to select a piece of paper form a table which apparently would tell them their fortunes.
Unfortunately it was in such poor English that we are none the wiser.
But then the owner wanted to be paid.
As Robin and son only intended going for a walk they hadn't actually taken any money with them.
So after much arm waving and gesticulating they managed to hand back the rabbit and beat a hasty retreat.

Only to come across a young Turkish shoeshine boy.
As he walked by he dropped one of his brushes, and Robin dutifully picked it up and handed it back to him.
The grateful boy then thanked him profusely and cleaned his shoes - before asking for some money.
Once again the Hill men had to explain their lack of cash and made off as quickly as they could.
The fact that they had only been in Turkey for 10 minutes and already owed two people money, was the cause of quite some mirth on their return home.

However, Robin has since returned to Istanbul a number of times, and on this trip guess who he met?
As he walked through a park, there was the very same shoeshine boy, dropping the very same brush, right in front of him.

"You really are an old butterfingers with those brushes," Robin exclaimed as he went on his way...

As the old Turkish proverb says:

'Fool me once, shame on you. Fool me twice, shame on me.'

Just a little story for you.

Friday, October 17, 2008

'The Ageless Audience' and Classical Music

Robin is now in Istanbul and settling into the Queen Victoria, which will be home for the next week, and I'm waiting to hear which day will be concert day.

When he does perform his concert, the age of the audience is likely to be, but not exclusively, 40 +.
There are many reasons for this, and it is often an area debated in a very negative way.
So I was very pleased to read a recent report by Diane Haithman in the Los Angeles Times, 'The ageless audience.'

The report challenges the view that the audience for live performing arts is aging, and suggests that this is in fact nothing new.

It's so refreshing to read a more optimistic take on the whole area.
Rather than the doom and gloom of the decline in interest in classical music by the younger generation, it focuses on the more logical issues that prevent younger people attending concerts.
Finance plays a part along with having young children.
When in your 20's you may well choose to spend any available money in a different way, and by your 30's, are often caught up in life with small children.
By your 40's onwards, the situation starts to change, and coincidentally, that is when people tend to start attending classical concerts...

There's also the argument that listening to classical music requires a higher level of concentration, something that is achieved over time, and with more life experience.
It's all there in the report, and is well worth a read.

But we shouldn't sit back and assume that people will naturally move towards classical music as they get older.
They do need to have some early exposure to encourage the transition.
This is one of the reasons why I blog, Twitter and run a MySpace page.
MySpace in particular highlights the need to interact with the younger generation in a way that is familiar to them.
Many of our 'friends' on MySpace are young, electric guitar players, who can see and appreciate the skill required to be a classical player, even though they don't do it themselves.
I have even had messages from some saying they would go and see Robin perform live, as they hadn't before realised how exciting it can be.
All that achieved from just 5 tracks on a MySpace page.

It is also why I have often mentioned the need for more access to classical music on mainstream television.
Then there will be more opportunities for the younger generation to hear and see performances, even if by chance.
A good example of this was the recent 'Maestro' series on BBC 2, which I wrote about here.

A worrying development I recently heard about in the UK, although I've not confirmed this information, is that for GCSE Music you no longer need to be able to read music.
If this is the case then it is absurd, and maybe they should re title it GCSE Music appreciation.
How on earth can you be given a qualification suggesting a certain level of ability has been obtained, if you can't actually read a note of music?

As I mentioned the other day on Twitter, our youngest son, age 6, took his violin into school and played a few pieces.
One of his peers went home and told his mum that our son could read that funny language!
Even at the age of 5/6 children appreciate that 'notes' are indeed another form of communication.

Would you give someone GCSE French if they couldn't speak a word of it?
I hope not.
This is not completely off topic.
The point being that 'early exposure' is vital.
We need to reinforce the importance, and influence, that music can have on our lives at an early age, to give children the chance to discover it in more detail later on.

In the words of G.K.Chesterton:

"Education is simply the soul of society as it passes from one generation to another."

Wednesday, October 08, 2008

Airport Antics

Robin is now acclimatising to life at home.
He did perform an extra concert on the Queen Victoria, as she circled off the coast of Istanbul, waiting for the sea to become calm enough to dock.
All the staff and crew were very grateful that he stepped in, at only 30 minutes notice, to entertain the patiently waiting guests.

Then the eventful journey home began.
Whilst going through customs at Istanbul airport, Robin was taken to one side, searched and questioned.
"Have you visited any other countries before arrival in Turkey?" was the first one.
With thoughts of the film 'Midnight Express' coursing through his head, his mind went completely blank.
He couldn't remember one destination he had been to in the last week.
"Errm, ohh, you're not going to believe this but I really can't remember," didn't seem to satisfy the officer.

Eventually, he pulled himself together, explained that he had been on the Queen Victoria, and handed the official a Turkish landing card.
The customs men were happy, and off Robin went.

Once I arrived at Manchester airport to meet him I was greeted with the information that his plane was an hour late.
That was OK, I'd made arrangements for children to be collected from school, so purchased a newspaper and rather enjoyed some time reading and some people watching.

However, as the information on the screen shifted to 'landed', then, 'arrived', and slowly to, 'reclaiming luggage', (yes, I'm very familiar with the whole process, and for those not so used to it, don't be fooled by the 'reclaiming luggage' stage. Sometimes that only appears once you have already been reunited with your loved one, or, they are wandering around looking for you, whilst you while away the time in a coffee house thinking thy are still disembarking...)
But still no sign of Robin.
Even on the occasions of missing luggage, of which there are many, (try this one, or this one, for a start) he should have appeared by this time.

I was starting to become concerned.
Then, finally, he appeared and all was revealed.
He must have been looking particularly shifty on this day, as once again, he had been stopped at customs.
Not just stopped and asked to remove shoes and go through the scanner once again, I mean seriously stopped.
Taken off to an interview room and asked to sit down.

"So, Mr Hill, how long were you in Istanbul?"
"Just under two days."
"That seems a strange length of time."
"Well, I was just passing through."
"Passing from where?"

He we go again.
But this time he was ready, and recalled the various destinations, reasons for his travels, which was reinforced by the concert guitar in a large, protective case right next to him...(which had already been scanned and proved to be completely harmless.)
Finally they let him go.

Strange really.
He passes through the airport so frequently that you would think he was on first name terms with most of the staff.
Then again, maybe that's the problem.
Frequent traveller, multiple destinations, glazed travel weary expression...
Anyway, he's home and he's fine, as thankfully he was able to convince the various customs officers that he simply wants to play his guitar, and make music.

Monday, October 06, 2008

Tagging, Chain Letters and Shakabuku Films.

Robin has now left the Queen Victoria, for now, and is on his way home.
As he set off from Istanbul he called to say he was delighted at the prospect of 10 days at home.
Not surprising really as he hasn't been here for that long since July.

So whilst Robin reclines at 30 000 feet, and whiles away the hours with his new Sony Reader, I started thinking.

It was connected to the recent post I ran, 'I've Been Tagged', where I had to 'tag' six friends.
Apart from warofthewords who was unable to participate due to the lack of a blog, (which she hopes to rectify soon), there has been a fantastic response.
You can read Jessica Duchen's reply here, Ben Clapton's here, Chris Hambly's wonderful experiment here, and Ari Adler's here, in which he discusses the ease of communication these days and mentions the similarity of tagging to chain letters.

And this is the point I have been pondering.
What is it that makes us reply to these intrusions into our busy lives?
Chain letters have been around for many years, in fact one landed on our doormat only a few weeks ago.
It was sent to son number one with the promise of entry into the 'Guinness Book of Records' if he completed his part of the chain.
He did and this is why.
As you know he has been in a short film, 'Lollipop', which you can watch if you click the link in the side bar, and read about it here.
Since then we have remained in contact, and become friends with, many of those involved. (Thanks to Nick Rowntree for the quick response to my e mail yesterday!)

The company that made this film, Shakabuku Films, (and yes, that is son number one on their home page) have made many others.
One of which is called 'Chaingangs'.
This was an incredible achievement as the entire film, from writing the script, filming, editing and even down to adding the music, was done in 48 hours, as part of the National 48 hour film Challenge.
They did it, and they won.
But what has all this got to do with tagging and chain letters?
Well, watch the film, and you'll see why I couldn't quite bring myself to ignore the task I was set....

Sunday, October 05, 2008

All Quiet Since the Second Concert

All is disturbingly quiet from the Queen Victoria.
I do know that the second concert went very well.
Actually, they were experimenting with a new venue.
It was smaller, but very atmospheric, and the roof went back to add to the ambiance.
Initially there had been some concern about the sound.
But the sound men did an excellent job and the concert was extremely well received.

In fact, as the venue was smaller, the concert was repeated later in the evening, and many of the audience from the first performance returned to hear it again, despite it being the same programme!

Robin even enjoyed the 'open top' performing as he was fanned with a gentle cool breeze, (a scene I'm finding hard to imagine here in the UK at the moment...) instead of sweating under intense stage lights.

Since then, news has been scant.
Robin was approached and asked if he would perform an extra concert as there was trouble ahead.
A storm was brewing out at sea which was going to delay arrival in Istanbul.
Whether the concert has gone ahead I don't yet know.
Whether anybody felt well enough to go and see it, I also don't know.
Whether Robin was well enough to perform it, you guessed it, I don't know.

The lack of messages isn't a good sign.
From experience, the only time email messages dry up are when seasickness strikes.
The only way to cope with it is to lie down and wait for it to stop.
Those following me on Twitter will have read that Robin has had to wear full evening dress to go to the computer room and send a message on a number of occasions this trip. (His computer is in the local Apple store being repaired...)
If he's prepared to go to such lengths to receive news from home, then the current lack of contact doesn't bode well.

But I may be completely wrong.
Anytime now I could get a call from Istanbul and everything be fine.
Lets hope so.

Friday, August 22, 2008

Happy with Havana

No, Robin hasn't suddenly arrived in Havana, he's enjoying the delights of Istanbul.

It remains difficult to communicate with him at the moment so seemed a good time to tell you of another project I'm involved in.

I was recently asked to take a look at a new site, and to give my opinion.
Well, I like a challenge.
Especially when the site in question is called 'Havana-cultura.com' There can't be a musician in the world who hasn't been influenced by Cuban music in one way or another.

Just the name of the capital city, Havana, is enough to cause great excitement in this house.

It is after all the country of birth of the guitarist/composer/conductor Leo Brouwer.
You can read a recent post about him here.

And who hasn't heard of the Buena Vista Social Club?

Cuban music is so familiar to us all. Cuban rumba, son, guaracha, bolero and cha-cha to name but a few.

But it's not all about the music. Havana is arguably Latin America's best preserved colonial city. Then there's the cars, the tropical climate plus the fact that centuries of Spanish and African interaction have created a diverse culture.
Actually, even the Cubans are astonished at their own evolution.

So, I took the project on.
The aim of the site was to produce a "sophisticated consumer-orientated website to encourage web users in all things Cuban," and to, "generate interest in what makes Cuban culture so unique."

I must say, having spent a great deal of time on the site today, that it seems to have achieved its goal.

It did take me a little while to navigate my way around, possibly the down side of all the 'sophistication', as my poor old computer struggled at times. Plus it wasn't initially clear that when you click on the photographs at the bottom of the page you are rewarded with some wonderful videos.
Subtitles are provided in English, if required, and hearing Spanish as I watched just enhanced the whole experience.

It is certainly an excellent 'platform for modern Cuban artists to reach out globally'.
But it's not just musicians. All area of the arts are covered.

I would like to have seen a section devoted to the history of the arts in Cuba. Whilst I recognise that this would be a huge undertaking, I feel it would be worthwhile cause.

I have always been interested in Cuba so it was no surprise that I enjoyed the footage and information given on this site.
But I feel sure that anyone about to visit Havana, would gain a lot of inspiration, and insight, by taking a look before they travel.

So basically, yes, go visit 'Havana-cultura'
and discover not only the music, but all the arts of this amazing place.