John Williams, Andres Segovia and a Can of ....

Recently we heard that John Williams was to play at The Bridgewater Hall in Manchester.
He performs there regularly and we always try to go whenever possible.
It is always a great evening, and a delight to have the opportunity to see such an incredible player, so close to home.
However on this occasion we won't be able to attend as Robin will be away from home, giving his own recital.

But this generated a conversation about the rare chances one has to see such players, and how important it is to take those chances whenever possible.

We have both been very lucky in that we were able to see Andres Segovia perform on a number of occasions.

Generally thought of as the 'Daddy of all classical guitar players', it was always a wonderful experience.
Even in his final days as a performer, when he was helped onto the stage, he still had the ability to hold an audience rapt.

On one of the occasions that Robin saw Andres Segovia, he was lucky enough to be backstage after the event.
As he walked through the warren of corridors, that always seem to accompany the area behind the scenes, he heard the guitar being played.

He walked on, very aware that he was within feet of one of his idols.
As he passed the open door of Segovia's dressing room, Robin glanced in, only to see the maestro, guitar in hand, sipping from a can of 7Up fizzy drink.
Given that Segovia was in his 80's at this point, it seemed rather incongruous.

What I would give to have captured that image on film...

The Electric Guitar and the Halle Orchestra

It has been rather a strange few days.
As the school holidays came to an end son number one discovered a talent for drumming.
The whole drum kit wasn't set up, but he made use of what was available, and he has requested a new bass drum pedal for his birthday....
Not to be outdone on the noise front, Robin has been playing his electric guitar.

Now this may seem strange to regular readers, as they will know that he is soon off on a trip, and has many programmes to be working on.
But, in an unprecedented move, Robin decided to take a few days off from the classical guitar, to allow his nails to rest and grow, before going away.

Hence the electric guitar.
You didn't expect him to be without an instrument in his hands did you?
I must say it has been a delight to hear, and, Robin has been thoroughly enjoying himself, and now has a new, very funky piece, nearly written.

What he enjoyed most of all was playing along with son number one.
Not to be outdone, second son joined in with his Christmas triangle, and a shaker.

But now school has resumed and we are all getting on with our work.

I read an article by Ivan Hewett today, where he talks to Mark Elder about the forthcoming 150th anniversary of the Halle Orchestra.
If you remember, I spoke to Mark Elder back in November, you can remind yourselves here, and was very impressed with him as a conductor, and his ability to engage with the younger generation.
So, if you are in the Manchester area on January 30th, you can see The Halle's 150th anniversary concert at the Bridgewater Hall. For more details go here.

The Halle Orchestra, Sarah Connolly and a Meeting with Mark Elder

I was lucky enough to be given a ticket to the Bridgewater Hall last night to see the Halle Orchestra perform a wonderful programme.

They started with Bedrich Smetana's (1824-1884) 'Polka and Overture' from The Bartered Bride.

This is probably one of Smetana's best known operas, full of humour, which doesn't reflect any of the tragic circumstances which occurred during his troubled life.
The high-spirited Polka, danced by the villagers in Act 1 of the opera, depicts the mass merrymaking of Bohemian village life as Smetana would himself have experienced during his childhood.
The incredible energy of the string section was inspiring and the power of an exceptional orchestra never ceases to amaze me.

The Overture, to quote the programme notes, "Opens with a breathtaking whirl of rustic exuberance, which subsides into a chattering murmur suggestive of idle village gossip. A sudden crescendo then leads into a second, more dance-like theme ... towards the end Smetana introduces a more reflective theme but this is soon swept away by a final burst of madcap vitality."

Mark Elder showed complete mastery of the orchestra, bringing out the best of each section, with a fantastic performance.

Next, Gustav Mahler (1860-1911), Five Songs to poems by Fredrich Ruckert.

Mezzo-soprano Sarah Connolly joined the stage to give an exquisite performance.
I have only recently come to appreciate the soprano voice, and this was such a moving interpretation which held audience spellbound.
Sarah Conolly's stage presence was enhanced by her beautiful white dress, which Elder later told me, reminded him of a Greek Goddess!
The five songs:
1) Um Mitternacht (At midnight)
2) Liebst du um Schonheit (If you love for beauty)
3) Blicke mir nicht in die Lieder (Do not spy on my songs)
4) Ict atmet' einen linden Duft (I breathed a gentle scent)
5) Ich bin der Welt abhanden gekommen (I am lost to the world)

were sung out of order, which allowed for much discussion in the interval, and an apology from Elder at the beginning of the second half for forgetting to mention it!
All was forgiven as the delicate orchestral texture left the audience entranced.

After the interval, Antonin Dvorak (1841-1904), Symphony No.6 in D major, op.60.
As Dvorak's Sixth Symphony was commissioned by the one-time Halle conductor, Hans Richter, it seemed appropriate to hear it for the first time in this setting.
The Symphony exhibits the musical influences of his friend Brahms and he would have been proud to have composed this piece himself I am sure.
The four movements:
Allegro non tanto
Adagio
Scherzo (Furiant):Presto
Finale: Allegro con spirito

were all conducted from memory by Mark Elder. His obvious enthusiasm of the piece was captured and brought to life via the conduit of the orchestra.
I often find it difficult to follow a conductor, but not so in this case, Elder's clear conducting and precision timing brought the best out of the Halle.

I had attended the concert with a small group of players from a local youth orchestra, and we were lucky enough to go back stage and have refreshments with Mark Elder, after the performance.
I was very impressed with his genuine delight at seeing these impressionable young performers and the interest he showed to each of them and their chosen instrument.
This is just the sort of exercise that all orchestras should undertake to nurture our young people into the fantastic world of classical music, and, one in which I have discussed many times on this blog.

Elder chatted happily in a relaxed manner, took many questions from the group, and gave thoughtful answers. He was very enthusiastic when one young man admitted that it was his first time at an orchestral concert, and Elder was delighted to have been such an inspiration to him.

The topic of applause, during or between movements, was raised. This is a controversial area, but Elder had no hesitation in voicing his opinion.
"Never be afraid to show your emotion, applaud when you feel like you want to", was the general consensus.
Elder pointed out that Dvorak would have been most upset if people didn't applaud between movements and that the modern day approach is certainly not one that Elder advocates. He likes to know that the audience are enjoying themselves and the feedback is good for both him and his orchestra. (Haven't I said this so many times...)

I also discovered that Elder loves the classical guitar and he asked about the various nail problems that guitarists are doomed to endure.
Now I know he likes the guitar, maybe I should send him a couple of Robin's concerti...After all, the Liverpool Philharmonic have played one, maybe it's now time for the Halle.
As for Robin, I'm afraid he missed it all - he was at home looking after the children!

Robin Hill with Russell Watson

We found this video footage the other day of Robin performing on BBC1, back in 2001, with Russell Watson.

This came about as Robin had been performing on 'Friday Night is Music Night' for BBC Radio 2, and Russell was on the same show. Having heard him play, Russell then contacted us, to collaborate for the performance you can see today.
This was actually the first time that Robin and Russell played together, but they went on to perform on many other occasions, in venues such as, 'The Bridgewater Hall', 'St.David's Hall' Cardiff, 'NEC - Birmingham' and 'BBC Proms in the Park'.

Robin always enjoys performing with other musicians and these concerts were no exception.

This footage is Russell singing 'Caruso', by Dalla, accompanied by Robin on guitar, and some members of the string section of the 'BBC Philharmonic'.

The voice is a powerful instrument, and unfortunately, the sound of the guitar is sometimes low in the mix, but you can still hear what is going on, and there are some fine examples of the tremelo that we were discussing the other day.

Enjoy!