Anna Hill's 'Unofficial' Desert Island Discs

Back in 2007 I wrote the post, 'Robin Hill's 'Unofficial' Desert Island Discs'.

For those unfamiliar with the Radio 4 programme, you can read all about it here.

After this blog post I was asked by a Twitter friend, egoboss, what my choices would be...
As one of the founders of the personalized news site 'Ensembli', and also the online business development company, 'Egoboss', and after a nudge from Carl over Christmas, I thought I better get on with it.

So over the holiday period I gave it some thought.
I must say the task was far harder than I had initially anticipated.
A lifetime of listening to music, and being involved in the music industry, makes narrowing down to just 8 pieces a real challenge.

But here are my choices:

1) Take Five: Dave Brubeck Quartet

'Take Five' was written bu Paul Desmond and performed and recorded by the Dave Brubeck Quartet on numerous occasions. Written in 5/4 time it has endured as a jazz classic.

This piece of music is so familiar to me and brings comfort and sorrow in equal measures.
As I grew up this piece was repeatedly played by my stepfather, Tony. Looking back I now realise what a significant role he played in my musical education.
He had exceptionally eclectic tastes, and many hours were spent listening to all styles of music.
This partially resulted in my musical tastes being completely out of step with my generation, which was possibly one of the greatest favours he did me.
To hear music from all eras and styles was the best education I could have asked for.
Take Five was such a significant piece to all in our family, that on the terribly sad occasion of Tony's funeral, Robin performed his own arrangement of 'Take Five', live, accompanied by saxophonist, Munch Manship.
How they ever managed to perform so beautifully under such sad and emotional conditions I shall never know, but will always be very grateful. My only regret being that Tony wasn't able to hear it as he would have been delighted.

2) Schubert Piano Trio No.2 in E flat major, D929 (Op.100)

Franz Schubert (1797-1828) was a prolific, Austrian composer known for his melodic and harmonic writing.
As the rules of 'Desert Island Discs' only allow me one movement, it is without hesitation that I choose the 2nd movement, Andante con moto.
I actually remember the very first time I heard this movement.
I was driving the car with the radio on and despite reaching my destination I simply couldn't turn the radio off. I remained in the car until the piece had finished, and was consequently late for a lecture, but it was worth it!

3) The Beatles: All My Loving

Anyone who knows me will not be surprised to find a Beatles track in my list.
It's another example of being out of kilter with my peers as I was only a baby when The Beatles split.
The problem was choosing a song.
It could have been 'Something', 'She's Leaving Home', 'Here Comes the Sun', 'Eleanor Rigby' or any of them really.
But choose one I must, so I have decided on, 'All My Loving'.
The reason being that the energy and enthusiasm of The Beatles shines through, even though the song was written in 1963!

4) 'Eternal Dance' by Robin Hill

I am in the enviable position of being married to a musician. People generally seem very interested in musicians, which is one of the reasons this blog started in the first place!
But Robin is not only a performing musician but also a composer.
I added 'Eternal Dance' to the list, not out of a sense of loyalty, but, because I think it is the first movement of a fantastic concerto.
As Sir Thomas Beecham (1879-1961) said, "Composers should write tunes the chauffeurs and errand boys can whistle."
'Eternal Dance' certainly fulfills this requirement as our chauffeurs and errand boys have never ceased to whistle it since its creation....
You can read more about 'Eternal Dance' here.

Needless to say, if any orchestras are interested in adding the concerto to their programme then please feel free to get in touch, and likewise, if any guitarists out there are interested in performing or recording this new and exciting guitar concerto, don't hesitate to contact me!

5) 'God Only Knows' The Beach Boys

The Beach Boys released 'God Only Knows' in 1966. Its complicated melodic structure and vocal harmonies made it one of the most technically sophisticated songs of the time.
As Sir Paul McCartney is known to have listed it as one of his favourite songs, then I'm in good company.
It's also one of the songs I have listened to for most of my life and continue to listen to today.

6)Violin Concerto in D minor Op.47: Jean Sibelius

The Finnish composer Jean Sibelius made his mark early in my musical development.
The movement I choose , I, Allegro Moderato, would often be played when I was home alone as a teenager, loudly, whilst I marvelled at the sheer brilliance of the music.

7) 'Say a Little Prayer' Aretha Franklin

Aretha Franklin has to be the greatest soul singer of all time.
This is a difficult song to sing, and believe me I've tried...
If you haven't got a copy in your collection then I suggest you rectify that immediately.

And finally,

8) 'Hissing of Summer Lawns' Joni Mitchell

Both Robin and I love all Joni's work, particularly from 'Court and Spark' to 'Travelogue' and consider her one of the greatest song writers of our times.
The track 'Hissing of Summer Lawns' from the album of the same name is on the list because it is a highly significant song for Robin and I. Say no more.

I am also allowed to take a book.
I have selected, 'Crime and Punishment' by Fyodor Dostoevsky.
I have read this before, many years ago, and it is such an incredible story that I would like to read it again.

My luxury item:
This would have to be a never ending supply of writing paper and a fountain pen with a lifetime's supply of ink.
If I'm going to be stranded on a desert island at least I would finally have time to write all the stories that constantly circulate in my imagination!

So there you are, a small insight into my musical tastes....

Robin Hill and Eklectica Play 'Eternal Dance'

'Eternal Dance' was originally composed for the quartet and later expanded into a piece for guitar and orchestra. The concerto version can be heard on Robin's 'Virtuoso' album.

'Eternal Dance' has an unusual, but highly rhythmic, time signature of 5/8 with the occasional bars of 7/8.
Also, for anyone who wants to try and play it, the piece features a scordatura tuning for the guitar, with bottom E tuned down to C, and A down to G.
The piece is in the key of C minor.

The Eklectica version commences with a solo guitar which sets the rhythm for the piece, and gradually various percussion is added.
Robin uses rasgueados to reinforce the rhyhthm before Daniel Bath's vocal entry.
After the guitar has re-stated the theme, percussion, bass and piano all join in with sparing timpani adding drama at strategic points.

Eternal Dance is 5 minutes and 4 seconds long, and as the name suggests, it seems fitting to end by fading out rather than an abrupt conclusion.
Consequently Robin finishes on an improvised guitar line, gradually disappearing into the distance.

Arrival on iTunes and Eternal Dance - Robin Hill

We were very excited to find that 'Virtuoso' has now arrived on iTunes, and spent the evening looking at the stores around the world, which gave us quite a buzz!

One of the pieces we were listening to was 'Eternal Dance', by Robin, so I decided to jump to track 8 today, and tell you more about it.
'Eternal Dance' is the first movement from a suite of pieces for guitar and orchestra called, 'Eternal Dances'
I must say that it is one of my favourites as the piece captures the imagination immediately with its unusual, but highly rhythmic, time signature of 5/8 with occasional bars of 7/8.

The piece also features a scordatura tuning, with bottom E down to C, and, A down to G. The key is C minor.

Throughout the movement there is much use of percussion with the initial theme stated on solo guitar, then taken up by the orchestra.

Rasgueados are then featured, which reinforce the driving rhythms, and impel the movement forward to greet the appearance of the French horn. The horn then states a secondary theme, whilst the strings continue the rhythm, accompanying with an agitated nervous energy.

A beautiful, soaring solo violin passage then appears with guitar accompaniment and the unrelenting pulse continues.

As the piece returns to solo guitar with the main theme, it is punctuated by the orchestra, before the flourish of a cadenza from the guitar.

The orchestra then restates the theme before fading into the distance, with the final statement, once again, on solo guitar.

The whole movement lasts for 5 minutes and 59 seconds and someone once told me that they always had an image of Roman Legions on the march whenever they listened to it! It is certainly a powerful and visceral piece of music.
Go and hear for yourself , or, if you don't have Apple iTunes software installed, here, and make your own decision.

Inside a Musicians Mind....

Robin woke up at 5am with the first two lines of a poem going through his mind. He tried to ignore it, and go back to sleep, but eventually gave in to the urge and got up.
By 5.30am he was waking me to read his latest creation.
I dutifully did, but must confess, it wasn't until a more reasonable hour that I gave it my full attention.
What I like about it is that you can read it on many levels.
It could be about one persons time on earth, or, mankind in general.
Is it the work of an artist, supposedly at rest, a reaction to the terrible storms we suffered here in the UK yesterday, or the sign of a tortured mind...
You decide.

ETERNAL DANCE

I'm the rain and the wind

And the sweet summer sun,

I'm a name in the sand

I'm a figure of fun,

I'm the dance in the trees

Building up by degrees,

I'm the eye of the storm

I'm the ice in the freeze,

I'm the kestrel, the sparrow,

The swallow, the quail,

I'm a spirit of energy,

Blazing my trail,

I'm a maverick, lunatic,

Spendthrift and miser,

And, as I grow older,

I, for sure, get no wiser.

ROBIN HILL 2007

YouTube video - Robin Hill

Today I have decided to post Robin's YouTube video on the site. It gives me the opportunity to explain a little about each of the pieces, or rather extracts, that you hear, and for those interested in watching a guitarist at work, you can see what Robin is doing!
As the opening credits role, you can hear, 'Eternal Dance', this is the first movement of 'Concerto Latino' for guitar and orchestra. It features a driving 5/8 rhythm with some occasional 7/8. It begins with solo guitar and light timpani roll before the orchestra then state the theme. This piece was originally composed for Robin's quartet, 'Eklectica', but he then expanded it onto an orchestral canvas.

The first piece that you can watch as well as listen to, is 'Return to Islay'. This piece was inspired during a visit to this remote Hebridean island during a tour with Hill/Wiltschinsky.
Although Robin had never visited the island before he felt the place was strangely familiar, hence the title, 'Return to Islay'.

'Dolor de Muelas' has a freewheeling samba groove and contains much improvisation. As for the title, well, translated it means toothache...The piece was composed and recorded during a very violent bout of toothache. I wish I was so productive when I didn't feel well...

'Canarios' by Gasper Sanz dates from the mid 1600s and was originally for baroque guitar. As the title suggests this lively jig hails from the Canary Islands and many will know this theme from the last movement of Joaquin Rodrigo's, 'Fantasia Para Un Gentilhombre' - composed for Andres Segovia in 1953.

With the closing credits you can hear, 'Arrival of the Queen of Sheba', which comes from the oratario, 'Solomon' by George Frideric Handel. It is eminently suited to performance on the guitar with it's rapid scales and arpeggios, the original dialogue between two oboes being replaced by guitar and recorder.

Over on YouTube many of the comments have been about Robin's technique, so here's an opportunity to observe him.