News and comments are slowly trickling back on the two concerts performed so far.
The first, which was on Sunday, was very well attended and received.
Between two of the pieces, Robin had some rapid retuning to do, which he generally does very slickly as he introduces the next piece.
The altered string often tries to return to the original position, so one technique to prevent this, is to pull the string a few times so that it relaxes back to the tuning you require.
On this occasion, Robin was stretching the bottom E, whilst talking, but it 'slapped' back into position in a rather 'Stanley Clarke ' fashion.
He reassured his audience that he wasn't about to go into an 'Earth, Wind and Fire', style medley, and continued with the concert.
Audiences always seem to like the little personal touches, that are obviously not planned, and luckily Robin isn't fazed by things like that.
In fact, after the concert, he was talking to a couple who have been on board for 4 months as part of a world cruise. They had been to every classical concert in that time and said that Robin had the best response.
That's nice to know.
The second concert, which was on Monday, also went very well, although it wasn't an easy one for Robin.
The sea was rather rough and there was a certain amount of pitching and rolling going on. When you consider accuracy of finger positions is paramount, and millimeters make a difference, you can see that the moving neck of a guitar, that is beyond your control, is not going to help.
However, he did it, the audience enjoyed it, and he feels much better now!
Reviews
'As always, it was sheer pleasure to observe Robin Hill's remarkable fluent technique: everything looks easy when he plays it.' Colin Cooper- Classical Guitar Magazine -----
'Wonderful for their (Hill & Wiltschinsky) precision, touch and clarity of sound... refined virtuosity, the achievement of a long interpretive process.' Il Giornale D'Italia (Rome) -----
'I loved your CD and thought your technique and performance were fabulous...' Rick Wakeman
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