We have now reached Friday and John Dowland continues to ring through the house. At least we have progressed from one or two bars to the entire piece.
I'm still at the stage of enjoying it, which is a relief, but then, I haven't actually been around much to hear it...
As far as the recording in the music room goes, it hasn't been the children that are the problem, but me.
Why is it that when you really try to do something quietly it just doesn't happen?
There I was walking past the room, or rather creeping, (I can tell the difference between practice and recording sounds coming from the room) when I dropped the 'phone and there was a dreadful clattering sound followed by silence from the music room.
The music just stopped.
The silence more deafening and menacing than any noise, so I beat a hasty retreat.
Only to find the same 'phone rang a total of three times in the next 20 minutes....
I think at this point Robin realised that he may have to revert to plan A and move the equipment back upstairs.
Meanwhile we have allowed ourselves some time to relax and have been thoroughly enjoying the BBC adaption of 'Oliver Twist'.
We have been so surprised to read a couple of highly critical reviews. As far as we are concerned the casting is excellent, with all the characters truly convincing.
The filming is beautifully done and one of its greatest strengths is the squalor, filth and general dinginess of Fagin's place, in contrast to the opulent radiance of Mr.Brownlow's Georgian town house.
The music also works very well, who would have thought of using an accordion and banjo, together, in a Dicken's drama?
The reason I'm mentioning it is that I feel it is easy to be critical, yet difficult to achieve such high standards, and in our opinion, the story has been vividly realised and is a welcome change to the mind numbing drivel that is usually on T.V.
We are also in the process of preparing a Christmas treat for you all, so, watch this space.
'As always, it was sheer pleasure to observe Robin Hill's remarkable fluent technique: everything looks easy when he plays it.' Colin Cooper- Classical Guitar Magazine ----- 'Wonderful for their (Hill & Wiltschinsky) precision, touch and clarity of sound... refined virtuosity, the achievement of a long interpretive process.' Il Giornale D'Italia (Rome) ----- 'I loved your CD and thought your technique and performance were fabulous...' Rick Wakeman