Toucan Play...

The concert last night evolved in a rather extraordinary way for two musicians from Huddersfield.
They actually first met in Lima airport, Peru!
Robin spotted Simeon, submerged beneath a pile of flute cases, and likewise, Simeon rightly surmised, with incredible deductive powers, that Robin was also a musician, as he was sitting with his guitar flight case.
The two struck up a conversation and found they were destined for the same place.

Here they are, later in the trip when they were in Costa Rica:



Last night the venue was full, with some members of the audience travelling quite large distances, as they had previously seen the pair play when in South America.


The programme was eclectic, with Simeon playing a wide variety of flutes and pan pipes in a combination of duets and solo performances.

Programme:

Entracte - Jacques Ibert Robin Hill/Simeon Wood

Fairie Queen - Trad. Robin Hill/Simeon Wood

She Moved Through the Fair - Trad. Robin Hill/Simeon Wood

Malaguena - Trad. Robin Hill

Un Dia de Noviembre - Leo Brouwer Robin Hill

Tango En Skai - Roland Dyens Robin Hill

Gabriel's Oboe Theme - Ennio Morricone Simeon Wood

Devotion - Simeon Wood Simeon Wood

Concerto in D - Vivaldi Robin Hill/Simeon Wood


INTERVAL

Sonata in D - Christian Gottlieb Scheidler Robin Hill/Simeon Wood

Grasping the Thistle - Simeon Wood Simeon Wood

Adagio: Concierto de Aranjuez - Rodrigo Robin Hill

Rakes of Kildare - Trad. Robin Hill/Simeon Wood

Danza Brasileira - Robin Hill Robin Hill


ENCORE

Improvisation - Robin Hill & Simeon Wood (Chinese Flute)

The concert was a great success and both musicians look forward to playing together in the near future.

Costa Rica not Really Calling, and Jazz, Brains, and Dreams.

Since I last blogged Robin has been to Limon, Costa Rica, and is now on his way to Honduras.
It's a shame communication is so difficult at the moment, as he assures me he has some great photographs, some of which I would have shared with you.
Today though, he is hard at work, practising his guitar, in preparation for tonight's concert.

However, this did leave me free to look at other things, and I came across this article in 'The Philadelphia Inquirer', by Lauran Neergaard, 'Researchers hope that Jazz can reveal the brains secrets'.

This is an area that has always interested me.
In fact, many years ago I wanted to carry out some research on the Hill/Wiltschinsky Guitar Duo.
I was going to wire them up, and monitor their brain activity, whilst playing their guitars, and again whilst resting.
I also toyed with the idea of carrying out the same experiment as they performed in concert.
They weren't as keen on this idea, mainly because the pressures of performing are quite enough, without trying to do so with many electrodes stuck to your head. There's also no getting away from the fact that it looks pretty ridiculous.
As it turned out the logistics of getting the duo into the laboratory proved too difficult.
They were touring extensively around the world, so I had to change my plans, and looked at stress instead. (Which has proved very helpful in its own right!)

Anyway, back to the article, which I recommend you read, as I'll only give you the general principles here.
Scientists in Washington have chosen jazz musicians to learn more about where creativity comes from, by looking inside their brains.
It's done using an MRI scanner, showing the brains activity, and providing a chance to observe cognitive functioning.

Charles Limb decided to compare activity between musicians playing from memory, to when they improvise, and he carried out his research with Allen Braun of the National Institute of health.

They found that being creative, when improvising, uses the same part of the brain as when dreaming, inhibition is switched off, and expression switched on. The musicians also showed heightened sensory awareness, ie, touch, hearing and sight.

They did recognise that highly trained musicians brains may work differently to amateurs, which is the area Limb and Braun want to look at next.

I find all this fascinating.

Whilst I haven't carried out any scientific research on this area myself, in a home made, 'not so random sample' of one, that is, of course the musician Robin Hill, I certainly do see a difference in the way he thinks when in a composing mode, compared to when he's in a practise or performing mode.
Also, if creativity uses the same area of the brain as when dreaming, then I can tell you, Robin has some pretty weird dreams.
Maybe I shall have to start comparing his dreams when he's been composing, to when he hasn't been composing.....There's a thought.
As the British novelist, William Golding once said:
"Sleep is when all the unsorted stuff comes flying out as from a dustbin upset in a high wind."
Robin better beware when he gets home.
I might just start waking him up, notebook in hand.

Jose Feliciano and the Ventriloquist

Crystal Symphony has spent a couple of days out at sea, so communication has been limited.
The last time Robin was on dry land, he ventured into Puntarenus, Costa Rica.
He proceeded with caution after the bus driver told him a few facts about the area.
Costa Rica has 36 types of poisonous snakes, they have anti venom for 35 of them, so advised not getting bitten by a sea snake....

Not to be deterred Robin continued into town where he found an interesting shop.
His ability to spot guitars at more than 100 paces is legendary.
From a great distance he saw a very old shop, with some dusty guitars hanging in the window.
His heart leapt.
Could there be a priceless guitar hiding in the back of this place? Maybe even one of Barrios's very own...
But he was to be disappointed.
The shop was full of guitars, all very old and tired, and all without strings. (For the non guitarists amongst you, guitars should never be left stringless.)
I breathed a sigh of relief.

Meanwhile, back out at sea, life on board Crystal Symphony continues.
Robin has been enjoying the company of a friend he made some time ago, and occasionally their trips coincide. His name is Mark Merchant and he is a comedian and ventriloquist.
He's a very funny man, I know because I've watched his DVD, 'Naked in a Full Length Mirror'.
They have also enjoyed attending each others very different performances.
Not only that, but they have managed a couple of games of paddle tennis, and eaten out together a few times.
He, like Robin, has travelled extensively and worked with many interesting people.
On one occasion Mark spent a few weeks opening for Jose Feliciano in Los Angeles.
Jose Feliciano is a guitarist, born in Purto Rico, who has managed a successful career despite being blind from birth.

After the first week, Mark and Jose still hadn't met.
But as Mark walked past Jose's dressing room, his voice called out, "Is that you Mark?"
He went inside.
Jose continued, "Hey, good to meet you man, you are a great ventriloquist - I haven't seen your lips move once."
Nice.

Anyway, Crystal Symphony will be arriving in Acapulco later today. I'm not sure if Robin will go ashore this time as his second, and final, concert is tonight. But it's only a couple of weeks since he was there anyway.
Mind you, I seem to recall that he liked it very much, so maybe he will allow himself a short excursion.
We'll see.

'Fiesta de Xabia' by Robin Hill - Guitar

Robin is enjoying some very pleasant weather, as he approaches Costa Rica on board Crystal Symphony, and I think he felt sorry for me back here in the frozen North of England.
So he sent me an audio file, of a piece of music he composed during a family holiday in the sun, to remind me of warmer times.
He recorded this piece just before Christmas, and wanted to share it with you as a taste of things to come, when he is home long enough to record the rest of the album!

The piece is called, 'Fiesta de Xabia'.

It was inspired by the bull running festival in Xabia which we witnessed whilst on holiday in Spain.
It's an incredible sight, the narrow streets are lined with cages, bulls are released into the street, and the men of the town literally run ahead of the bulls, diving into the protective cages at the last minute.
The piece reflects the mood of the whole town.

Ominous trills at the beginning signal the tension and excitement prior to the release of the first animal.
Then the exuberant theme announces the appearance of the first bull.
The increasing virtuosic variations depict the local young (and not so young) men who exhibit an amazing agility in avoiding the horns.
The slowing of the tempo towards the end shows the bull majestic as the final victor and the piece finshes with an ebullient restatement of the main theme.

Hope you enjoy it.

'Fiesta de Xabia' - composed and performed by Robin Hill

For now, you can hear 'Fiesta de Xabia' from the player in the sidebar.

And Finally...Home

Robin is home.
Although yesterday there were times when I thought it may have been quicker to go via South America after all!
After a long flight from LA, the last thing you need is your connecting flight to be cancelled.
It was.
Not once but twice.
Consequently it was some hours later than anticipated when Robin finally arrived home.
The delay caused a last minute problem with child care.
Thankfully a very good friend held onto our two in the school car park, and they were reunited with their Daddy under the bemused gaze of straggling school children, and the lollipop man.

Once home, Robin opened his case, and handed out these beautiful little boxes. They fit together like a puzzle, and are very unusual.
Mind you he did get them in Costa Rica.



But for now, Robin will just enjoy some time with the family.

Wife of a Musician - Part 2 - Travel

As Robin is on the Queen Victoria, somewhere between Costa Rica and Mexico, it seems appropriate to look at travel, because all musicians have to do it.

Robin's office is his music room, but, every time he goes out to work, long distances are involved.
In the early days, if he was performing in the UK, he would drive to the concert, give his performance, socialise with the organisers and guests, then drive home again, no matter how far, or how late he would arrive back.
But this is hugely impractical, exhausting, and a pace of life that can't be continued.
Now we have a 3 hour rule.
Any venue, more than 2 1/2 to 3 hours drive away, he stays over night, and returns refreshed the next day.

But frequently musicians don't only play in their home country, but, anywhere around the world.
Most people think it's a fantastic and glamorous way of life and in some ways it is.
However, if it's a two week tour somewhere, the musicians generally only see airports, hotels and venues, as they constantly move from city to city.
If they are lucky, they may get a day off at some point, and will then make the most of it.

I know how hard it is as I often travelled with the Hill/Wiltschinsky Guitar Duo.
Yes you get a feel for the country you are in, and hosts are very kind, usually entertain you, and show you a few historical sites. But on the whole, the same applies, airport, hotel, venue, hotel, airport.
I was lucky, as I would usually get an hour or so to look around, before the concert, whilst the duo prepared.
By morning, you pack up and move on.

Sometimes they would have midday concerts, or masterclasses, and then travel onto the next town in time for an evening recital.
So it is hard work.

But the travelling Robin is doing at the moment is different again.
He still has the long haul flights, but as he often performs on various incredible cruise ships, he gets to unpack, and his room becomes home, for the main part of the trip.
Depending on how his concerts fall within the trip, he will get to see more of the countries he visits.
But if they dock at a beautiful island somewhere and his concert is the next day, he really will only allow himself a short visit, as for him, the priority is, and always will be, giving the best performance he can.
But, as on this current trip, sometimes he's lucky.
He has performed his last concert and still has a few countries to visit, so will go ashore and make the most of it.

It's hard though. Can you imaging seeing some incredible place, but the very people you would love to share the experience with, are not there.
One memorable trip to Venice resulted in a huge 'phone bill as Robin took in all the beautiful buildings and relayed the scenes to me on the other end of the 'phone.

As the wife of a musician you have to accept that they will be away from home, and sometimes for quite long periods.
So often you hear of musicians relationships failing because of these separations.
But I knew about Robin's travelling when we married, and have accepted it as part of our way of life.
Luckily, I have always been the sort of person that has plenty of things to do, and keep myself very busy. In fact, when Robin is away my work load obviously increases, so I often find I have too little time to achieve all I need!

That doesn't mean it's easy, you just learn how to cope with it.
It is hard at times and particularly for the children.
They miss him very much, but are also accepting of the situation and, for them, it's normal.
We have all learnt to make the most of the times when Robin is home, and in some ways, are all happier for it.
Musicians have to play, not just to earn a living, but also because it is a basic need.
Without his music he wouldn't be the man I married, simple as that.