The Robin Hill Quartet play Claude Bolling - 'Concerto for Classic Guitar & Jazz Piano Trio'

I am delighted to announce the release of, The Robin Hill Quartet's recording of Claude Bolling's Concerto for Classic Guitar & Jazz Piano Trio. You can find it on iTunes, Amazon UK, Amazon USA, CD Baby, and wherever you normally buy your music!

Recent review: 5* "Simply amazing. Sheer musical quality from Robin Hill and his trio. I would urge all of you to purchase this and listen to one of the worlds greatest guitarists have fun!" Verified Purchase - Andrew Wright.

This is a unique piece allowing the classical guitar to be heard in unfamiliar company. The chief protagonists are the guitar and the piano who partake in a fascinating dialogue throughout the seven movements.

To hear the classical guitar in this company is refreshing and exciting. I should know, as I have performed the piece many times live, and audiences love it.

One of the most difficult challenges in performing this work is finding the right players. I've been lucky enough to manage this twice! Firstly with Eklectica and secondly, this current recording with the Robin Hill Quartet.

The guitar's role is primarily, but not exclusively, in classical style. For example, the opening movement requires technical precision allied with a classical approach but the 'Africaine' begs for a laid-back jazz groove.
The piano's role is both as an improvising jazz voice combined with the discipline of more classical writing. Thus it is very challenging to find a pianist who is comfortable in both camps. Stephen J. Wood fits the bill perfectly.

The percussion part is equally demanding and I have never heard it played better, or more effectively than by Maurice Cheetham. He combines energy, accuracy and groove with the needle-sharp articulation of a classical percussionist.

Dave Lynane supplies the essential jazz feel plus a significant contribution to the ensemble sound. The timbre of his double bass compliments the classical guitar beautifully.

I hope you enjoy the music, here is a review of a live performance we gave of this piece:

"This was the first performance by the quartet, consisting of Steve Wood, (Keyboards), Dave Lynane (Bass), Maurice Cheetham (drums) and Robin Hill (Classical Guitar). Of course, Robin Hill's reputation as a guitarist par excellence preceded him, but the quartet was an unknown quantity.
The second half was taken up entirely by Claude Bolling's seven-movement Concerto for Guitar and Jazz Trio. I am firmly convinced that it is only the unusual line up that has stopped this piece being played more often. It was melodic, firmly entrenched in jazz, and contained a heady mixture of classical, Latin American and other styles too. I was left with the impression of a piece one must simply hear again. The playing throughout was impeccable. It was very demanding on them all and, for a first performance by the band, we had all experienced something remarkable." Chris Dumigan - Classical Guitar.

Available from: iTunes, Amazon UK, Amazon USA, CD Baby and all digital outlets.

Claude Bolling's 'Concerto for Classic Guitar and Jazz Piano Trio', Now on iTunes

An update for all classical and jazz fans.
Recently Robin Hill's 'Eklectica' released Claude Bolling's, 'Concerto for Classic Guitar and Jazz Piano Trio', on CD Baby.
To read more about the concerto go here.

Due to the wonders of modern technology, it is now on iTunes and will shortly be available on many other digital download sites.

As well as the concerto, you can also hear, 'The Incredible Lightness of Being' by Robin Hill, 'Largo' - J.S.Bach, 'Eternal Dance' - Robin Hill, Danza del Altiplano - Leo Brouwer and 'Waltz' by Daniel Bath with electric sitar and electric guitar.

Meanwhile here at Hillhouse preparations continue for Robin's next trip.
There seems to be such a lot to do.
It's not as if I'm packing him off to Peru or anything.
Oh, hang on, I am.
That's just where he's going.
More on that over the next few weeks.

Robin Hill Plays Claude Bolling's 'Concerto for Classic Guitar and Jazz Piano Trio'

To hear extracts from all the movements from Claude Bolling's 'Concerto for Classic Guitar and Jazz Piano Trio', go to iTunes or follow 'Eklectica' link.

Claude Bolling is a French pianist/composer, born in Cannes in 1930.
Bolling was a child prodigy and as a 14 year old boy won an amateur jazz contest in Paris.
By the following year he had formed his own group which was influenced by the music of Duke Ellington, who had become a friend and mentor.
Bolling has also been hugely influenced by New Orleans jazz.

By 1948 Bolling was playing with American musicians such as Lionel Hampton, Roy Eldridge and Kenny Clark.
In 1955 he formed his own orchestra, known as the, 'Show Bizz Band', which continued performing into the 1980's.
He has written numerous film scores and is particularly well known for his semi-classical compositions.

The idea of associating jazz and classical music has often inspired a diverse range of musical personalities. George Gershwin, Dave Brubeck and Jacques Loussier, to name a few.
Bolling's first fusion was in the 1970's when he composed, 'Suite for Flute and Jazz Piano', which quickly became a favourite for both jazz and classical listeners.
The following, 'Suite for Violin and Jazz Piano', commissioned and recorded by Pinchas Zukerman in 1977, was also hugely successful.

But it was Bolling's third work of this kind, 'Concerto for Classic Guitar and Jazz Piano Trio', which interests us today.
Of the concerto Bolling said, "The writing needed very special attention so that the piano would not predominate over the guitar."
This is a known problem when composing for guitar and piano as they do not naturally work well together.
Jazz pianists frequently have to reduce their left hand activities to allow the guitar a sonic space in which to be heard.

Bolling certainly achieved his objective in the composition of this concerto.
The 'Concerto for Classic Guitar and Piano Jazz Trio', is a rarely recorded, and substantial work in seven movements.
Robin has collaborated with a group of musicians from diverse musical backgrounds to bring you 'Eklectica'.
They are:
Robin Hill - Guitar/elctric guitar/electric sitar/percussion
Daniel Bath - Piano/Vocals
Maurice Cheetham - Percussion
Dave Lynane - Bass

I have heard 'Eklectica' perform all the music on this CD live, and it really is a fabulous, and highly varied concert.
Today we shall look at the seven movements of the, 'Concerto for Classic Guitar and Jazz Piano Trio', of which Robin gave the UK premiere.


1) Hispanic Dance.

This movement has a South American theme in 5/4 time, which later alternates with the more seductive jazz feel of 4/4 time. This allows for much improvisation on the piano, and as the movement progresses, both the guitar and the piano alternating and sharing the statements of the opening theme.
The guitar part is demanding and we are reminded of Dave Brubeck's 'Blue Rondo a la Turk'.

2) Mexicaine.

The second movement, Mexicaine, also contrasts two themes. It is said that Mexican street musicians inspired the 5/8 rhythm that dominates much of this movement.
Initially the guitar focuses on a nostalgic lament, before the piano, bass and drums develop into a more jazz influenced melody.

3) Invention.

Invention begins with a baroque dialogue between guitar and piano whilst the bass and drums play an insistent ostinato.
The piano and bass then improvise in turn against the main theme, until the guitar reappears to resume their interplay which culminates in the conclusion of the movement.

4) Serenade.

The guitar opens the fourth movement with slow arpeggios developed harmonically. This continues as the piano enters with the theme and the bass and drums enter softly, one by one, to give the movement a bossa nova feel.

5) Rhapsodic.

This movement commences with the guitar playing a long series of perfect major and minor triads until a new pattern develops, commencing with the double bass, then piano, then drums, which is suggestive of a ballad.

6) Africaine.

Here there are two principle themes, fast paced and strongly accented. The first incantatory, the second more melodic, but, rhythmically complex. Robin improvised his own cadenza which heralds the return of the main theme.
An excellent sense of timing is required to draw on both the classic and the the jazz elements in this movement.

7) Finale.

As the title suggests, this is the finale to the whole piece, a reprise of the six preceding movements, and a mixing of the two main themes from 'Hispanic Dance' and 'Mexicaine', to give a fitting and brilliant finale.

To hear extracts from all the movements follow the 'Eklectica' link.