Samba, Bossa Nova and the Joy of Latin Homework

It has been very nice to have Robin home for a few weeks but he has not been idle.

He has been working hard on an alternative show which he has been asked to organise, featuring himself, plus an extensive band.

The pieces are varied, ranging from original compositions to arrangements of standards, which have all been given the 'Hill' treatment. There's everything from latin/jazz to swing and even some rock.

One piece, an original composition, is called Brasilia.

This is in a bossa nova style featuring guitar, bass, flute, clarinet, alto & tenor sax, trumpet, trombone, Latin American percussion and even a cuica. All resulting in a rather fabulous latin/jazz feel.

'Dolor de Muelas', which has recently been nominated for an award, is a piece in a samba style which has also been given the 'Big Band' treatment.

Arrangements have also been done for a number of well known pieces such as 'Can't Buy Me Love', 'Bach Prelude', 'Fragile', 'Here Comes the Sun', 'This Masquerade' 'Classical Gas' and many more, all naturally heavily featuring the guitar.

Amongst this musical extravaganza will also be a few pieces from Robin's solo guitar repertoire.

The whole show will be taken for a test drive before too long, and we will be searching for various musicians at some point.
But be warned, Robin is known for writing rather tricky trumpet parts, you only have to listen to 'Celebration' in the sidebar to see what I mean...
You can read more about Force Ten here.

Paul Griffin is responsible for hitting the very high notes on the trumpet. Based in New York, Paul was the product of a very musical background. His father Chris was one third of Benny Goodman's 'Biting Brass' trumpet section, and Paul himself played at John F. Kennedy's funeral.

I wonder if we can coax Paul back out on the road. That would be some show....

The Stories Behind the Music - Robin Hill on Reverbnation

Many, but not all, of the pieces featured in the new player, found in the sidebar, have been discussed here before on this blog.
But I thought it might be nice for new readers and followers to access the background information to these pieces, and have the opportunity to listen whilst they learn about some of the history of Robin and his music.

So to make life easy for you I have put all the links together in this post today.
So here goes.

Track 1: Eternal Dance.

Eternal Dance has been discussed many times here as it is a powerful piece of music. To learn more about the concerto version, as found on 'Virtuoso', visit. 'Arrival on iTunes and Eternal Dance - Robin Hill'.

For the quartet version, found on, 'Eklectica', then try this page, 'Robin Hill and Eklectica Play 'Eternal Dance'.

Track 2: Hispanic Dance.

One of the posts relating to 'Hispanic Dance' gives details of the composer, Claude Bolling, and more information about the four members of 'Eklectica', alongside details of the seven movements featured in the concerto, of which Hispanic Dance is the first. 'Robin Hill Plays Claude Bolling's 'Concerto for Classic Guitar and Jazz Piano Trio'.

Track 3: Bach Invention No 8.

Bach invention was first mentioned, very briefly, here, and in a bit more detail with this post, 'Robin Hill and Peter Wiltschinsky 'Arrival'.
I must say, that the Bach, along with track 8 on Arrival, Felix Mendelssohn's 'Song Without Words No1 Op62', are two of my duo favourites.

Track 4: Fiesta de Xabia.

I should point out that no bulls were hurt during the inspiration for this piece. To understand how Fiesta de Xabia was conceived then read, 'Fiesta de Xabia' by Robin Hill - Guitar'.
As yet, this piece is not available to buy, but one of the advantages of reading a blog such as this one is that you get little taster of things to come!

Track 5: Tarantella - Suite Italiana.

Suite Italiana was composed especially for the Hill/Wiltschinsky Guitar Duo, which you can read about here.
This honour came about after Mario Gangi heard the duo performing one of his pieces, 'Suite Spagnola', which you can read about on the post, 'Track 4 - 'Arrival' - Mario Gangi'.

Track 6: Wheatfield Under Troubled Skies.

This is an orchestral composition by Robin and you may be surprised to hear there isn't a guitar in it!
It's a beautiful piece of music and there are more details on the post, 'World Premiere - 'Wheatfield under Troubled Skies' - Robin Hill'.

Track 7: Palace of the King.

Now for something completely different, and one that really does highlight the unusual twists and turns that a career in music can take.
This is true Rock 'n' Roll with some of the world's best. Read this, 'Deep Purple Haze Days'.

Track 8: Wizard of Waukesha.

This is one of Robin's bands, Hooper, and yes, the man in the picture with very long hair, and playing a Les Paul guitar, is Robin....take a look here.

Track 9: Fast Forward.

This song has been around for many years, and is another example of Robin on electric guitar, playing one of his own compositions. To find out more about Robin's band, 'Hooper', (which, incidentally, includes two BBC Philharmonic Orchestra players!) read, 'Robin Hill and Travis Bean...Rewind to Fast Forward.'

Track 10: Caprice No 7 - Legnani.

Another example of a track not yet available to buy, but our gift to you. Learn more about Legnani here.

Finally,

Track 11: Celebration.

'Celebration' is a song performed by another band Robin has been involved in. They made an incredible sound and had a phenomenal brass section. Check them out at, 'Force Ten To Be Reckoned With'.

So there we are.
A little bit of history attached to all the tracks currently in the player.
I can, and will, be adding new pieces from time to time, so be sure to keep checking!
Just follow the link and then 'click' on the desired track in the player.

Electric Guitar for the Weekend and Dancing in Peru?

It amazes me how often you meet people you know when travelling.
Last night Robin met a man called Pete Marsh, and after the initial introduction, it became apparent that they had met 35 years previously!
Pete used to play keyboard for 'Force 10', prior to Robin joining, and they had met once, as the band were rehearsing.
So they had a few missing years to catch up on.

Whilst we are on the subject of bands, if you feel the need to hear some electric guitar over the weekend, then you can find examples of Robin with various other musicians, here, here, and here.

All remains pretty quiet over in Peru.
Robin is preparing for his first classical guitar concert, which is tomorrow.
However, he did get talking to a couple today who asked if he was a dancer!
I'm not sure how they reached this conclusion, and Robin did put them right after he'd finished spluttering over his coffee.
Dancing is not the first thing that springs to mind when I look at him, and in fact, in the entire time we have been married, other than our wedding reception when we had a 10 piece band playing, I don't think I've seen him dance.
Still, they were all having breakfast at the time, so maybe they just hadn't quite come too yet.
Now they know his true identity, they are looking forward to going to the concert.
At least they won't be expecting any fancy footwork.

Benny Goodman Orchestra - Sing Sing Sing

Our very good friend Paul Griffin, recently sent us a link to the Benny Goodman Orchestra, and it makes fabulous viewing.
Paul has been a friend for many years and collaborated musically with Robin in the band 'Force 10', which I have written about before.

Paul's dad was also an excellent trumpeter, Chris Griffin, and you can see him on the following video.
I have mentioned Chris before, here, when Robin whiled away some time in an airport, talking about him.

Robin knew Chris well and they had huge respect for each other musically and it was with great sadness that we learnt of his death back in 2005.
However, if you find yourself in the Catskill Mountains, and need a fabulous place to stay, try 'The Griffin House' where you will be guaranteed as much talk of music as you could wish for!

But for now, you can see Chris in the video, with the Benny Goodman Orchestra, playing 'Sing sing sing' from Hollywood Hotel.
Trumpets, left to right: Harry James, Ziggy Elman, Chris Griffin, Johnny Scat Davis.
Another of Robin's favourites, Gene Krupa on drums.

I think you'll agree, these guys really know how to play....

Led Zeppelin Review and Robin Hill on Electric Guitar

Led Zeppelin have reformed for a 'one off' reunion gig which has gone down a storm.
So successful was it that there are rumours that more will follow.
To read an ecstatic review, by David Cheal, of their concert at the O2 arena, here it is, 'Led Zeppelin: Then it got better still'.

This was enough to prompt us to play 'Good Times Bad Times', from Led Zeppelin 1, a favourite of Robin's as it has Jimmy Page playing some triplet scales, ascending and descending, which was quite unusual at the time it was recorded.
We thoroughly enjoyed listening to it and I hope our neighbours did too...

If you have found yourself on this site due to the references to Led Zeppelin, then you may be interested to see that some classical musicians do have the ability to play rock.
Check out these links from previous blog entries I have made of Robin playing electric guitar with various groups over the years.
First, 'Palace of the Kings', with Ian Paice, Jon Lord, Maggie Bell and Paul Martinez.

Then there's, 'Wizard of Waukesha' with his band 'Hooper'.

Or maybe, 'Fast Forward', again with 'Hooper', this time playing his Travis Bean guitar.

Finally, there's another band of Robin's, 'Force 10', here you can read all about them and follow the links for more playing.

So, some players have many facets to their musical character...

Have We Moved On From The Wax Cylinder?

I've been thinking about the iPod/mp3 debate that is going on around the blogosphere at the moment.
My thoughts were prompted by a post by Ben over on Classical Convert.
Initially Ben took on the mighty ACD about comments he had made on Sounds and Fury regarding iPods. The initial post is here, and this is the update.

Classical Convert's first post has since been revised with many comments that I was going to discuss today.
You can read Ben's update here.

The points I was going to make are these.
Nothing can replace the experience of hearing and seeing music performed live.
A skilled musician not only has to perform well musically, but, also has to be able to relate to and entertain his/her audience. It's all part of the experience and one that generally improves over time as the musician gains more confidence.
For me the best concerts I have seen have always been ones when the artist has obviously engaged well with the audience. It makes it a special occasion for all concerned.
Robin has always maintained that he has the best seat in the house when performing with an orchestra as a soloist.
As he sits before this mighty instrument he relishes the sound - until he remembers why he's there, and how many notes he has to play, in front of a very discerning audience...

It's very difficult to capture the concert experience in its entirety on a recording, as the visual cues are missing, along with any verbal introductions that are made.
Therefore the musician's task is to try to relay the essence and spirit of the piece by their playing alone.

If they manage to capture the energy and expression they want to portray, then this will be heard by the listener, whether it's on mp3s or wax cylinder.
Our ear adjusts to the sound we are hearing and 'allows' for technical development at the time of recording. Within 10 seconds or so we start focusing on the musical content and interpretation rather than the sound.
I'd far sooner hear an early recording of Segovia or Heifetz, complete with crackles and excessive background noise, than not hear them at all.

Whilst we may not like mp3s or their equivalent they are a symbol of our times and one we have to adjust to.
It can be seen in a very positive light though.
It has never been easier to get hold of music than it is today.
Many times Robin would have to give up large chunks of time, travel to the nearest city, Manchester, to try and find a particular recording.
Usually it would have to be ordered which would mean a second trip to collect it.
Only the very keen would bother to go to these lengths.
Now, well, a click of a button and more often than not, you have what you are looking for.
This has got to help with promoting classical music in general which can only be a good thing.

On another subject, we were very sad to hear of the death of 'Mr.Manchester', Tony Wilson.
Whilst our paths didn't cross regularly, back in the late 1970's, Tony Wilson chose one of Robin's songs, 'Celebration', to win a 'Battle of the Bands' competition.
As he gave him the prize he told Robin that the judges also wanted to give him 'Best Guitarist' award, for his performance with 'Force 10', but felt the same person couldn't get both prizes!
Tony Wilson was a huge influence on the music scene and Manchester will miss him.

Everyone Wants To Be One - A Musician That Is...

Actors want to be one.
Ex-Presidents experiment with saxophones.
And a soon to be ex-Prime Minister wants to be an axe man...

An article in 'The Sunday Telegraph', by Tim Walker and Richard Eden, reports that our very own Prime Minister has a desire to reform his band, 'Ugly Rumours'.
Not only that, but apparently, he has been doing a lot of practice whilst running the country, as it helps him unwind.

Well, as you know, Robin is also a mean electric guitar player. I refer you to a previous blog, 'Force Ten To Be Reckoned With', if you would like to have a listen.
He did after all, play with both Deep Purple and Jethro Tull, but that's another story.

It's not of course, unprecedented that rock and jazz musicians turn to politics, Bob Geldof, Bono, Frank Zappa and Dizzy Gillespie spring to mind.

But for Mr.Tony Blair, from Wednesday, he may find himself at a loose end. I'm sure it must be something of a shock to the system when you step down as Prime Minister.
If he would like, he can always give us a call, and we'll set up a few lessons.
But now, I have to go and have a long talk with Robin......
as he has expressed a secret desire to be Prime Minister in the not too distant future....

Mutual Appreciation - Jimi Hendix and Force 10

"There is only one thing in life worse than being talked about, and that is not being talked about." Oscar Wilde

There's some mutual appreciation going on between me, here, and 'Guitarist Widow', over the the US.
Read 'Traits of a Guitar Widow' to see what I mean.

I must say, I was very touched, and also delighted, to find that there is someone else in the world, that truly understands what it takes to be 'behind the scenes', of a musician.
Some of the observations made are so accurate, it's almost as if they have been following me around for the last 15 years!
Yes, you do have to recognise the love and passion that your 'man' has for his music.
Yes, the guitar is another member of the family, and probably the most demanding one.
Yes, you do have to give over your home to guitars, music and associated paraphernalia. (Do you remember an entry I made about finding music stored in a disused fridge...)
Yes, you do travel with them as much as you can.
For many years I got to see some fantastic countries and places all over the world. It isn't as easy these days with young children, but, I'm always there on the end of a 'phone, or computer in the really far flung places.
And, yes, you do wonder what goes on when you're not able to be there. However, I got over that a long time ago. Luckily, Robin does appreciate that the true 'guitar widow' is an extremely rare breed.

All that said, it is a very nice feeling to know that somewhere out there, are others that understand the sacrifices that are made, to enable this exciting, fascinating, unusual, musical journey that we are taking.

Whilst on the subject of the back up I provide for Robin, I'm under strict instructions to tape a programme for him this evening.
Neil McCormick explains in this article, 'Turn on, tune in - but who's dropped out?

So, I'd better prepare for a late night, as once Robin has returned, and we have watched this programme, I feel sure that he will be getting out his Fender Stratocaster, and playing along with Jimi Hendrix.
To hear some examples of Robin playing electric guitar you can revisit this post, 'Force Ten to be Reckoned With...'.
Enjoy.

Heavy Metal and the Mind - of Robin Hill...

I read an article by Nic Fleming, in The Daily Telegraph, which says, "Intelligent teenagers often listen to heavy metal music to cope with the pressure associated with being talented, according to the research."

The study was carried out on a group of 'gifted' youths by a psychologist from the University of Warwick, Stuart Cadwallader. He feels that the perception that gifted children are more interested in classical music and reading is wrong, and that the students turn to heavy metal as a way of relieving stress.

Statistics can be made to show anything you like really, but I'm sure there is some truth in this.
Whether the fact that many schools, (in the UK anyway), have limited access to classical music has affected the outcome of our youths listening habits is another story.
Heavy metal, rock, R&B etc are all readily available.

Let me show you a picture.




This is Robin playing electric guitar some years ago, and yes, that really is him under all that hair! This was taken at a time when Robin played not only in his own bands, Spring, Force 10 and Hooper, but also with the major artists Deep Purple and Jethro Tull. Whilst not all heavy metal there was certainly an element of very loud electric guitar.
What this says about Robin, I haven't quite worked out...

Meanwhile down in London, The Mousetrap was fantastic and Robin hasn't told me 'whodunnit'. He will be home again later today.

Also, a very big hello to all our American visitors. I'm not sure what has triggered a huge increase in interest over there. The last time this happened it was due to some radio plays of Hill/Wiltschinsky playing Radames Gnattali, but so far I haven't established a reason. If there is one, please let me know so I can follow it up.
Either way, hope you enjoy the blog!

Force Ten To Be Reckoned With...

And now for something completely different...

As I've said before it is important for musicians to have an understanding of other areas in music. These days Robin is known for his classical playing, but where did that energy and expression have its roots?

I've mentioned the band Force Ten previously and the other day Paul Griffin e mailed us with an update of the website. It was fantastic to hear the music again, although we do have some old tapes of these tracks they are rather worn.

Paul explains a little about Force Ten and the reason the album was never released, so if you follow the link you can find out more and even hear 4 of the tracks.

Robin wrote the music and lyrics to all the tracks you are able to hear and in fact most of them on the album, except 'Come Home Baby' and 'Skiddleydoo' - Vinnie Parker, 'Seventh Position' - Steve Shaw, and the whole band collaborating on 'Silly Place For A Zebra'.

Some of my personal favourites 'Portrait of The Artist', 'Full Circle' and 'You' I'm afraid you can't hear at the moment.
However, some of the band members have started talking and catching up on a few missing years. Maybe we could put the pressure on and get them back in the studio.

So next time you are at a Robin Hill recital hearing him play some soothing Italian Renaissance Lute Pieces just remember what you have heard today and that it is possible to cross over to classical music.

Incidentally, Robin still enjoys a good blast on one of his electric guitars, to the delight of all our neighbours.....