My ears and head are aching.
For weeks now we have been testing microphones and trying out various settings.
In just the last 3 or 4 days, I have listened to 109 takes of, 'Un Dia de Noviembre' by Leo Brouwer.
It isn't the playing that I am expected to comment on, but the sound, timbre, balance, etc.
I have added sound engineer to my list of jobs....
Finally, we have settled on a microphone, and now we can focus back on the music.
It was with great joy that I listened to take 109, and enjoyed the piece and the playing, rather than scrutinising the sound.
Hopefully recording will commence next week....
As you know, I have been following the progress of David Juritz in his project, 'Around the World and Bach', as I feel it is not only an interesting concept, but also supporting a worthwhile cause.
David has added a 'round up' of the first week over on his site, which, is a good way to gain insight into what he is doing.
I was particularly pleased to see that he acknowledged the strain that this project puts on his wife Jane.
It's difficult enough when tours are organised down to the last detail, but when you are literally playing to pay your way, there is obviously more at stake.
There's no doubt that it is hard for the performer to be away from home.
Robin always finds this difficult, particularly when travelling alone, although he does of course have his guitar!
But, it is also hard for those left behind.
As David has said, 'Jane is sounding tired and trying not to show her anxiety, alongside the increased workload of updating websites and dealing with 'phone calls'.
In case Jane, or David for that matter, read this, remember, it will all be worth it.
I have blogged before on the situation that 'wives of musicians' find themselves in.
It's pretty well summed up on a post, 'Traits of a Guitar Widow', over on 'Guitarist Widow' site.
The instrument doesn't really matter, if you are married to a musician, then you'll understand.
So as Jane, fends off calls, deals with websites, looks after children, runs the home, and if it's anything like our house, receives many calls from various parts of the world - day and night - just to make contact, then remember, you are not alone....
'As always, it was sheer pleasure to observe Robin Hill's remarkable fluent technique: everything looks easy when he plays it.' Colin Cooper- Classical Guitar Magazine ----- 'Wonderful for their (Hill & Wiltschinsky) precision, touch and clarity of sound... refined virtuosity, the achievement of a long interpretive process.' Il Giornale D'Italia (Rome) ----- 'I loved your CD and thought your technique and performance were fabulous...' Rick Wakeman