Reviews

'As always, it was sheer pleasure to observe Robin Hill's remarkable fluent technique: everything looks easy when he plays it.' Colin Cooper- Classical Guitar Magazine ----- 'Wonderful for their (Hill & Wiltschinsky) precision, touch and clarity of sound... refined virtuosity, the achievement of a long interpretive process.' Il Giornale D'Italia (Rome) ----- 'I loved your CD and thought your technique and performance were fabulous...' Rick Wakeman
Showing posts with label Bass. Show all posts
Showing posts with label Bass. Show all posts

Monday, March 12, 2012

Dance of the Jaguar - Robin Hill 'Standing on Air'

'Dance of the Jaguar' is the 5th track on 'Standing on Air' and was initially inspired by many visits to Mexico and Costa Rica and by a beautiful wooden Jaguar head that Robin found in Mexico.

Here it is:



The piece itself contains an eclectic mix of ideas ranging from flamenco to Indian influences.
The dramatic opening certainly conveys a musical impression of high tension, I should add that Robin has always been fascinated by the Mel Gibson film, 'Apocalypto', and this whole piece seems to follow Jaguar Paw as he struggles with pursuit and then enjoys fleeting moments of respite.
The use of music within a filmic context can make or break a sequence, and sometimes a film itself can inspire new music.

Very soon tabla drums enter the piece to give a driving rhythm for the guitar riff to adhere too. This is then joined by the sitar.
Robin has had both the tabla and sitar for some time and had been waiting for the right opportunity to use them.
I feel they work very well in the context of this piece.

This piece is in ABA form, representing Yin and Yang. The second section being a release of the tension before an intermediary connecting section with improvised guitar solo. This leads into the final triumphant conclusion.

For those interested in the recording side of things, quite a few takes were required to get the bass unison with guitar in the rapid triplet section. But I feel the overall effect was worth the effort and it is used a couple of times.

The sitar has long been an instrument that we both love. We have spent many hours listening to Ravi Shankar, Anoushka Shankar and of course followed George Harrison's love of the instrument.
Although I should say that initially I was reluctant to add sitar to the piece.
I am so pleased that I was overruled as the snatches of sitar add perfect spice with its distinctive sound.

As you can imagine we have both listened to this piece many times during the recording, editing, mixing and mastering process.
From the whole album this is the one piece that Robin has mentioned that he may develop the idea into a concerto movement...

But for now, you can find the CD 'Standing on Air' and the track, 'Dance of the Jaguar' in many places, these are just a few: Robin Hill site, iTunes, Amazon, CD Baby etc....

Friday, September 04, 2009

Samba, Bossa Nova and the Joy of Latin Homework

It has been very nice to have Robin home for a few weeks but he has not been idle.

He has been working hard on an alternative show which he has been asked to organise, featuring himself, plus an extensive band.

The pieces are varied, ranging from original compositions to arrangements of standards, which have all been given the 'Hill' treatment. There's everything from latin/jazz to swing and even some rock.

One piece, an original composition, is called Brasilia.

This is in a bossa nova style featuring guitar, bass, flute, clarinet, alto & tenor sax, trumpet, trombone, Latin American percussion and even a cuica. All resulting in a rather fabulous latin/jazz feel.

'Dolor de Muelas', which has recently been nominated for an award, is a piece in a samba style which has also been given the 'Big Band' treatment.

Arrangements have also been done for a number of well known pieces such as 'Can't Buy Me Love', 'Bach Prelude', 'Fragile', 'Here Comes the Sun', 'This Masquerade' 'Classical Gas' and many more, all naturally heavily featuring the guitar.

Amongst this musical extravaganza will also be a few pieces from Robin's solo guitar repertoire.

The whole show will be taken for a test drive before too long, and we will be searching for various musicians at some point.
But be warned, Robin is known for writing rather tricky trumpet parts, you only have to listen to 'Celebration' in the sidebar to see what I mean...
You can read more about Force Ten here.

Paul Griffin is responsible for hitting the very high notes on the trumpet. Based in New York, Paul was the product of a very musical background. His father Chris was one third of Benny Goodman's 'Biting Brass' trumpet section, and Paul himself played at John F. Kennedy's funeral.

I wonder if we can coax Paul back out on the road. That would be some show....