It has been a busy and very festive week here.
As son number two has now started school, we had a nativity to attend, in which he played a very brightly shining star.
Son number one has also had a busy schedule with the school choir.
Nerves were in tatters as we waited for his junior school concert, as he was reserve soloist for 'Once in Royal David's City'.
We watched the health of the main chorister over the week, and as it became apparent that he was fit and well, son number one could relax.
It did mean we had excellent seats for the performance though, and it was a wonderful evening.
Also, the same son had been asked, with a number of other choir members, to join the senior school this year for their Christmas service, in order to supplement the descant section.
Again, this was a fantastic event, there's nothing like good choir singing beautifully to really get you in the festive mood.
The descant voices came into their own in 'Hark! The Herold Angels Sing!', in one of the most popular arrangements of this piece by Sir David Willcocks in which the descants are added in the third verse.
Originally the lyrics were written by Charles Wesley, the brother of John Wesley, who founded the Methodist Church in 1739.
But initially it was sung to a different tune, and it wasn't until 100 years later that Felix Mendelssohn composed a Cantata, in 1840, to celebrate the 400th anniversary of Johann Gutenberg's invention of the printing press.
The English musician William Cummings then adapted the music to fit the lyrics already written.
Strange really, as Mendelssohn had requested the music not be used for any religious events, but, as was practice at the time, his wishes were obviously ignored!
I'm very pleased they were, as it is such a moving occasion to observe all those freshly scrubbed, youthful and innocent faces, singing so enthusiastically.
Then there was the Christmas Fair, and, not to mention helping out at the infants Christmas party, in which 200 very excited, and very loud, small children awaited the arrival of one 'Father Christmas'...
Whilst all this has been going on Robin has continued with his recording. He has, however, made a change to his positioning.
He has moved from the studio, which is quite separate from the rest of the house, to try out the music room.
The sound is better, and warmer, but the concern is that this is on the ground floor of the house, opposite the front door, next to the kitchen, and not far from the lounge.
School breaks up on Tuesday, so this could make for some interesting recording...
'As always, it was sheer pleasure to observe Robin Hill's remarkable fluent technique: everything looks easy when he plays it.' Colin Cooper- Classical Guitar Magazine ----- 'Wonderful for their (Hill & Wiltschinsky) precision, touch and clarity of sound... refined virtuosity, the achievement of a long interpretive process.' Il Giornale D'Italia (Rome) ----- 'I loved your CD and thought your technique and performance were fabulous...' Rick Wakeman