The Beatles, Sgt Pepper -Segovia -The Zimmers - Rosslyn Chapel

The Beatles were one of the factors that decided Robin's fate in life, (Bach, 'Chaconne' was another, but I'll save that one for now.)

The Beatles themselves recognised the importance of classical music and George Harrison once said that, "Segovia is the Daddy of us all."
On hearing this, Segovia's response was, "These pop stars might be nice boys, but what they are doing is obscene and a disease."
Sorry Segovia, I just have to disagree with you, on that one. Maybe he just wasn't quite ready for The Beatles.

Celebrations are underway to acknowledge that 40 years have elapsed since the recording and release of 'Sgt Pepper's Lonely Hearts Club Band'.
This incredible album, which sounds as fresh as the day it was released, is being re-recorded by various artists, Bryan Adams, Razorlight, Kaiser Chiefs, to name a few.
Read Robert Sandall's report, 'It was 40 years ago today', for the full story.
Whilst I can't imagine anyone bettering The Beatles own performance, I'll be watching BBC2 on Saturday at 10.45pm, to see what's going on.

Meanwhile, 'The Zimmers', continue to take the world by storm.
They have now had a complete makeover. Read,'From Gran to Glam - Zimmer's new look is a huge hit' , by Hilary Alexander.

Also, you can watch this short video clip, 'Rosslyn chapel: making the stonework sing', to see just how the code was cracked.

YouTube video - Robin Hill

Today I have decided to post Robin's YouTube video on the site. It gives me the opportunity to explain a little about each of the pieces, or rather extracts, that you hear, and for those interested in watching a guitarist at work, you can see what Robin is doing!
As the opening credits role, you can hear, 'Eternal Dance', this is the first movement of 'Concerto Latino' for guitar and orchestra. It features a driving 5/8 rhythm with some occasional 7/8. It begins with solo guitar and light timpani roll before the orchestra then state the theme. This piece was originally composed for Robin's quartet, 'Eklectica', but he then expanded it onto an orchestral canvas.

The first piece that you can watch as well as listen to, is 'Return to Islay'. This piece was inspired during a visit to this remote Hebridean island during a tour with Hill/Wiltschinsky.
Although Robin had never visited the island before he felt the place was strangely familiar, hence the title, 'Return to Islay'.

'Dolor de Muelas' has a freewheeling samba groove and contains much improvisation. As for the title, well, translated it means toothache...The piece was composed and recorded during a very violent bout of toothache. I wish I was so productive when I didn't feel well...

'Canarios' by Gasper Sanz dates from the mid 1600s and was originally for baroque guitar. As the title suggests this lively jig hails from the Canary Islands and many will know this theme from the last movement of Joaquin Rodrigo's, 'Fantasia Para Un Gentilhombre' - composed for Andres Segovia in 1953.

With the closing credits you can hear, 'Arrival of the Queen of Sheba', which comes from the oratario, 'Solomon' by George Frideric Handel. It is eminently suited to performance on the guitar with it's rapid scales and arpeggios, the original dialogue between two oboes being replaced by guitar and recorder.

Over on YouTube many of the comments have been about Robin's technique, so here's an opportunity to observe him.