'As always, it was sheer pleasure to observe Robin Hill's remarkable fluent technique: everything looks easy when he plays it.' Colin Cooper- Classical Guitar Magazine ----- 'Wonderful for their (Hill & Wiltschinsky) precision, touch and clarity of sound... refined virtuosity, the achievement of a long interpretive process.' Il Giornale D'Italia (Rome) ----- 'I loved your CD and thought your technique and performance were fabulous...' Rick Wakeman

Friday, September 04, 2009

Samba, Bossa Nova and the Joy of Latin Homework

It has been very nice to have Robin home for a few weeks but he has not been idle.

He has been working hard on an alternative show which he has been asked to organise, featuring himself, plus an extensive band.

The pieces are varied, ranging from original compositions to arrangements of standards, which have all been given the 'Hill' treatment. There's everything from latin/jazz to swing and even some rock.

One piece, an original composition, is called Brasilia.

This is in a bossa nova style featuring guitar, bass, flute, clarinet, alto & tenor sax, trumpet, trombone, Latin American percussion and even a cuica. All resulting in a rather fabulous latin/jazz feel.

'Dolor de Muelas', which has recently been nominated for an award, is a piece in a samba style which has also been given the 'Big Band' treatment.

Arrangements have also been done for a number of well known pieces such as 'Can't Buy Me Love', 'Bach Prelude', 'Fragile', 'Here Comes the Sun', 'This Masquerade' 'Classical Gas' and many more, all naturally heavily featuring the guitar.

Amongst this musical extravaganza will also be a few pieces from Robin's solo guitar repertoire.

The whole show will be taken for a test drive before too long, and we will be searching for various musicians at some point.
But be warned, Robin is known for writing rather tricky trumpet parts, you only have to listen to 'Celebration' in the sidebar to see what I mean...
You can read more about Force Ten here.

Paul Griffin is responsible for hitting the very high notes on the trumpet. Based in New York, Paul was the product of a very musical background. His father Chris was one third of Benny Goodman's 'Biting Brass' trumpet section, and Paul himself played at John F. Kennedy's funeral.

I wonder if we can coax Paul back out on the road. That would be some show....

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